Philosophy Art And Religion

Systematically explores the affinity and the rivalry between art and religion, focusing at length on music, visual art, literature, and architecture in turn.

This volume serves to fill a lacuna in the literature of the analytic philosophy of religion by relating key philosophical themes to broader aspects of the humanities, such as visual art, literature, and pop culture studies. The essays here range from discussions of the nature of art and religious experience, to the role of art in religious dialogue, and the function of narrative in religious discourse, as well as cultural media and artistic and phenomenological experience.

A reprint, with new Introduction, of the Harper Torch edition of 1970. The famous introductory lectures collected in this volume represent the distillation of Hegel's mature views on the three most important activities of spirit, and have the further advantage, shared by his lectures in general, of being more comprehensible than those works of his published during his lifetime. A new Introduction, Select Bibliography, Analytical Table of Contents, and the restoration in the section headings of the outline of Hegel's lectures make this new edition particularly useful and welcome.

You don't really need a description, but I'm required to give one since I have to have an at least 200 character description to submit the book, so here is 200 characters, once I reach those 200 characters. Still haven't reached 200 words, watching the counter go down as I type here. If you come across Max Stirner before, you don't need a description here, if you haven't come across Stirner before, here's your description:

This volume offers an unusual variety of topics presented during the sixth annual Oberlin Colloquium in Philosophy. The subjects covered include: refuting J. L. Austin's attempt to destroy philosophers' assumptions on the nature and purpose of a “statement;” false premises found in “St. Anselm's Four Ontological Arguments;” pain in connection with brain-state and functional-state theories; aesthetics in light of questions of fraudulence in modern art and music, and an analytical deconstruction of mystical experience.

Timothy J. Golden presents an existential, phenomenological, and political interpretation of Douglass's use of narrative. Reading Douglass with Kierkegaard, Kafka, Kant, and Levinas, Golden argues that analytic theism is an inauthentic preoccupation with knowledge at the expense of a concrete moral sensibility that Douglass's narrative provides.