Picturing Evolution And Extinction

With the increasing loss of biological diversity in this Sixth Age of Mass Extinction, it is timely to show that devolutionary paranoia is not new, but rather stretches back to the time of Charles Darwin. It is also an opportune moment to show how human-driven extinction, as designated by the term, Anthropocene, has long been acknowledged. The halcyon days of European industrial progress, colonial expansion and scientific revolution trumpeted from the Great Exhibition of 1851 until the Dresden International Hygiene Exhibition of 1930 were constantly marred by fears of rampant degeneration, depopulation, national decline, environmental devastation and racial extinction. This is demonstrated by the discourses of catastrophism charted in this book that percolated across Europe in response to the theories of Darwin and Jean Baptiste Lamarck, as well as Marcellin Berthelot, Camille Flammarion, Ernst Haeckel, Louis Landouzy, Félix Le Dantec, Cesare Lombroso, Thomas Huxley, Bénédite-Augustin Morel, Louis Pasteur, Élisée Reclus, Rudolf Steiner and Wilhelm Wundt, among others. This book presents pioneering explorations of the interrelationship between these discourses and modern visual cultures and the ways in which the “picturing of evolution and extinction” by artists as diverse as Roger Broders, Albert Besnard, Fernand Cormon, Hélène Dufau, Émile Gallé, František Kupka, Pablo Picasso, Carles Mani y Roig, Sophie Taeuber and Vasilii Vatagin betrayed anxieties subliminally festering over degeneration alongside latent hopes of regeneration. Following Darwin’s concept of evolution as Janus-faced, the dialectical interplay of evolution and extinction and degeneration and regeneration is explored in modern visual cultures in Australia, America, Britain, France, Germany, Russia, Spain and Switzerland at significant spatio-temporal junctures between 1860 and 1930. By unravelling the “picturing” of the dread of alcoholism, cholera, dysentery, tuberculosis, typhoid and rabies, alongside phobias of animalism, criminality, hysteria, impotency and ecological disaster, each chapter makes an original contribution to this new field of scholarship. By locating these discourses and visual cultures within the “golden age of Neo-Lamarckism”, they also reveal how regeneration was pictured as the Janus-face of degeneration able to facilitate evolution through the inheritance of beneficial characteristics in propitious environments. In striking such an uplifting note amidst the dissonant cacophony of catastrophism, this book reveals why the art and science of Transformism proved so appealing in France as elsewhere, and why visual cultures of regeneration became as dominant in the twentieth century as the picturing of degeneration had been in the nineteenth century. It also illuminates the paradoxical inversion that occurred in the twentieth century when devolution became equivalent to evolution for many Modernists. Hence, whilst this book opens with the picturing of indigenous people in Australia and North America as “doomed races” by the first publication of Darwin’s On The Origin of Species, it closes with the quest by 1930 for a regenerative suntan as dark as the skin of those indigenous people.

Mikhail Gorbachev and Zdenek Mlynar were friends for half a century, since they first crossed paths as students in 1950. Although one was a Russian and the other a Czech, they were both ardent supporters of communism and socialism. One took part in laying the groundwork for and carrying out the Prague spring; the other opened a new political era in Soviet world politics. In 1993 they decided that their conversations might be of interest to others and so they began to tape-record them. This book is the product of that "thinking out loud" process. It is an absorbing record of two friends trying to explain to one another their views on the problems and events that determined their destinies. From reminiscences of their starry-eyed university days to reflections on the use of force to "save socialism" to contemplation of the end of the cold war, here is a far more candid picture of Gorbachev than we have ever seen before.

The landscapes of Madagascar have long delighted zoologists, who have discovered, in and among the island’s baobab trees and thickets, a dizzying array of animals, including something approaching one hundred species of lemur. Madagascar’s mammal fauna, for example, is far more diverse, and more endemic, than early explorers and naturalists ever dreamed of. But in the past 2,500 or so years—a period associated with natural climatic shifts and ecological change, as well as partially coinciding with the arrival of the island’s first human settlers—a considerable proportion of Madagascar’s forests have disappeared; and in the wake of this loss, a number of species unique to Madagascar have vanished forever into extinction. In Extinct Madagascar, noted scientists Steven M. Goodman and William L. Jungers explore the recent past of these land animal extinctions. Beginning with an introduction to the geologic and ecological history of Madagascar that provides context for the evolution, diversification, and, in some cases, rapid decline of the Malagasy fauna, Goodman and Jungers then seek to recapture these extinct mammals in their environs. Aided in their quest by artist Velizar Simeonovski’s beautiful and haunting digital paintings—images of both individual species and ecosystem assemblages reproduced here in full color—Goodman and Jungers reconstruct the lives of these lost animals and trace their relationships to those still living. Published in conjunction with an exhibition of Simeonovski’s artwork set to open at the Field Museum, Chicago, in the fall of 2014, Goodman and Jungers’s awe-inspiring book will serve not only as a sobering reminder of the very real threat of extinction, but also as a stunning tribute to Madagascar’s biodiversity and a catalyst for further research and conservation.

