Please God Send Me A Wreck

This book explores the historical and archaeological evidence of the relationships between a coastal community and the shipwrecks that have occurred along the southern Australian shoreline over the last 160 years. It moves beyond a focus on shipwrecks as events and shows the short and long term economic, social and symbolic significance of wrecks and strandings to the people on the shoreline. This volume draws on extensive oral histories, documentary and archaeological research to examine the tensions within the community, negotiating its way between its roles as shipwreck saviours and salvors.

This volume explores how the promotion, marketing, and branding of culture have led to the development of economic strategies through creative industries, cultural tourism, and responsible business practices. It considers how culture-based initiatives can be used to boost the creation of business opportunities and enhance added value to the economy. The book also contextualizes western and non-western theories, paradigms, and practices, in order to sustain independent, ecological, and critical methodologies for intercultural business. By articulating principles, theories, structures, performances, and aesthetics across different cultures and communication channels, the networks of cultural codes and practices emerge and are critically observed, blurring conceptual frontiers and challenging conventional criteria of legitimation.

For centuries, the Dutch landscape and her inhabitants have been connected to the water, sometimes lovingly, sometimes full of fear and often with awe. This is also reflected in the theme of this doctoral research: late medieval storm surges of the Zuiderzee on the one hand caused the loss of land and settlements in the heart of the Netherlands, while on the other hand these floods created new maritime trade routes that would eventually bring great wealth. The current research focuses more specifically on reconstructing (the development of) the landscape and habitation in the northeastern part of the Zuiderzee (the current Noordoostpolder) between approximately 1100 and 1400 AD. The research shows that in less than 500 years the research area transformed from unexplored and uninhabited peat areas with lakes into open sea, removing virtually all remnants of land reclamation, cultivation and habitation.

This book focuses on film tourism: the phenomenon of people visiting locations from popular film or TV series. It is based on a unique, Asian perspective, encompassing case studies from around the pan-Asian region, including China, Taiwan, India, Japan, South Korea, Thailand, Hong Kong, Indonesia, and Singapore. By focusing emphatically on film tourism in the non-West, this book offers a timely and crucial contribution to a more comprehensive understanding of the relation between film, culture and place, particularly in light of the increased volume of media production and consumption across Asia, and the consequent film tourism destinations that are currently popping up across the Asian continent.

This volume draws together the ground-breaking work of researchers and archaeological practitioners, working in multiple countries, to explore and understand the material and cultural impacts of the Pacific War. The combat taking place in the Pacific region during the years 1941–45 was characterized by a brutality and violence unmatched in any other theatre of the Second World War. Described by indigenous Micronesians as a ‘typhoon,’ the war was an unstoppable force that rolled across the islanders’ homes, leaving only a trail of destruction in its wake, with physical, psychological, and cultural impacts that continue to resonate today. This difficult period is examined in a variety of ways through chapters that include targeted studies of archaeological sites, wider surveys of battlefield landscapes, and the ways in which we commemorate the experiences and legacies of both combatants and civilian populations. The translation of important research by Okinawan, Japanese, and Russian archaeologists brings into focus regions that have previously been neglected in Anglophone literature, and enriches this comprehensive exploration of the archaeology of the Pacific War. This book will be of interest to archaeological practitioners, students, and members of the general public working in conflict studies or with an interest in the material culture, history, and legacies of the Pacific War.

This collection is the first book to comprehensively analyse the relatively new and under-researched phenomenon of ‘ruin porn’. Featuring a diverse collection of chapters, the authors in this work examine the relevance of contemporary ruin and its relationship to photography, media, architecture, culture, history, economics and politics. This work investigates the often ambiguous relationship that society has with contemporary ruins around the world, challenging the notions of authenticity that are frequently associated with images of decay. With case studies that discuss various places and topics, including Detroit, Chernobyl, Pitcairn Island, post-apocalyptic media, online communities and urban explorers, among many other topics, this collection illustrates the nuances of ruin porn that are fundamental to an understanding of humanity’s place in the overarching narrative of history.

In September 2005, Liz Seccuro's world turned upside down when she received an apology letter from the man who had raped her twenty-two years earlier. The rape, which occurred when she was a seventeen-year-old freshman at the University of Virginia, was reported to the campus police, but their inquiry led nowhere. The man accused of raping her left the university soon after, and Seccuro tried to put the incident behind her, starting a business and a family, but like all survivors of trauma, the memory was never far from the surface. The letter brought it all back. Seccuro bravely began an e-mail correspondence with her rapist to try to understand what happened, and why. As the correspondence continued, Seccuro found the courage to do what should have been done all those years earlier-prosecute him. She began appearing on national television and radio to talk about the case. Several crime dramas and a John Grisham novel, The Associate, were based on her experience. She had found a way to end a terrible story, but once judicial proceedings began, she found that what she thought occurred at that UV A frat party was only the tip of the iceberg. The investigation revealed at least two other assailants, numerous onlookers, and a wall of silence among the fraternity members that persisted two decades later. Liz Seccuro's inspiring, unflinching memoir is about experiencing terrible trauma-and the power of justice to heal.