Plague Journal

Plague Journal is Michael O'Brien's fourth novel in the Children of the Last Days series. The central character is Nathaniel Delaney, the editor of a small-town newspaper, who is about to face the greatest crisis of his life. As the novel begins, ominous events are taking place throughout North America, but little of it surfaces before the public eye. Set in the not-too-distant future, the story describes a nation that is quietly shifting from a democratic form of government to a form of totalitarianism. Delaney is one of the few voices left in the media who is willing to speak the whole truth about what is happening, and as a result the full force of the government is brought against him. Thus, seeking to protect his children and to salvage what remains of his life, he makes a choice that will alter the future of each member of his family and many other people. As the story progresses he keeps a journal of observations, recording the day-by-day escalation of events, and analyzing the motives of his political opponents with sometimes scathing frankness. More importantly, he begins to keep a "mental record" that develops into a painful process of self-examination. As his world falls apart, he is compelled to see in greater depth the significance of his own assumptions and compromises, his successes and failures. Plague Journal chronicles the struggle of a thoroughly modern man put to the ultimate spiritual and psychological test, a man who in losing himself finds himself.

From the Peter Neil Issacs collection.

Recounts Eliot Spitzer's fall from grace from the perspective of his senior advisor and longtime friend, focusing on the seventeen months prior to the former Governor's revelations that he had patronized prostitutes while in office.

Expanded from a touring exhibition originated at Para Site in 2013, this book critically analyzes historical and contemporary imaginations and politics of fear in the face of disease and the specter of contamination in society and culture. Scholars, artists, novelists, and journalists depart from Hong Kong's history of epidemic--the most recent being the SARS outbreak of 2003, shortly followed by the tragic death of pan-Asian pop icon Leslie Cheung, and tackle the galvanizing power and the varied perceptions of contagion in the context of lingering histories, myths, anxieties, and memories across geographies. While composing a complex picture of the Hong Kong psyche, these contributions speak from a humanistic and global perspective, pointing to the intersections of urban environments and post-colonial psychology, popular culture and racism, public health and migration, national identity and art. Copublished with Para Site, Hong Kong Contributors Michael Berry, Natalia S. H. Chan, Cosmin Costinas, Dung Kai-cheung, Inti Guerrero, James T. Hong, Austin Ming-han Hsu, Zuni Icosahedron, Finnouala McHugh, Pak Sheung Chuen, Lawrence Pun, Shih Shu-ching, Xiaoyu Weng

"A virus is haunting the globe, one of pandemic proportions, whose threat has necessitated unprecedented measures to forestall death and violence worse than the present crisis. But the cruelty, violence, and depredations that have accompanied the COVID-19 pandemic aren't merely detritus in the wake of its spread; they characterize the necrocapitalism of this conjuncture." - from the Prologue As the pandemic transitioned from science fiction to reality in early 2020, a number of writers and thinkers in the imperialist metropoles declared the impossibility of writing in the face of a future that is foreclosed. And yet, due to the nightmare that capitalism has been since its beginning, numerous writers and thinkers from the margins have always written in the face of such foreclosure. Meanwhile, other contemporary thinkers sought to conceptualize the unfolding pandemic according to conceptions of bio/necropolitics, forgetting the foundation upon which these conceptions have always existed. The M.I. Asma writing group came together to stake out a different terrain, thinking through the pandemic as events unfolded while also always working to think beyond the capitalist imaginary. Writing between April 2020 and May 2021, the authors set out to produce a serial theoretical-philosophical project focused on class struggle in the midst of the COVID--19 pandemic. The authors approached the pandemic as an occasion to think capitalism according to what it always has been, what the pandemic reveals about its current ideological deployment, and how we can think about a communist alternative in the face of exterminism. This book collects, with some revisions and with a new epilogue, the entries from the On Necrocapitalism blog, where M.I. Asma's interventions first appeared. M.I. Asma is the collective designation for six authors from Canada and the United States, representing a variety of revolutionary anticapitalist theoretical persuasions: J. Moufawad-Paul, Devin Zane Shaw, Mateo Andante, Johannah May Black, Alyson Escalante, and D. W. Fairlane.

The Plague's origins were mysterious, but its consequences were all too obvious: quarantined cities, safe-sex machines, Sex Police, the outlawing of old-fashioned love. Four people hold the fate of humanity in their hands...A sexual mercenary condemned to death as a foot soldier in the Army of the Living Dead; a scientist who's devoted his whole life to destroying the virus and now discovers he has only ten weeks to succeed; a God-fearing fundamentalist on his way to the presidency before he accepts a higher calling; and a young infected coed from Berkeley on a bizarre crusade to save the world with a new religion of carnal abandon. Each will discover that the only thing more dangerous than the Plague is the cure.

Following the bestselling Festival of Brexit and A Prat's Progress, star satirist Cold War Steve returns with a viral vengeance with his Journal of the Plague Year. Dubbed 'the modern-day William Hogarth', the collage artist casts a searing eye back at the last year on 'Plague Island' Britain and abroad: featuring a global pandemic, an inept government at home and the US election's absurdist saga, his chronological journal spans lockdowns, G7 summits, crises and scandals, to leave no-one unscathed. Featuring the usual suspects in despicable settings, and rife with art historical references, Journal of the Plague Year brilliantly blends world news and art in signature-style collages, each accompanied by witty commentary. Published in an enlarged format, this new tome will delight Cold War Steve's huge fanbase, and anyone in need of humour after the grimness of this past plague year With 100 illustrations in colour