Picturing The Land

Emphasizing the ways in which social, economic, and political conditions determine representation, Marylin McKay moves beyond canonical images and traditional nationalistic interpretations by analyzing Canadian landscape art in relation to different concepts of territory. Taking an expansive and inclusive perspective on Canadian landscape art, McKay depicts this tradition in all its diversity and draws it into the larger body of Western landscape art, broadening the horizon of future study, appreciation, and criticism. Richly illustrated and filled with sophisticated and innovative commentary, Picturing the Land provides new and distinct histories of the landscape art of French and English Canada.

Stepping through time to past and present communities, settled in deep hollows and surrounded by ridges and mountains in Tennessee's Appalachia, is to confront a different and disappearing realm. Travel along Hogskin and Richland Valleys. Visit Frenches Mill and Dulaney General Store while passing cantilever barns, one-room school buildings and steepled churches. Listen as octogenarians Robert, Charles, Glenn and others explain life without electricity. Former Cades Cove residents Lois and Inez tell stories of living in the Great Smoky Mountains National Park before it was a national park. Authors Fred Brown, retired journalist, and Harry Moore, retired geologist, explore Tennessee's Appalachian region, recalling its culture, land and people before it vanishes into the abyss of time.

Catalogue of a touring exhibition held at the Art Gallery of Ontario, Toronto, June 20-September 20, 2015; Crystal Bridges Museum of American Art, Bentonville, Arkansas, November 7, 2015-January 18, 2016; and Pinacoteca do Estado de Saao Paulo, Saao Paulo, February 27-May 29, 2016.

We have entitled the work “The Picture in the Puzzle.” This new and original work is the culmination of an effort to help adult Bible students understand the entire Bible using a holistic Christ centered approach. There are over 100 original diagrams that show the many ways that the Bible can be understood as an overall, consistent and expanding story.

If it be the good fortune of this work to possess any interest for the Novel reader, that interest, perhaps, will be but little derived from the customary elements of fiction. The plot is extremely slight, the incidents are few, and with the exception of those which involve the fate of Vivian, such as may be found in the records of ordinary life. Regarded as a Novel, this attempt is an experiment somewhat apart from the previous works of the author. It is the first of his writings in which Humor has been employed, less for the purpose of satire than in illustration of amiable characters; it is the first, too, in which man has been viewed, less in his active relations with the world, than in his repose at his own hearth,—in a word, the greater part of the canvas has been devoted to the completion of a simple Family Picture. And thus, in any appeal to the sympathies of the human heart, the common household affections occupy the place of those livelier or larger passions which usually (and not unjustly) arrogate the foreground in Romantic composition. In the Hero whose autobiography connects the different characters and events of the work, it has been the Author's intention to imply the influences of Home upon the conduct and career of youth; and in the ambition which estranges Pisistratus for a time from the sedentary occupations in which the man of civilized life must usually serve his apprenticeship to Fortune or to Fame, it is not designed to describe the fever of Genius conscious of superior powers and aspiring to high destinies, but the natural tendencies of a fresh and buoyant mind, rather vigorous than contemplative, and in which the desire of action is but the symptom of health...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Scenes From Every Land: Picturing the People, Natural Phenomena and Animal Life of All Parts of the World One whale yields as much meat as 100 cattle.' The meat is very coarse-grained and tastes something like venison, but has a flavor peculiarly its own. Americans have eaten it for many days in succession, and found it -not only palatable but healthful. Canned in the Japanese fashion, it is vastly superior to much of the beef and other tinned foods now on sale in our markets. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.