Plotinus On Beauty And Reality

This 1967 study begins with a brief biography of Plotinus, and goes on to discuss Plotinus' concept of the one, the logos and free will.

Ennead I.6 is probably the best known and most influential treatise of Plotinus, especially for Renaissance artists and thinkers. Although the title may suggest a work on aesthetics and thus of limited focus, this is far from the case. For it quickly becomes apparent that Plotinus' main interest is in transcendent beauty, which he identifies with the Good, the goal of all philosophical endeavor in the Platonist's search to assimilate himself with the divine. The treatise is at once a philosophical search for the nature of the divine and at the same time an encouragement to the individual to aspire to this goal by taking his start from the beauty which is experienced in this world; for it is an image of transcendent beauty. This upward movement of the treatise reflects throughout the speech of Socrates in Plato's Symposium in which he recounts the exhortation of the priestess Diotima to ascend from earthly to transcendent beauty, which for Plotinus is identified with the divine.

A Greek edition of Plotinus's philosophical works with notes for students of Classical Greek Plotinus, the father of Neoplatonism, composed the treatise On Beauty (Ennead 1.6) as the first of a series of philosophical essays devoted to interpreting and elucidating Platonic ideas. This treatise is one of the most accessible and influential of Plotinus's works, and it provides a stimulating entrée into the many facets of his philosophical activity. In this volume Andrew Smith first introduces readers to the Greek of Plotinus and to his philosophy in general, then provides the Greek text of and English notes on Plotinus's systematic argument and engaging exhortation to foster the inner self. The volume ends with the text of and notes on Plotinus's complementary statements in On Intelligible Beauty (Ennead 5.8.1–2). Features: An overview of Plotinus's life Background discussion of Plotinus's thought and outline of his philosophical system Analysis of the relationship of Plotinus's thought to Plato’s

Plotinus' Ennead V.8, originally part of a single work (with III.8, V.5, and II.9), provides the foundation for a positive view of the universe as an image of divine beauty against the Gnostic rejection of the world. Although it emphasizes the cosmic dimension of beauty, it is, as are most treatises of Plotinus, concerned with the individual soul. The notion that the artist has within him an idea of beauty that derives directly from the intelligible world in fact coincides with his theory that each one of us has access to Intellect through his or her own intellect. It is the exploitation of this theme that forms the central dynamic of the treatise, with its stress on our ability to "e;see"e; and be one with the intelligible world and its beauty.

Regarded as the founder of Neo-Platonism, Plotinus (AD 204-70) was the last great philosopher of antiquity, producing 0works that proved in many ways a precursor to Renaissance thought. Plotinus was convinced of the existence of a state of supreme perfection and argued powerfully that it was necessary to guide the human soul towards this state. Here he outlines his compelling belief in three increasingly perfect levels of existence - the Soul, the Intellect, and the One - and explains his conviction that humanity must strive to draw the soul towards spiritual transcendence. A fusion of Platonism, mystic passion and Aristotelian thought, The Enneads offers a highly original synthesis of early philosophical and religious beliefs, which powerfully influenced later Christian and Islamic theology.