Poetry And The Creation Of A Whig Literary Culture 1681 1714

Poetry and the Creation of a Whig Literary Culture offers a new perspective on early eighteenth century poetry and literary culture, arguing that long-neglected Whig poets such as Joseph Addison, John Dennis, Thomas Tickell, and Richard Blackmore were more popular and successful in their own time than they have been since. These and other Whig writers produced elevated poetry celebrating the political and military achievements of William III's Britain, and were committed to an ambitious project to create a distinctively Whiggish English literary culture after the Revolution of 1688. Far from being the penniless hacks and dunces satirized by John Dryden and the Scriblerians, they were supported by the patronage of the wealthy Whig aristocracy, and their works promoted as a new English literature to rival that of classical Greece and Rome. Poetry and the Creation of a Whig Literary Culture maps for the first time the evolution of an alternative early eighteenth-century poetic tradition which is central to our understanding of the literary history of the period.

"This book offers a revisionist history of early eighteenth-century poetry. It demonstrates that many of the Whig writers frequently attacked as hacks and dunces were in fact successful and popular in their own time. This text maps the evolution of this poetic tradition, examining the relationship between literary and political culture in the early eighteenth-century"--Provided by publisher.

Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.

This book considers Samuel Taylor Coleridge’s engagement with ‘Whig poetry’: a tradition of verse from the eighteenth century which celebrated the political and constitutional arrangements of Britain as guaranteeing liberty. It argues that, during the 1790s, Coleridge was able to articulate radical ideas under the cover of widely accepted principles through his references to this poetry. He positioned his poetry within a mainstream discourse, even as he favoured radical social change. Jacob Lloyd argues that the poets Mark Akenside, William Lisle Bowles, and William Cowper each provided Coleridge with a kind of Whig poetics to which he responded. When these references are understood, much of Coleridge’s work which seems purely personal or imaginative gains a political dimension. In addition, Lloyd reassess Coleridge’s relationship with Thomas Percy’s Reliques of Ancient English Poetry, to provide an original, political reading of ‘The Rime of the Ancyent Marinere’. This book revises our understanding of the political and poetic development of a major poet and, in doing so, provides a new model for the origins of British Romanticism more broadly

A wide-ranging account of the contested intersection between ideas of nationhood and home in British literature between 1640 and 1830.

Literature and Party Politics at the Accession of Queen Anne is the first detailed study of the final Stuart succession crisis. It demonstrates for the first time the centrality of debates about royal succession to the literature and political culture of the early eighteenth century. Using previously neglected, misunderstood, and newly discovered material, Joseph Hone shows that arguments about Anne's right to the throne were crucial to the construction of nascent party political identities. Literary texts were the principal vehicle through which contemporaries debated the new queen's legitimacy. This book sheds fresh light on canonical authors such as Daniel Defoe, Alexander Pope, and Joseph Addison by setting their writing alongside the work of lesser known but nonetheless important figures such as John Tutchin, William Pittis, Nahum Tate, John Dennis, Henry Sacheverell, Charles Leslie, and other anonymous and pseudonymous authors. Through close historical analysis, it shows how this new generation of poets, preachers, and pamphleteers transformed older models of succession writing by Milton, Dryden, and others, and imbued conventional genres such as panegyric and satire with their own distinctive poetics. By immersing the major authors in their milieu, and reconstructing the political and material contexts in which those authors wrote, Literature and Party Politics demonstrates the vitality of debates about royal succession in early eighteenth-century culture.

The restoration of the monarchy in 1660 has commonly been thought to represent a return to political stability and religious consensus following the tumultuous civil wars and the Commonwealth period. However, by analysing underground texts from 1660 to 1670, Stephen Bardle provides a new literary historical narrative of what was in fact one of the most tumultuous periods in English history. This new study contributes to an on-going historical re-evaluation of the Restoration period, a time when terrible plague, the Great Fire of London, and a brutal war against the Dutch quickly undermined the popularity of the new government. The Literary Underground in the 1660s tells the story of three writers who fuelled the flames of opposition by contributing illicit texts to a small yet intense public sphere via the literary underground. Key texts by Andrew Marvell, including The Garden , are set in the context of under-explored works by the poet and pamphleteer George Wither, and the indomitable satirist Ralph Wallis. This book draws upon extensive archival research and features neglected manuscript and print sources. As an original study of the literary underground, which sheds light on the vibrancy of political opposition in the 1660s, this book should be of interest to students of radicalism as well as seventeenth-century historians and literary scholars.

This book examines the lives and tenures of the consorts of the Hanoverian, Saxe-Coburg and Gotha, and Windsor monarchs from 1727 to the present. Some of the consorts examined in this volume—such as Queen Elizabeth, the Queen Mother, consort to George VI—are well known while others, including Adelaide of Saxe-Meiningen, consort to William IV, are more obscure. These innovative and authoritative biographies bring a fresh approach to the consorts of this period, revealing their lasting influence on the monarchy. In addition to covering a period that has seen the development of constitutional monarchy and increased media scrutiny of the whole royal family, this volume also looks to the future of the British monarchy, suggesting ways that future consorts can learn from the example of their predecessors. This volume and its companions reveal the changing nature of British consortship from the Norman Conquest to today.