Poema De La Reyna Ester Lamentaciones Del Propheta Jeremias With The Text Ch I And Ii Historia De Rut Y Varias Poesias Etc

What role has Jewish intellectual culture played in the development of modern Romance literature? Susanne Zepp seeks to answer this question through an examination of five influential early modern texts written between 1499 and 1627: Fernando de Rojas's La Celestina, Leone Ebreo's Dialoghi d'amore, the anonymous tale Lazarillo de Tormes (the first picaresque novel), Montaigne's Essais, and the poetical renditions of the Bible by João Pinto Delgado. Forced to straddle two cultures and religions, these Iberian conversos (Jews who converted to Catholicism) prefigured the subjectivity which would come to characterize modernity. As "New Christians" in an intolerant world, these thinkers worked within the tensions of their historical context to question norms and dogmas. In the past, scholars have focused on the Jewish origins of such major figures in literature and philosophy. Through close readings of these texts, Zepp moves the debate away from the narrow question of the authors' origins to focus on the innovative ways these authors subverted and transcended traditional genres. She interprets the changes that took place in various literary genres and works of the period within the broader historical context of the sixteenth and seventeenth centuries, demonstrating the extent to which the development of early modern subjective consciousness and its expression in literary works can be explained in part as a universalization of originally Jewish experiences.

This study of El Cid, first published in English in 1934, is by the leading authority on the medieval history and literature of Spain. The Cid occupies a unique position among national heroes. Others such as King Arthur and Roland are but shadowy figures in the historical record, but El Cid is very much better documented. This book also paints a striking picture of eleventh-century Spain, bringing out the importance of the country as a link between Christian and Muslim civilization.

Discusses Converso poetry, and some prose, from the 1460s to 1499, focusing on works by Conversos who identified as Christians and were dismayed at being treated as inferiors by Old Christians. Deals mainly with works written in Castile. They express varied responses to the evolution of the persecution of Conversos, including apparent toleration in the early years of Queen Isabella's reign and the establishment of the Inquisition in 1480, as reflected in laments like those of Rodrigo Cota.