Poetry And Community

Inspired by contemporary English language haiku, accomplished poet, Jude Neale, explores ordinary objects through both poetry and photography in her new collection, Inside the Pearl. These photos and haiku-like poems capture moments and memories - recording and archiving, the history and treasures of Joy Kogawa House in Vancouver, Canada. The images range from colourful household items to grainy, black and white snapshots of times past, reminders of a most difficult period in Japanese Canadian history that still resonate today.

Add pizzazz to thematic units, daily lessons, and shared-reading time with this enchanting collection of creepy crawly poems selected especially for young learners! All your favorite "teeny weenies" are here: butterflies, spiders, ladybugs, worms, grasshoppers, ants, dragonflies, and everything in between. Includes literacy-building activities and easy cross-curricular projects. A must-have for every class in love with poetry!

"A book of vispo (visual poetry) glosas designed to begin to dismantle the maculinist legacy of avant-garde visual poetics."--

This powerful poetry collection seeks to map the emotional and spiritual territory of diaspora, violence, abuse, and exile. Kai Cheng incorporates autobiographical details from her own childhood and adult life with the rhythms of the oral storytelling tradition and fairytale motifs, poignantly depicting the plight of trans women of color.

There are trans people here in the past, the present, and the future. H. Melt’s writing centers the deep care, love, and joy within trans communities. This poetry collection describes moments of resistance in queer and trans history as catalysts for movements today. It honors trans ancestors and contemporary activists, artists, and writers fighting for trans liberation. There Are Trans People Here is a testament to the healing power of community and the beauty of trans people, history, and culture.

The Decent Of Alette is a rich odyssey of transformation in the tradition of The Inferno. Alice Notley presents a feminist epic: a bold journey into the deeper realms. Alette, the narrator, finds herself underground, deep beneath the city, where spirits and people ride endlessly on subways, not allowed to live in the world above. Traveling deeper and deeper, she is on a journey of continual transformation, encountering a series of figures and undergoing fragmentations and metamorphoses as she seeks to confront the Tyrant and heal the world. Using a new measure, with rhythmic units indicated by quotations marks, Notley has created a "spoken" text, a rich and mesmerizing work of imagination, mystery, and power.

Arcing across thirty years and seven volumes, Jan Zwicky’s poetry has always been acutely musical (and sensitive to the silence out of which music comes). In the compositions in Chamber Music, the first anthology of Zwicky’s poems, one may perceive the attunement of her vocations: poet, philosopher, violinist. Her poetry both praises and relinquishes the earth, bearing witness to the fierce skies of the prairies and the freezing rain of the West Coast. Enacting the virtue of clarity prized and defended by her explicitly philosophical work, this poetry is both resonant and integrated. It is also formally diverse, ranging from the singular focus of the lyric ode to suites of variations and fugal structures, from polyphonic textures to the sprawling reach of narrative gestures. Throughout, one feels the deft hand of an adept using powerful metaphors to explore themes of colonial violence, environmental devastation, spiritual catastrophe, and transformation. Resisting Western philosophy’s exclusion of imagination from civic life, Zwicky’s poetry is noteworthy for the tension it achieves between the abstract and the personal, the general and the particular. Meditating repeatedly on themes of love and grief, this poetry is at once passionately committed to the lucidity of its utterances and the fidelity of its images.