Poems In Their Place

With essays by 13 leading scholars, this collection establishes the grounds for a new kind of poetics that considers the poetry book itself -- the concept and the material fact -- as an object of interpretation. The authors argue that the decisions poets make about the presentation of their works play a meaningful role in the poetic process and therefore should figure as part of the reading experience. The common practice of approaching poems chronologically, as they are presented in anthologies or in posthumous editions, has been fostered by the long prevailing tendency of the New Criticism to treat each poem as self-contained. This volume urges the reader to reconsider the most fundamental ways that one reads, teaches, and inteprets poetry. Moving from classical to contemporary poetry, these essays develop a literary history and theory for such a poetics, at the same time providing a generous set of models for a related practical criticism. At the heart of this collection are such issues as order, arrangement, and intertextuality. Reading poems in their place helps to return them to their historical contexts because the book itself has had a particular place in its own culture and society. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Poem and the Book: Interpreting Collections of Romantic Poetry

READ THIS BOOK AND FIND A WORLD IN WHICH THINGS AS SIMPLE AS MILKSHAKES AND AS COMPLEX AS LOVE ARE BOTH SATURATED IN MEANING. UPON READING THIS BOOK, GET READY TO SEE THE WORLD AS A PLACE ENCHANTED BY THE ONE WHO CREATED IT ALL.

Dick Allen's earlier collections have always included poems written in traditional form. But This Shadowy Place is his only book in which every poem is rhymed and metered. Allen's "stand alone" new poems - narrative, meditative, lyric, sometimes excursions into Zen Buddhism - consistently merge traditional form with his hallmark cultural, political and religious themes. Even when seeming to write of himself, Allen is actually forever writing of the strange and unique transitions from the American Twentieth Century to the Twenty-first. Known as one of the best craftsmen and poetry performers in the country, Allen here gives us new poems that when read either silently or aloud constantly shift between the literal and the metaphorical. The paths in these new poems lead unexpectedly through both calming and foreboding shadows. Dick Allen is the author of seven previous poetry collections, including Present Vanishing, The Day Before, and Ode to the Cold War: Poems New and Selected. He's received National Endowment for the Arts and Ingram Merrill Poetry Writing Fellowships, six inclusions in The Best American Poetry annual volumes, a Pushcart Prize, among numerous other national awards. His poems have appeared regularly in many of America's leading magazines, including The Atlantic, The Georgia Review, The Gettysburg Review, The Hudson Review, The New Criterion, The New Yorker, Poetry, The New Republic, Tricycle, Rattle, and The American Scholar. Dick Allen was appointed as the Connecticut State Poet Laureate (2010-2015), succeeding John Hollander. This Shadowy Place is the thirteenth winner of the annual New Criterion Poetry Prize. Previous winners of the prize include Deborah Warren, Adam Kirsch, Charles Tomlinson, Bill Coyle, Geoffrey Brock, J. Allyn Rosser, Daniel Brown, D.H. Tracy, and, prior to Allen, George Green. The New Criterion Poetry Prize was established in 2000 and is awarded annually to a book-length manuscript of poems that pays close attention to form. The series has for many years attracted the attention of both readers and critics, and Booklist has called

Poems in Their Place: Intertextuality and Order of Poetic Collections

Caldecott Honor Book Today Show Best Book for the Holidays ALA Notable Book for All Ages ALSC Notable Children's Book NCTE Notable Poetry Book Evanston Public Library's Top 100 Great Book for Kids Nerdy Award Winner for Single Poem Picture Book Bank Street Best Books of the Year In this powerful, affirming poem by award-winning author Zetta Elliott, a Black child explores his shifting emotions throughout the year. There is a place inside of me a space deep down inside of me where all my feelings hide. Summertime is filled with joy—skateboarding and playing basketball—until his community is deeply wounded by a police shooting. As fall turns to winter and then spring, fear grows into anger, then pride and peace. In her stunning debut, illustrator Noa Denmon articulates the depth and nuances of a child’s experiences following a police shooting—through grief and protests, healing and community—with washes of color as vibrant as his words. Here is a groundbreaking narrative that can help all readers—children and adults alike—talk about the feelings hiding deep inside each of us.

Poetry. Literary Nonfiction. Essay. In thirty innovative essays, THE POEM'S COUNTRY: PLACE & POETIC PRACTICE considers how the question of place shapes contemporary poetry. Responding from cities and rural communities across the United States, the contributors of THE POEM'S COUNTRY thoughtfully and passionately explore issues of politics, personal identity, ecology, the Internet, war, sexuality, faith, and the imagination. Essential reading for students of poetry at every level, THE POEM'S COUNTRY examines the connection between lyric and geographical constraint, as well as how place challenges, enchants, and helps clarify the intersections between language and the world. "This remarkable and exciting gathering of prose on contemporary poetry is international and generational at once -- this is important because it represents the imaginations and insights of emerging poets writing across a spectrum of taste, 'place and poetic practice.' Yet the critical nature of the writing is more testimony than theory, more personal than panoramic, which means that the individual essays are that much more alive, more in touch, and more unique. Overall, THE POEM'S COUNTRY resists tradition even more than it replaces it." --Stanley Plumly "THE POEM'S COUNTRY demonstrates that poetry isn't limited to the landscapes we inhabit but by the scope of the imagination itself. In these ravishing essays, the next generation of poets explores the influence of place on contemporary poetry, and a diverse reimagining of place emerges that both grounds and lifts us up." --Quan Barry

More than 600 literacy-building poems to brighten seasons, holidays and every theme you teach. Includes cross-curricular extension activities.