Place In The Country

Whether your goal is food, profit or enjoyment, this book offers the 'eyes wide open' approach to creating your own beautiful, productive and sustainable rural landscape. You'll also find expert knowledge on FireWise landscape design, best practices for protecting your property and vital strategies for reducing the risk posed by bushfires. Suitable for old hands and first-timers alike, and for hobby farms of all shapes and sizes, A Place in the Country gives practical advice to help you achieve long-term peace and prosperity on the land.

A Place in the Country is W. G. Sebald’s meditation on the six artists and writers who shaped his creative mind—and the last of this great writer’s major works to be translated into English. This edition includes more than 40 pieces of art, all originally selected by W. G. Sebald. This extraordinary collection of interlinked essays about place, memory, and creativity captures the inner worlds of five authors and one painter. In his masterly and mysterious style—part critical essay, part memoir—Sebald weaves their lives and art with his own migrations and rise in the literary world. Here are people gifted with talent and courage yet in some cases cursed by fragile and unstable natures, working in countries inhospitable or even hostile to them. Jean-Jacques Rousseau is conjured on the verge of physical and mental exhaustion, hiding from his detractors on the island of St. Pierre, where two centuries later Sebald took rooms adjacent to his. Eighteenth-century author Johann Peter Hebel is remembered for his exquisite and delicate nature writing, expressing the eternal balance of both the outside world and human emotions. Writer Gottfried Keller, best known for his 1850 novel Green Henry, is praised for his prescient insights into a Germany where “the gap between self-interest and the common good was growing ever wider.” Sebald compassionately re-creates the ordeals of Eduard Mörike, the nineteenth-century German poet beset by mood swings, depression, and fainting spells in an increasingly shallow society, and Robert Walser, the institutionalized author whose nearly indecipherable scrawls seemed an attempt to “duck down below the level of language and obliterate himself” (and whose physical appearance and year of death mirrored those of Sebald’s grandfather). Finally, Sebald spies a cognizance of death’s inevitability in painter Jan Peter Tripp’s lovingly exact reproductions of life. Featuring the same kinds of suggestive and unexplained illustrations that appear in his masterworks Austerlitz and The Rings of Saturn, and translated by Sebald’s colleague Jo Catling, A Place in the Country is Sebald’s unforgettable self-portrait as seen through the experiences of others, a glimpse of his own ghosts alongside those of the men who influenced him. It is an essential addition to his stunning body of work. Praise for A Place in the Country “Measured, solemn, sardonic . . . hypnotic . . . [W. G. Sebald’s] books, which he made out of classics, remain classics for now.”—Joshua Cohen, The New York Times Book Review “In Sebald’s writing, everything is connected, everything webbed together by the unseen threads of history, or chance, or fate, or death. The scholarly craft of gathering scattered sources and weaving them into a coherent whole is transformed here into something beautiful and unsettling, elevated into an art of the uncanny—an art that was, in the end, Sebald’s strange and inscrutable gift.”—Slate “Magnificent . . . The multiple layers surrounding each essay are seamless to the point of imperceptibility.”—New York Daily News “Sebald’s most tender and jovial book.”—The Nation “Reading [A Place in the Country is] like going for a walk with a beautifully talented, deeply passionate novelist from Mars.”—New York

In the aftermath of the Second World War, Vienna is a crucible of fear and superstition, tense with the beginnings of the Cold War and rife with double agents. Robert Inglis, a young British army officer, has been posted to the ruined city to assist in restoring order and control. In the bitter cold of that post-war winter, a mystery railway wagon arrives from the east carrying a cargo of starving, half-dead men, among them the talented journalist Georg Kerenyi. Inglis forms an uneasy friendship with Kerenyi, and it is through him that he meets and is captivated by Julia Homburg, once the star of Vienna's theatre and now hidden away in the Austrian countryside, engaged in her private struggle to overcome the sorrow and devastation of the war.

Fifteen-year-old Issy and her newly single mother, Caroline Evans, are struggling to find their way alone, as well as together. At thirty-eight, with little money and all the responsibility for the two of them, Caroline is coming to terms with her new situation. When she decides to leave Singapore, home of her former well-off life (and her cheating husband), she ends up living in an English village pub, cooking dinners there to earn enough to get by, meeting unexpectedly quirky people, and making friends. But Issy still adores her father and secretly blames her mother for their change in life. Just as Caroline's dream of converting an old barn into a restaurant finally begins to take shape, her chance at happiness is threatened and hangs in the balance as whispers of murder and vengeance find their way to her. When Issy, who is hovering in that limbo between girl and young woman, begins to make some risky choices, the stakes are raised even higher. A Place in the Country is filled with emotions every woman will recognize as Caroline and Issy make their way in the world and do battle with those who would wish to see them lose their chances to gain their hearts' desires. Love and hate, blame and responsibility, deception and trust all collide in this novel that is Elizabeth Adler at her page-turning best. From The New York Times bestselling author comes an emotionally powerful novel about mothers and daughters, the secrets they share, and those they keep to themselves.

Chasing memories of the losses of his brother and father, the author, a young newspaper director, and his Australian wife visit the Cotswolds. On a whim they buy a cottage and Ian resigns. They slowly get to know Norman, their inscrutable and apparently terrifying neighbour; Geoff, the ebullient landlord of their eclectic local - last bastion against the encroaching gastropub - and Tom, an ex-gamekeeper, who lets Ian see something of a hidden rural culture. The delightful aspects of village life and an ever-changing landscape is evocatively captured; but it is from working with Norman on his small chaotic farm that they learn about the loss of the countryside to industrial farming and of no-longer affordable housing to the dreaded 'white settlers'. And it is shadows of the past and a seemingly segregated social world around them that begin to cast doubts on whether this is the place for them. This is a gentle lesson in taking time to confront our losses, memories and prejudices to discover a revitalised life in our own country.

In Country of Exiles, William Leach, whose Land of Desire was a finalist for the National Book Award, explores the troubling effects of our national love affair with mobility. He shows us how the impulse to pull up stakes and find a new frontier has always battled with the need to put down roots, and how a new cosmopolitanism has seized our national identity. Leach takes us across a featureless America, where strip malls homogenize a once varied and majestic landscape, and where casinos displace the Native American spiritual connection to the land. He shows us a culture where everyone, from CEOs to office temps, abandons the notion of company loyalty, and where rootless academics posit a world without borders. With compelling vision and insight, Leach reveals the profound but often hidden impact of America's disintegrating sense of place on our national and individual psyche.

In 1851 there were over a million servants in Britain. This book reveals first-hand tales of put-upon servants, who often had to rise hours before dawn to lay fires, heat water and prepare meals for their employers, and then work into the small hours. Yet there are also heart-warming stories of personal devotion, and reward, and of how the servants enjoyed themselves in their time off. There are moments of great poignancy as well as hilarity: a steward's dawning realisation that the housekeeper he befriended is a thief; a young footman chasing a melon as it rolls through a castle's corridors into the moat; the smart manservant weeping at the station as he bids farewell to his mother. This was an era when footmen were paid extra for being six foot or over, and female servants had to wear black bonnets to church. Drawing on letters, diaries, and autobiographies "Keeping Their Place" provides a vivid insight into the day-by-day lives of country house servants between the eighteenth and twentieth centuries.