Poetry And Its Contexts In Eleventh Century Byzantium

Byzantine poetry of the eleventh century is fascinating, yet underexplored terrain. It presents a lively view on contemporary society, is often permeated with wit and elegance, and is concerned with a wide variety of subjects. Only now are we beginning to perceive the possibilities that this poetry offers for our knowledge of Byzantine culture in general, for the intellectual history of Byzantium, and for the evolution of poetry itself. It is, moreover, sometimes in the most neglected texts that the most fascinating discoveries can be made. This book, the first collaborative book-length study on the topic, takes an important step to fill this gap. It brings together specialists of the period who delve into this poetry with different but complementary objectives in mind, covering the links between art and text, linguistic evolutions, social functionality, contemporary reading attitudes, and the like. The authors aim to give the production of 11th-century verse a place in the Byzantine genre system and in the historic evolution of Byzantine poetry and metrics. As a result, this book will, to use the expression of two important poets of the period, "offer a small taste" of what can be gained from the serious study of this period.

Byzantine poetry of the eleventh century is fascinating, yet underexplored terrain. It presents a lively view on contemporary society, is often permeated with wit and elegance, and is concerned with a wide variety of subjects. Only now are we beginning to perceive the possibilities that this poetry offers for our knowledge of Byzantine culture in general, for the intellectual history of Byzantium, and for the evolution of poetry itself. It is, moreover, sometimes in the most neglected texts that the most fascinating discoveries can be made. This book, the first collaborative book-length study on the topic, takes an important step to fill this gap. It brings together specialists of the period who delve into this poetry with different but complementary objectives in mind, covering the links between art and text, linguistic evolutions, social functionality, contemporary reading attitudes, and the like. The authors aim to give the production of 11th-century verse a place in the Byzantine genre system and in the historic evolution of Byzantine poetry and metrics. As a result, this book will, to use the expression of two important poets of the period, "offer a small taste" of what can be gained from the serious study of this period.

This book offers the first complete survey of the Byzantine poetic production (4th to 15th centuries). It examines the use of poetry in various sociocultural settings in Constantinople and various other centres of the Byzantine empire.

The eleventh century in Byzantium is all about being in between, whether this is between Basil II and Alexios Komnenos, between the forces of the Normans, the Pechenegs and the Turks, or between different social groupings, cultural identities and religious persuasions. It is a period of fundamental changes and transformations, both internal and external, but also a period rife with clichés and dominated by the towering presence of Michael Psellos whose usually self-contradictory accounts continue to loom large in the field of Byzantine studies. The essays collected here, which were delivered at the 45th Spring Symposium of Byzantine Studies, explore new avenues of research and offer new perspectives on this transitional period. The book is divided into four thematic clusters: 'The age of Psellos' studies this crucial figure and seeks to situate him in his time; 'Social structures' is concerned with the ways in which the deep structures of Byzantine society and economy responded to change; 'State and Church' offers a set of studies of various political developments in eleventh-century Byzantium; and 'The age of spirituality' offers the voices of those for whom Psellos had little time and little use: monks, religious thinkers and pious laymen.

Letters were an important medium of everyday communication in the ancient Mediterranean. Soon after its emergence, the epistolary form was adopted by educated elites and transformed into a literary genre, which developed distinctive markers and was used, for instance, to give political advice, to convey philosophical ideas, or to establish and foster ties with peers. A particular type of this genre is the letter cast in verse, or epistolary poem, which merges the form and function of the letter with stylistic elements of poetry. In Greek literature, epistolary poetry is first safely attested in the fourth century AD and would enjoy a lasting presence throughout the Byzantine and early modern periods. The present volume introduces the reader to this hitherto unexplored chapter of post-classical Greek literature through an anthology of exemplary epistolary poems in the original Greek with facing English translation. This collection, which covers a broad chronological range from late antique epigrams of the Greek Anthology to the poetry of western humanists, is accompanied by exegetical commentaries on the anthologized texts and by critical essays discussing questions of genre, literary composition, and historical and social contexts of selected epistolary poems. Chapters 3 and 4 of this book are freely available as a downloadable Open Access PDF under a Creative Commons Attribution (CC BY) 4.0 license available at https://www.taylorfrancis.com/books/10.4324/9780429288296

In the mid-11th century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement. This volume considers this poetic activity as a whole, focusing on Byzantine conceptions of the role of poetry in society.

For an entire millennium, Byzantine hagiography, inspired by the veneration of many saints, exhibited literary dynamism and a capacity to vary its basic forms. The subgenres into which it branched out after its remarkable start in the fourth century underwent alternating phases of development and decline that were intertwined with changes in the political, social and literary spheres. The selection of saintly heroes, an interest in depicting social landscapes, and the modulation of linguistic and stylistic registers captured the voice of homo byzantinus down to the end of the empire in the fifteenth century. The seventeen chapters in this companion form the sequel to those in volume I which dealt with the periods and regions of Byzantine hagiography, and complete the first comprehensive survey ever produced in this field. The book is the work of an international group of experts in the field and is addressed to both a broader public and the scholarly community of Byzantinists, medievalists, historians of religion and theorists of narrative. It highlights the literary dimension and the research potential of a representative number of texts, not only those appreciated by the Byzantines themselves but those which modern readers rank high due to their literary quality or historical relevance.

Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the interaction between self-presentation and cultural production in a wide array of genres, providing new insights into how Byzantine intellectuals conceived of their own work and pursuits.