Phenomenal Stories Quarterly Vol 2 No 4 Winter 2019

We conclude 2019 with Phenomenal Stories Quarterly #5, Winter 2019, Vol. 2, No. 4, collecting together Phenomenal Stories #14, October; Phenomenal Stories #15, November; and Phenomenal Stories #16, December. The entire issues are contained herein with a couple of bonuses. Included are stories by Carole A. Tomlinson, J.D. Hayes-Canell, Richard H. Nilsen, Shawn M. Tomlinson, Haldor R. Hallum and many others. 2019 was a good year for the entire Phenomenal Magazines Group and we hope you have a chance to catch up with us as we prepare for 2020

In our 12th issue of Phenomenal Stories we celebrate, well, 12 months - a full year - of the magazine. We open with a sequel to the first wizard story - 'The Red Wizard' - 'The Blue Wizard' by J.D. Hayes-Canell. We also continue 'Time: Book 01: Timenami' by Shawn M. Tomlinson and the Hal Johnson Adirondack mystery, 'An Old-Fashioned Shooting' by Richard H. Nilsen. Next month, we continue our celebration with our Special Double Anniversary Issue. We look forward to the start of our second year with not only Phenomenal Stories, but also the sister publications, Phenomenal Stories Quarterly, Phenomenal Novels Magazine, Phenomenal Fiction Magazine and our annual best of, Lost Carcosa. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.

Survival, the IISS’s bimonthly journal, challenges conventional wisdom and brings fresh, often controversial, perspectives on strategic issues of the moment. In this issue: Barry Posen argues that Europe is better placed to defend itself militarily than many, including the IISS, have portrayed it to be Kori Schake examines the prospects of Republican politics in a post-Trump America Daniel Byman and Aditi Joshi call for protocols to curb the abuse of social media by malign agents and states Nigel Gould-Davies explains Russia’s stance on Belarus with reference to Moscow’s long history of involving itself in its neighbours’ affairs And nine more thought-provoking pieces, as well as our regular book reviews and Noteworthy column. Editor: Dr Dana Allin Managing Editor: Jonathan Stevenson Associate Editor: Carolyn West Assistant Editor: Jessica Watson

This new and updated edition of International Security Studies provides students with a comprehensive introduction to the subject of security studies, with a strong emphasis on the use of case studies to illustrate theoretical debates. In addition to presenting the major theoretical perspectives, the book examines a range of important and controversial topics in covering both traditional military and non-military security issues such as WMD proliferation, humanitarian intervention, food security and environmental security. The volume also offers a wide range of case studies providing detailed analyses of important global security issues. The 37 chapters contain pedagogical features and recommended further reading and are divided into five thematic sections: Conceptual and Theoretical Military Security Non-Military Security Institutions and Security Case Studies Updates for the second edition include: New chapters on cybersecurity and the insecurity of the LGBT community. Substantial revisions to existing chapters to incorporate analysis of important international political developments, including the Trump Presidency; ‘Brexit’; North Korean nuclear standoff; the Syrian Civil War; Yemen Civil War; Mediterranean migration crisis; Climate change diplomacy and the Sustainable Development Goals. This textbook will be essential reading for all students of security studies and highly recommended for students of critical security studies, human security, peace and conflict studies, foreign policy and International Relations in general.

The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film. With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon. The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions. The Japanese Cinema Book is divided into seven inter-related sections: · Theories and Approaches · * Institutions and Industry · * Film Style · * Genre · * Times and Spaces of Representation · * Social Contexts · * Flows and Interactions

