Poems Before Congress

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One of the leading poets of the nineteenth century, Elizabeth Barrett Browning had a profound influence on her contemporaries and on writers that followed her. This edition provides a rich and varied selection of Barrett Browning’s poetry, including relatively neglected material from her early career and works never before included in editions of her poetry. The edition is comprehensively annotated and includes a critical introduction; detailed headnotes for each poem also provide the reader with a deep understanding of the historical, biographical, and literary contexts in which the poems were written. The extensive appendices include reviews and criticism and material on factory reform and slavery, as well as religion and the Italian Question.

A dazzling new anthology of 180 contemporary poems, selected and introduced by America’s Poet Laureate, Billy Collins. Inspired by Billy Collins’s poem-a-day program with the Library of Congress, Poetry 180 is the perfect anthology for readers who appreciate engaging, thoughtful poems that are an immediate pleasure. A 180-degree turn implies a turning back—in this case, to poetry. A collection of 180 poems by the most exciting poets at work today, Poetry 180 represents the richness and diversity of the form, and is designed to beckon readers with a selection of poems that are impossible not to love at first glance. Open the anthology to any page and discover a new poem to cherish, or savor all the poems, one at a time, to feel the full measure of contemporary poetry’s vibrance and abundance. With poems by Catherine Bowman, Lucille Clifton, Billy Collins, Dana Gioia, Edward Hirsch, Galway Kinnell, Kenneth Koch, Philip Levine, Thomas Lux, William Matthews, Frances Mayes, Paul Muldoon, Naomi Shihab Nye, Sharon Olds, Katha Pollitt, Mary Jo Salter, Charles Simic, David Wojahn, Paul Zimmer, and many more.

A beautifully produced and exquisitely translated edition of French poems by “the best exponent of the poetry of introversion and metaphorical delirium” (Italo Calvino) The Galloping Hour: French Poems—never before rendered in English and unpublished during her lifetime—gathers for the first time all the poems that Alejandra Pizarnik (revered by Octavio Paz and Roberto Bolano) wrote in French. Conceived during her Paris sojourn (1960–1964) and in Buenos Aires (1970–1971) near the end of her tragically short life, these poems explore many of Pizarnik’s deepest obsessions: the limitation of language, silence, the body, night, sex, and the nature of intimacy. Drawing from personal life experiences and echoing readings of some of her beloved/accursed French authors—Charles Baudelaire, Germain Nouveau, Arthur Rimbaud, and Antonin Artaud—this collection includes prose poems that Pizarnik would later translate into Spanish. Pizarnik’s work led Raúl Zurita to note: “Her poetry—with a clarity that becomes piercing—illuminates the abysses of emotional sensitivity, desire, and absence. It presses against our lives and touches the most exposed, fragile, and numb parts of humanity.”

A masterful work by a master poet, this brilliant summation of poetry and human nature will speak to all readers who long to place poetry in their lives. How to Read a Poem is an unprecedented exploration of poetry and feeling. In language at once acute and emotional, National Book Critics Circle award-winning distinguished poet and critic Edward Hirsch describes why poetry matters and how we can open up our imaginations so that its message can make a difference. In a marvelous reading of verse from around the world, including work by Pablo Neruda, Elizabeth Bishop, Wallace Stevens, and Sylvia Plath, among many others, Hirsch discovers the true meaning of their words and ideas and brings their sublime message home into our hearts. "The answer Hirsch gives to the question of how to read as poem is: Ecstatically."—Boston Book Review