Places Of Memory Spatialised Practices Of Remembrance From Prehistory To Today

This book examines spatialised practices of remembrance and its role in reshaping societies from prehistory to today; it presents a reflection on the creation of memories through the organisation and use of landscapes and spaces that explicitly considers the multiplicity of meanings of the past.

This book provides a comprehensive examination of death, dying, and human remains in museums and heritage sites around the world. Presenting a diverse range of contributions from scholars, practitioners, and artists, the book reminds us that death and the dead body are omnipresent in museum and heritage spaces. Chapters appraise collection practices and their historical context, present global perspectives and potential resolutions, and suggest how death and dying should be presented to the public. Acknowledging that professionals in the galleries, libraries, archives, and museums (GLAM) fields are engaging in vital discussions about repatriation and anti-colonialist narratives, the book includes reflections on a variety of deathscapes that are at the forefront of the debate. Taking a multivocal approach, the handbook provides a foundation for debate as well as a reference for how the dead are treated within the public arena. Most important, perhaps, the book highlights best practices and calls for more ethical frameworks and strategies for collaboration, particularly with descendant communities. The Routledge Handbook of Museums, Heritage, and Death will be useful to all individuals working with, studying, and interested in curation and exhibition at museums and heritage sites around the world. It will be of particular interest to those working in the fields of heritage, museum studies, death studies, archaeology, anthropology, sociology, and history.

Using Rome as a case study, this book examines how architecture and urbanism can be used to construct national identity.

This open access volume explores the impact of globalization on the contemporary study of deep-time art. The volume explores how early rock art research’s Eurocentric biases have shifted with broadened global horizons to facilitate new conversations and discourses in new post-colonial realities. The book uses seven main themes to explore theoretical, methodological, ethical, and practical developments that are orienting the study of Pleistocene and Holocene arts in the age of globalization. Compiling studies as diverse as genetics, visualization, with the proliferation of increasingly sophisticated archaeological techniques, means that vast quantities of materials and techniques are now incorporated into the analysis of the world’s visual cultures. Deep-Time Images in the Age of Globalization aims to promote critical reflection on the multitude of positive – and negative – impacts that globalization has wrought in rock art research. The volume brings new theoretical frameworks as well as engagement with indigenous knowledge and perspectives from art history. It highlights technical, methodological and interpretive developments, and showcases rock art characteristics from previously unknown (in the global north) geographic areas. This book provides comparative approaches on rock art globally and scrutinises the impacts of globalization on research, preservation, and management of deep-time art. This book will appeal to archaeologists, social scientists and art historians working in the field as well as lovers of rock art. .

How did past communities and individuals remember through social and ritual practices? How important were mortuary practices in processes of remembering and forgetting the past? This innovative new research work focuses upon identifying strategies of remembrance. Evidence can be found in a range of archaeological remains including the adornment and alteration of the body in life and death, the production, exchange, consumption and destruction of material culture, the construction, use and reuse of monuments, and the social ordering of architectural space and the landscape. This book shows how in the past, as today, shared memories are important and defining aspects of social and ritual traditions, and the practical actions of dealing with and disposing of the dead can form a central focus for the definition of social memory.

Memory can be both a horrifying trauma and an empowering resource. From the Ancient Greeks to Nietzsche and Derrida, the dilemma about the relationship between history and memory has filled many pages, with one important question singled out: is the writing of history to memory a remedy or a poison? Recently, a growing interest in and preoccupation with the issue of memory, remembering and forgetting has resulted in a proliferation of published works, in various disciplines, that have memory as their focus. This trend, to which the present volume contributes, has started to occupy the dominant discourses of disciplines such as sociology, philosophy, history, anthropology and archaeology, and has also disseminated into the wider public discourse of society and culture today. Such a condition may perhaps echo the phenomenon of a melancholic experience at the turn of the millennium. Archaeology and Memory seeks to examine the diversity of mnemonic systems and their significance in different past contexts as well as the epistemological and ontological importance of archaeological practice and narratives in constituting the human historical condition. The twelve substantial contributions in this volume cover a diverse set of regional examples and focus on a range of prehistoric and classical case studies in Eurasian regional contexts as well as on the predicaments of memory in examples of the archaeologies of 'contemporary past'. From the Mesolithic and Neolithic burial chambers to the trenches of World War I and the role of materiality in international criminal courts, a number of contributors examine how people in the past have thought about their own pasts, while others reflect on our own present-day sensibilities in dealing with the material testimonies of recent history. Both kinds of papers offer wider theoretical reflections on materiality, archaeological methodologies and the ethical responsibilities of archaeological narration about the past.

The thesis studies the role of architecture in societal remembrance, positioning itself in an overlapping field of architectural theory and memory studies. It offers a reading of the concept spatial framework of memory, conceived by sociologist Maurice Halbwachs as a component of the theory of collective memory, and addresses its development in the writings of Kevin Lynch, Aldo Rossi, Aleida Assmann, and Jan Assmann. With its focus on the built environment, as it is represented in the memory of individuals, the study stresses multiple perspectives and transitoriness rather than singularity and stability. It posits that architecture results from and gives rise to cognitive constructs that structure the memory of social groups. Further, it is argued that the spatial framework of memory, with its dual nature of internality and externality, acts as a catalyst for processes of recollection, challenging any view of the built environment as hypostatised memory. The concept is applied in an analysis of the debate about the Government Quarter in Oslo after the bombing on 22 July 2011. It is suggested that such events can alter memories associated with an environment and make them move between groups.

History, Power, Text: Cultural Studies and Indigenous Studies is a collection of essays on Indigenous themes published between 1996 and 2013 in the journal known first as UTS Review and now as Cultural Studies Review. This journal opened up a space for new kinds of politics, new styles of writing and new modes of interdisciplinary engagement. History, Power, Text highlights the significance of just one of the exciting interdisciplinary spaces, or meeting points, the journal enabled. ‘Indigenous cultural studies’ is our name for the intersection of cultural studies and Indigenous studies showcased here. This volume republishes key works by academics and writers Katelyn Barney, Jennifer Biddle, Tony Birch, Wendy Brady, Gillian Cowlishaw, Robyn Ferrell, Bronwyn Fredericks, Heather Goodall, Tess Lea, Erin Manning, Richard Martin, Aileen Moreton-Robinson, Stephen Muecke, Alison Ravenscroft, Deborah Bird Rose, Lisa Slater, Sonia Smallacombe, Rebe Taylor, Penny van Toorn, Eve Vincent, Irene Watson and Virginia Watson—many of whom have taken this opportunity to write reflections on their work—as well as interviews between Christine Nicholls and painter Kathleen Petyarre, and Anne Brewster and author Kim Scott. The book also features new essays by Birch, Moreton-Robinson and Crystal McKinnon, and a roundtable discussion with former and current journal editors Chris Healy, Stephen Muecke and Katrina Schlunke.