This “disturbing yet fascinating” exploration of mass mania through the ages explains the biological and psychological roots of irrationality (Kirkus Reviews). From time immemorial, contagious narratives have spread through susceptible groups—with enormous, often disastrous, consequences. Inspired by Charles Mackay’s nineteenth-century classic Memoirs of Extraordinary Popular Delusions and the Madness of Crowds, neurologist and author William Bernstein examines mass delusion through the lens of current scientific research in The Delusions of Crowds. Bernstein tells the stories of dramatic religious and financial mania in western society over the last five hundred years—from the Anabaptist Madness of the 1530s to the dangerous End-Times beliefs that pervade today’s polarized America; and from the South Sea Bubble to the Enron scandal and dot com bubbles. Through Bernstein’s supple prose, the participants are as colorful as their “desire to improve one’s well-being in this life or the next.” Bernstein’s chronicles reveal the huge cost and alarming implications of mass mania. He observes that if we can absorb the history and biology of this all-too-human phenomenon, we can recognize it more readily in our own time, and avoid its frequently dire impact.

The polysemous German word Geschlecht -- denoting gender, genre, kind, kinship, species, race, and somehow also more -- exemplifies the most pertinent questions of the translational, transdisciplinary, transhistorical, and transnational structures of the contemporary humanities: What happens when texts, objects, practices, and concepts are transferred or displaced from one language, tradition, temporality, or form to another? What is readily transposed, what resists relocation, and what precipitate emerges as distorted or new? Drawing on Barbara Cassin's transformative remarks on untranslatability, and the activity of “philosophizing in languages,” scholars contributing to The Geschlecht Complex examine these and other durable queries concerning the ontological powers of naming, and do so in the light of recent artistic practices, theoretical innovations, and philosophical incitements. Combining detailed case studies of concrete “category problems” in literature, philosophy, media, cinema, politics, painting, theatre, and the performing arts with a range of indispensable excerpts from canonical texts -- by notable, field-defining thinkers such as Apter, Cassin, Cavell, Derrida, Irigaray, Malabou, and Nancy, among others -- the volume presents “the Geschlecht complex” as a condition to become aware of, and in turn, to companionably underwrite any interpretive endeavor. Historically grounded, yet attuned to the particularities of the present, the Geschlecht complex becomes an invaluable mode for thinking and theorizing while ensconced in the urgent immediacy of pressing concerns, and poised for the inevitable complexities of categorial naming and genre discernment that await in the so often inscrutable, translation-resistant twenty-first century.

“Laser-cut writing and a stunning intellect. If only every writer made this much beautiful sense.” —Lisa Taddeo, author of Three Women “Amia Srinivasan is an unparalleled and extraordinary writer—no one X-rays an argument, a desire, a contradiction, a defense mechanism quite like her. In stripping the new politics of sex and power down to its fundamental and sometimes clashing principles, The Right to Sex is a bracing revivification of a crucial lineage in feminist writing: Srinivasan is daring, compassionate, and in relentless search of a new frame.” —Jia Tolentino, author of Trick Mirror: Reflections on Self Delusion Thrilling, sharp, and deeply humane, philosopher Amia Srinivasan's The Right to Sex: Feminism in the Twenty-First Century upends the way we discuss—or avoid discussing—the problems and politics of sex. How should we think about sex? It is a thing we have and also a thing we do; a supposedly private act laden with public meaning; a personal preference shaped by outside forces; a place where pleasure and ethics can pull wildly apart. How should we talk about sex? Since #MeToo many have fixed on consent as the key framework for achieving sexual justice. Yet consent is a blunt tool. To grasp sex in all its complexity—its deep ambivalences, its relationship to gender, class, race and power—we need to move beyond yes and no, wanted and unwanted. We do not know the future of sex—but perhaps we could imagine it. Amia Srinivasan’s stunning debut helps us do just that. She traces the meaning of sex in our world, animated by the hope of a different world. She reaches back into an older feminist tradition that was unafraid to think of sex as a political phenomenon. She discusses a range of fraught relationships—between discrimination and preference, pornography and freedom, rape and racial injustice, punishment and accountability, students and teachers, pleasure and power, capitalism and liberation. The Right to Sex: Feminism in the Twenty-First Century is a provocation and a promise, transforming many of our most urgent political debates and asking what it might mean to be free.