This 2005 edition of The Evolution and Extinction of the Dinosaurs is a unique, comprehensive treatment of this fascinating group of organisms. It is a detailed survey of dinosaur origins, their diversity, and their eventual extinction. The book can easily be used as a teaching textbook for a class, but it is also written as a series of readable, entertaining essays covering important and timely topics appealing to non-specialists and all dinosaur enthusiasts: birds as 'living dinosaurs', the new feathered dinosaurs from China, 'warm-bloodedness'. Along the way, the reader learns about dinosaur functional morphology, physiology, and systematics using cladistic methodology - in short, how professional paleontologists and dinosaur experts go about their work, and why they find it so rewarding. The book is spectacularly illustrated by John Sibbick, a world-famous illustrator of dinosaurs, commissioned exclusively for this book.

Extinction is the ultimate fate of all biological species - over 99 percent of the species that have ever inhabited the Earth are now extinct. The long fossil record of life provides scientists with crucial information about when species became extinct, which species were most vulnerable to extinction, and what processes may have brought about extinctions in the geological past. Key aspects of extinctions in the history of life are here reviewed by six leading palaeontologists, providing a source text for geology and biology undergraduates as well as more advanced scholars. Topical issues such as the causes of mass extinctions and how animal and plant life has recovered from these cataclysmic events that have shaped biological evolution are dealt with. This helps us to view the biodiversity crisis in a broader context, and shows how large-scale extinctions have had profound and long-lasting effects on the Earth's biosphere.

"In the closing years of the twentieth century, many scientists, politicians, economists, and journalists are pointing out the inevitable dangers of humanity's current trajectory and calling our world culture unsustainable. But most of their visions of doom are based on a single area of expertise - pollution, population, deforestation, energy depletion, or various other threats from unbridled technology. They do not reflect the big picture, which may be far less bleak than they propose." "Ervin Laszlo, a long-standing member of the Club of Rome and an internationally renowned expert on global trends, sees opportunities even amid the dark news. With a background in science, economics, philosophy, and art, he ties diverse issues into a grand vision he calls the Fifth Wave - the complex interaction of trends that has led us to unprecedented "global stress." By exploring the underlying causes of the Fifth Wave, readers will gain a deeper perspective on daily headlines and a new hope for alternative directions for humanity." "Dr. Laszlo describes the era in which we live as the "Grand Transition," a time when classical assumptions have collapsed. The world is much more complex and the problems that surround us more difficult to understand, let alone solve, than ever before. But, he says, if we alter our perceptions of environmental, colonial, and social issues, we can still intervene successfully to resolve crucial global crises." "Dr. Laszlo gives specific recommendations for this renewed perception in the areas of education, communication, and information-gathering to help us navigate the turbulent waters of the twenty-first century. And most important, he shares signs of hope for the future: value changes in society, a green trend in politics, shifts in corporate culture, a paradigm shift in science, and the reinvigoration of spiritual life are all contributing to our ultimate evolution, not extinction." "Caught between fruitless despair and seemingly naive hope, thinking people throughout the world need an authoritative voice to offer guidance that points the way to real evolutionary change. In The Choice, Ervin Laszlo offers such a vision."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Elaborating on and updating Ward's previous work, The End of Evolution, Rivers in Time delves into his newest discoveries. The book presents the gripping tale of the author's investigations into the history of life and death on Earth through a series of expeditions that have brought him ever closer to the truth about mass extinctions, past and future.

A finalist for a Los Angeles Times book award, this contagiously enthusiastic book eloquently recreates the dramatic history of life and its great extinctions, and issues an unprecedentedly compelling call to act to preserve our planet's biodiversity. Line art & photos.