Place Making In The Declarative City

Language in Text and Discourse is an innovative state-of-the-art interdisciplinary series of monographs and edited collections that focus on cutting-edge linguistic studies at the interface between discourse and society including corpus approaches. This series is a forum for studies of language in interaction with other semiotic modes which address the question of how meanings are activated, remade or re-shaped within a variety of contexts and interactions, such as social or textual structures, places, styles, or discursive moments. These are considered to be resources for placemaking or positioning, which correlate and are indexically linked with repetitive semiotic patterns. Verbal and non-verbal positioning as well as conventionalised forms of patterning determine, construe and reflect historically variable concepts of social reality. These are part of a complex network of discursive realities, power relations and voices. The series incorporates studies of social styling and language usage as well as processes of position-ing in a number of different linguistic as well as social, cultural, aesthetic and historical contexts. By transcending disciplinary boundaries the series is integrative in a number of ways. We will publish linguistic studies written in English or German about grammatical, knowledge-oriented, stylistic and sociolinguistic approaches within the fields of discourse analy-sis or corpus linguistics. These studies com-bine quantitative and qualitative investigations or represent mono- or multi-modal analyses. All submissions will be peer-reviewed.

Language in Text and Discourse is an innovative state-of-the-art interdisciplinary series of monographs and edited collections that focus on cutting-edge linguistic studies at the interface between discourse and society including corpus approaches. This series is a forum for studies of language in interaction with other semiotic modes which address the question of how meanings are activated, remade or re-shaped within a variety of contexts and interactions, such as social or textual structures, places, styles, or discursive moments. These are considered to be resources for placemaking or positioning, which correlate and are indexically linked with repetitive semiotic patterns. Verbal and non-verbal positioning as well as conventionalised forms of patterning determine, construe and reflect historically variable concepts of social reality. These are part of a complex network of discursive realities, power relations and voices. The series incorporates studies of social styling and language usage as well as processes of position-ing in a number of different linguistic as well as social, cultural, aesthetic and historical contexts. By transcending disciplinary boundaries the series is integrative in a number of ways. We will publish linguistic studies written in English or German about grammatical, knowledge-oriented, stylistic and sociolinguistic approaches within the fields of discourse analy-sis or corpus linguistics. These studies com-bine quantitative and qualitative investigations or represent mono- or multi-modal analyses. All submissions will be peer-reviewed. Editors: Beatrix Busse, professor of English linguistics, is Vice-rector for teaching and learning at the University of Köln (Germany). Ingo H. Warnke holds the chair of German linguistics and interdisciplinary linguistics at the University of Bremen (Germany).

In the wake of the Great Recession, American cities from Philadelphia to San Diego saw an upsurge in hyperlocal placemaking—small-scale interventions aimed at encouraging greater equity and community engagement in growth and renewal. But the projects that were the most successful at achieving these lofty ambitions weren’t usually established by politicians, urban planners, or real estate developers; they were initiated by community activists, artists, and neighbors. In order to figure out why, The City Creative mounts a comprehensive study of placemaking in urban America, tracing its intellectual history and contrasting it with the efforts of people making positive change in their communities today. ? Spanning the 1950s to the post-recession 2010s, The City Creative highlights the roles of such prominent individuals and organizations as Jane Jacobs, Christopher Alexander, Richard Sennett, Project for Public Spaces, and the National Endowment for the Arts in the development of urban placemaking, both in the abstract and on the ground. But that’s only half the story. Bringing the narrative to the present, Michael H. Carriere and David Schalliol also detail placemaking interventions at more than 200 sites in more than 40 cities, combining archival research, interviews, participant observation, and Schalliol’s powerful documentary photography. Carriere and Schalliol find that while these formal and informal placemaking interventions can bridge local community development and regional economic plans, more often than not, they push the boundaries of mainstream placemaking. Rather than simply stressing sociability or market-driven economic development, these initiatives offer an alternative model of community-led progress with the potential to redistribute valuable resources while producing tangible and intangible benefits for their communities. The City Creative provides a kaleidoscopic overview of how these initiatives grow, and sometimes collapse, illustrating the centrality of placemaking in the evolution of the American city and how it can be reoriented to meet demands for a more equitable future.

The contributions in this collection offer a wide range of stylistic perspectives on landscape, place and environment, by focusing on a variety of text-types ranging from poetry, the Bible, fictional and non-fictional prose, to newspaper articles, condo names, online texts and exhibitions. Employing both established and cutting-edge methodologies from, among others, corpus linguistics, metaphor studies, Text World Theory and ecostylistics, the eleven chapters in the volume provide an overview of how landscape, place and environment are encoded and can be investigated in literary and non-literary discourse. The studies collected here stand as evidence of the possibility of, and the need for, a “stylistics of landscape”, which emphasises how represented spaces are made manifest linguistically; a “stylistics of place”, which focuses on the discursive and affective qualities of those represented spaces; and a “stylistics of environment”, which reiterates the urgency for environmentally-responsible humanities, able to support a change in the anthropocentric narrative which poses humans as the most important variable in the human-animal and human-environment relationships.

What do planners need to know in order to use narrative approaches responsibly in their practice? This practical field guide makes insights from narrative research accessible to planners through a glossary of key concepts in the field of narrative in planning. What makes narratives coherent, probable, persuasive, even necessary - but also potentially harmful, manipulative and divisive? How can narratives help to build more sustainable, resilient, and inclusive communities? The authors are literary scholars who have extensive experience in planning practice, training planning scholars and practitioners or advising municipalities on how to harness the power of stories in urban development.

This book reflects the cutting edge in ecostylistic approaches to nature, the environment and sustainability as represented in contemporary non-literary discourse. Firstly, the book presents the ecolinguistic and stylistic terms and theories applied in this ecostylistic analysis (ecosophy, beneficial, ambivalent and destructive discourses; and foregrounding, point of view, metaphor), and reviews the most recent literature in the field of ecostylistics. Secondly, the book examines the occurrences of five marker words (nature, environment, ecosystem, ecology, sustainability) on the websites of five environmental organisations and agencies (Forestry England, Greenpeace International, National Park Service, Navdanya International, World Wide Fund for Nature). The main research purpose of this study is to identify beneficial discourses in the environet and to investigate the beneficial ecostylistic strategies utilised to produce them. Above all, this book reminds us humans that we do not stand apart from nature: we are a part of it. The book will be of interest to scholars of stylistics, ecolinguistics and ecocriticism, as well as scholars of discourse analysis, environmental communication and environmental humanities.

Corpus Linguistics, Context and Culture demonstrates the potential of corpus linguistic methods for investigating language patterns across a range of contexts. Organised in three sections, the chapters range from detailed case studies on lexico-grammatical patterns to fundamental discussions of meaning as part of the ‘discourse, contexts and cultures’ theme. The final part on ‘learner contexts’ specifically emphasises the need for mixed-method approaches and the consideration of pedagogical implications for real world contexts. Beyond its contribution to current debates in the field, this edited volume indicates new directions in cross-disciplinary work.

Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as case studies, Annika Eisenberg asks how sounds are aestheticised to signify urban space in fiction, and how sounds allow such fictional urban spaces to be navigated, both by auscultators, the characters listening within a work of fiction, and by auditeurs, the implied audience of a fictional work. Eisenberg argues that the concept of “urban sound” is a cultural and aesthetic construct, and in doing so, she shows why aesthetics needs to be front and center in sound studies.