Piney Woods Memories

When I was a little girl, my parents discussed Moving to the future home. Now that I am an adult, this phrase Comes back to me in my mind. The concept of future home implied to me That we would be moving to another place. How appropriate this future home memory Depicts my every-changing life.

In this poignant companion to Elijah of Buxton, two boys united by tragedy find friendship and adventure in the Canadian woods. Benji and Red couldn’t be more different. They aren’t friends. They don’t even live in the same town. But their fates are entwined. A chance meeting leads the boys to discover that they have more in common than meets the eye. Both of them have encountered a strange presence in the forest, watching them, tracking them. Could the Madman of Piney Woods be real? In a tale brimming with intrigue and adventure, Christopher Paul Curtis returns to the vibrant world he brought to life in Elijah of Buxton. Here is another novel that will break your heart—and expand it, too. This critically acclaimed story by National Book Award finalist Christopher Paul Curtis joins the Scholastic Gold line, which features award-winning and beloved novels. Includes extra bonus content! Praise for The Madman of Piney Woods “Humor and tragedy are often intertwined, and readers will find themselves sobbing and chuckling, sometimes in the same scene.” —Kirkus Reviews, Starred Review “A delight, featuring the author’s obvious love for his characters, his skillful use of sentiment, and his often hyperbolic humor.” —Booklist, Starred Review “Heady stuff. Funny stuff. Smart stuff. Good stuff. Better get your hands on this stuff.” —School Library Journal “So suspenseful . . . Curtis deftly makes what might have been simply heart-rending hopeful and redeeming instead . . . A thrill ride of a plot.” —TheNew York Times

This is the story of an extraordinary school in the piney woods of Mississippi and of the enduring people of Piney Woods Community who forged on against incredible odds to make a better world for themselves and their children. To these poor backwoods turn-of-the-century African Americans of Rankin County, Mississippi, Laurence C. Jones (1882-1975) brought the Booker T. Washington model of training African Americans to be good workers. Because the school followed Jim Crow social codes and mirrored what were then expedient race relations in the South, Piney Woods School thrived without controversy and with encouragement from Mississippi whites. It served a noble purpose by opening its doors for the educational training of underprivileged rural African American students as well as for the visually and physically impaired of the state at a time when there was absolutely no other institution for them. Piney Woods School: An Oral History is based upon a series of interviews with e

"Ain't nobody clean" : Glory! and the politics of black agency / W. Scott Poole -- Alex Haley's Roots : the fiction of fact / William E. Huntzicker -- A voice of the south : the transformation of Shelby Foote / David W. Bulla.

Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans. Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema.

This beautiful book of essays, illustrated by Mississippi's premier watercolorist Wyatt Waters, will ring true with treasured recollections of Christmases past. Remember the Christmas it snowed on the Mississippi Coast? Glen Allison recalls that miracle. Richard Ford and Waters tell exactly what they felt when they first laid eyes on a bicycle left under the tree by Santa Claus. These Mississippians celebrate Christmas pageants, the decorating, the family dinners--even as they recognize war and loss as part of our lives and sometimes part of our holidays. Christmas Memories from Mississippi looks at the holidays from the early 20th century through the present and offers the celebrations from various points of view, both religious and secular. This book makes an ideal memento of shared traditions and lovingly extends the spirit of the season across the state's diversity.

From the PREFACE by Fredericka A. Jacks, publisher: These writers recall not only the suffering but also the courage demonstrated by those who are sick and by those who participate in their illness. The writings consistently reminded us, in some ways, of Paul Tillich's expression (and the title to one of his books), the courage to be. In many of these writings the reader will be grasped by the human need for connection and the desire for existential meaning when confronted with pain and suffering. In pain we suffer a fear of non-existence and want to forget, but in the anxiety of forgetting we risk denying life. From the FOREWORD by John F. Lennon: PAIN AND MEMORY refuses to shy away from looking at those tender moments of pain. Whether it is unflinchingly writing about the moment of death ("Mack the Hermit") or trying to come to grips with the loss of a loved one ("Cartography") or the reeling that happens at the end of a relationship ("Heartless") or attempting to understand an injury ("After the Accident") or finding the exact words to discuss the feeling of being abandoned ("Kiribiri"), this anthology does not Hollywoodize pain or sanitize its imprint on those who are affected by it. Instead, these stories pull back the gauze that hides the day to day wounds of our lives and, with surgical precision, allows us to viscerally experience them. In the process, what this anthology will allow us to do as readers is revisit our own stories that we comfortably tell and retell, forcing us to dissect our own memories under the harsh light of truth. And if we are brave enough to look at this pain, as these authors do, what we might discover is a strength that reveals itself at the core of our humanity. After all, if it is true that from our birth to our death we are wrestling with pain, then, as these stories can attest, we are also spending every second of this time persevering as well.