Piano Teacher S Guide To Creative Composition Music Instruction

(Educational Piano Library). This book is meant to assist teachers who wish to introduce their students to creative composition but have limited lesson time available and feel the need for some direction in starting and continuing the process successfully. The process involves devoting as little as five minutes of lesson time to composition, but at every lesson over a period of, for example, six to eight weeks. Suggestions in the concise Lesson Plans help bring about gradual changes or improvements from week to week that are enough to keep the piece developing, and, more importantly, to keep the student immersed and motivated in the process.

(Educational Piano Library). This book is meant to assist teachers who wish to introduce their students to creative composition but have limited lesson time available and feel the need for some direction in starting and continuing the process successfully. The process involves devoting as little as five minutes of lesson time to composition, but at every lesson over a period of, for example, six to eight weeks. Suggestions in the concise Lesson Plans help bring about gradual changes or improvements from week to week that are enough to keep the piece developing, and, more importantly, to keep the student immersed and motivated in the process.

(Educational Piano Library). This handy and thorough guide is designed to help the independent piano teacher in all aspects of running his/her own studio. Whether it be business practices such as payment plans, taxes, and marketing, or teaching tips involving technique, composition, or sight reading, this all-inclusive manual has it all! Topics include: Developing and Maintaining a Professional Studio, Finances, Establishing Lessons, Studio Recitals, Tuition and Payment Plans, Composition and Improvisation, Marketing, Communications with Parents, Make-up Policies, Zoning and Business Licenses, Teaching Materials and Learning Styles, The Art of Practice, Arts Funding, and many more!

Third in a series designed to expand the idea of music theory to points beyond the written page, to have students realize that the music they are performing, listening to, and composing evolves from the realm of music theory. Book 4 covers key signatures, rhythm, time signatures, major scales, fifths, intervals, and triads.

An authoritative and definitive handbook for teaching piano that contains charts, glossaries, and bibliographies with a carefully compiled index of subject matter for quick reference.

Foreword / Denes Agay -- 1. Essentials of Piano Performance. Elements of technique / Denes Agay -- Tempo / Denes Agay -- The metronome / Hazel Ghazarian Skaggs -- Rhythm / Denes Agay -- Teaching rhythm / Hazel Ghazarian Skaggs -- Dynamics / Denes Agay -- The riddle of the phrase / Denes Agay -- Phrasing and articulation / Denes Agay -- Fingering / Walter Robert -- Pedaling technique / Joseph Banowetz -- Ornamentation: theory and practice / Denes Agay -- 2. Theory and basic keyboard skills. Theory: the elementary aspects: an overview and selected list of texts / Hazel Ghazarian Skaggs -- Theory: the basis of musicianship / Rosetta Goodkind -- Scales, modes, and related terms: a glossary / Denes Agay -- Glossary of musical forms and dance types / Denes Agay -- The fundamentals of music notation / Denes Agay -- Sight reading: the basics, step by step / Denes Agay -- Memorization and performing from memory / Denes Agay -- Improvisation / Sylvia Rabinoff -- 3 . Approaches to Specific Teaching Tasks. The very young beginner / Hazel Ghazarian Skaggs -- The adult beginner / Hadassah Sahr -- Group piano teaching / Hazel Ghazarian Skaggs -- The piano teacher and the handicapped student / Anita Louise Steele -- Recitals / Hazel Ghazarian Skaggs. 4. Survey of styles and idoms. Styles in composition and performance / Denes Agay -- The search for authenticity (the lost art of thoroughbass playing) / Denes Agay -- Baroque keyboard instruments / Denes Agay -- Twentieth-century music: an analysis and appreciation / Judith Lang Zaimont -- What is jazz? / Stuart Isacoff -- Jazz and the piano teacher / Denes Agay -- The piano teacher and popular music / Denes Agay -- Arrangements: to teach or not to teach them / Denes Agay -- Chart of frequently-used chords / Denes Agay -- 5. Aspects of pedagogy. The training of the piano teacher / Hazel Ghazarian Skaggs -- Four-way piano teaching: criticism, demonstration, analysis, inspiration / Walter Robert -- What are the elements of a good piano lesson? / May L. Etts -- Rote playing and rote teaching / Denes Agay -- The tape recorder: an indispensible teaching aid / Ylda Novick -- The teacher-student relationship: some common-sense suggestions / Hazel Ghazarian Skaggs -- Parental involvement / Denes Agay -- Appx. 1: The master teachers and their pupils / Denes Agay -- Appx. 2: The keyboard composers : a selected chronological list / Denes Agay.

Music is a vital piece of life that not only allows individuals a chance to express themselves, but also an opportunity for people and communities to come together. Music has evolved in recent years as society turns toward a digital era where content can be shared across the world at a rapid pace. Music education and how it is spread has a number of possibilities and opportunities in this new era as it has never been easier for people to access music and learn. Further study on the best practices of utilizing the digital age for music education is required to ensure its success. The Research Anthology on Music Education in the Digital Era discusses best practices and challenges in music education and considers how music has evolved throughout the years as society increasingly turns its attention to online learning. This comprehensive reference source also explores the implementation of music for learning in traditional classrooms. Covering a range of topics such as music integration, personalized education, music teacher training, and music composition, this reference work is ideal for scholars, researchers, practitioners, academicians, administrators, instructors, and students.

Dynamic Group-Piano Teaching provides future teachers of group piano with an extensive framework of concepts upon which effective and dynamic teaching strategies can be explored and developed. Within fifteen chapters, it encompasses learning theory, group process, and group dynamics within the context of group-piano instruction. This book encourages teachers to transfer learning and group dynamics theory into classroom practice. As a piano pedagogy textbook, supplement for pedagogy classes, or resource for graduate teaching assistants and professional piano teachers, the book examines learning theory, student needs, assessment, and specific issues for the group-piano instructor.