Phenomenology And Perspectives On The Heart

This edited collection marks a new wave of international and philosophical scholarship on “the heart”- that rich dimension of our emotional being in the world. This text addresses the relation between feeling and knowing and investigates whether or not the heart has its own way of cognition and critique. This book takes up the emotional turn in philosophy in general, and phenomenology in particular, advancing this field through innovative and original perspectives. The contributions come from philosophers working in distinctive, yet overlapping areas of research.

This edited collection marks a new wave of international and philosophical scholarship on “the heart”- that rich dimension of our emotional being in the world. This text addresses the relation between feeling and knowing and investigates whether or not the heart has its own way of cognition and critique. This book takes up the emotional turn in philosophy in general, and phenomenology in particular, advancing this field through innovative and original perspectives. The contributions come from philosophers working in distinctive, yet overlapping areas of research.

Drawing on and developing the phenomenological work of figures such as Edmund Husserl and Max Scheler, Knowing by Heart: Loving as Participation and Critique provides an account of the various feelings and feeling‐states that pertain to matters of the heart. Anthony J. Steinbock’s work investigates the special kind of knowing that is revealed most profoundly through love. Knowing by Heart describes the movement of loving as a participation that bears on all beings. Eschewing the dichotomy of rationalism and sensibility that has dominated discussions of love and emotion, Steinbock understands the heart as a vast schema ranging from the deepest loving to affects and felt conditions. The book brings into focus the importance of a full‐bodied relational account of a normative critique based in emotion. From a phenomenological description of diverse feelings to the normativity of loving as the discernment of the heart, this work evaluates hating’s relation to loving. At the basis of all this is a phenomenological and philosophical anthropology in response to the basic question: In reality, who and what are we?

"Carr's purpose in his book is to outline a distinctively phenomenological approach to history. History is usually associated with social existence and its past, and thus his inquiry focuses on our experience of the social world and of its temporality. Experience in this context connotes not just observation but also involvement and interaction with it. Philosophers have asked both metaphysical and epistemological questions about history, and some of the best-known philosophies of history have resulted. The phenomenological approach proposed here is different but related to these traditional philosophical questions, and Carr focuses in some detail on how phenomenology may connect to them"--Provided by publisher.

This study provides a philosophical analysis of different types of religious experience, focusing on the lived experience of religion.

Winner, 2015 CSCP Symposium Book Award Moral Emotions builds upon the philosophical theory of persons begun in Phenomenology and Mysticism and marks a new stage of phenomenology. Author Anthony J. Steinbock finds personhood analyzing key emotions, called moral emotions. Moral Emotions offers a systematic account of the moral emotions, described here as pride, shame, and guilt as emotions of self-givenness; repentance, hope, and despair as emotions of possibility; and trusting, loving, and humility as emotions of otherness. The author argues these reveal basic structures of interpersonal experience. By exhibiting their own kind of cognition and evidence, the moral emotions not only help to clarify the meaning of person, they reveal novel concepts of freedom, critique, and normativity. As such, they are able to engage our contemporary social imaginaries at the impasse of modernity and postmodernity.

This book explores sacrifice as a narrative theme and a stylistic strategy in works by May Sinclair, Mary Butts and H. D. It argues that the modernist experiment with pronoun use informs the treatment of acts of sacrifice in the texts, understood both as acts of self-renunciation and as ritual performance. It also suggests that sacrifice, if the conditions are right, can serve as the structure upon which a cohesive community might be built. The book offers in-depth analyses of the three authors and their works, deftly dissecting the modernist narrative experiment to show that it was by no means limited — it was a means by which to approach a wide range of stories and materials.

This collection of groundbreaking essays considers the many dimensions of prayer, and takes up the meaning of prayer from within a uniquely phenomenological point of view.