Policing Prostitution In Nineteenth Century Paris

Prostitution was a serious problem for nineteenth-century Europe: a threat to public health and public order and, at the same time, a prop to morality, allowing society to protect the purity of most women by sacrificing that of only a few. Jill Harsin examines the methods by which the police of Paris resolved the contradictions of this situation--an extralgal adminsitrative system involving the registration, regular medical examination, and periodic administrative detention of all working-class prostitutes. As the author shows, this regulatory system not only deprived prostitutes of civil rights, but increasingly encroached on the rights of all working women who, by the standards and definitions of the police, exhibited suspicious moral character. Drawing on a variety of sources, Professor Harsin presents statistical material on such topics as prostitutes' criminality, providing new evidence for an area hitherto dominated by speculation. Her work challenges previous interpretations by showing a regulatory system well in place during the Restoration. Jill Harsin is Assistant Professor of History at Colgate University. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The nineteenth century is central to contemporary discussions of visual culture. This reader brings together key writings on the period, exploring such topics as photographs, exhibitions and advertising.

Prostitution was a serious problem for nineteenth-century Europe: a threat to public health and public order and, at the same time, a prop to morality, allowing society to protect the purity of most women by sacrificing that of only a few. Jill Harsin examines the methods by which the police of Paris resolved the contradictions of this situation--an extralgal adminsitrative system involving the registration, regular medical examination, and periodic administrative detention of all working-class prostitutes. As the author shows, this regulatory system not only deprived prostitutes of civil rights, but increasingly encroached on the rights of all working women who, by the standards and definitions of the police, exhibited suspicious moral character. Drawing on a variety of sources, Professor Harsin presents statistical material on such topics as prostitutes' criminality, providing new evidence for an area hitherto dominated by speculation. Her work challenges previous interpretations by showing a regulatory system well in place during the Restoration. Jill Harsin is Assistant Professor of History at Colgate University. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In the 1800s, urban development efforts modernized Paris and encouraged the creation of brothels, boulevards, cafés, dancehalls, and even public urinals. However, complaints also arose regarding an apparent increase in public sexual activity, and the appearance of “individuals of both sexes with depraved morals” in these spaces. Andrew Israel Ross’s illuminating study, Public City/Public Sex, chronicles the tension between the embourgeoisement and democratization of urban culture in nineteenth-century Paris and the commercialization and commodification of a public sexual culture, the emergence of new sex districts, as well as the development of gay and lesbian subcultures. Public City/Public Sex examines how the notion that male sexual desire required suitable outlets shaped urban policing and development. Ross traces the struggle to control sex in public and argues that it was the very effort to police the city that created new opportunities for women who sold sex and men who sought sex with other men. Placing public sex at the center of urban history, Ross shows how those who used public spaces played a central role in defining the way the city was understood.

In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.

Ubiquitous in the streets and brothels of nineteenth-century Paris, the prostitute was even more so in the novels and paintings of the time. Charles Bernheimer discusses how these representations of the sexually available woman express male ambivalence about desire, money, class, and the body. Interweaving close textual analysis with historical anecdote and theoretical speculation, Bernheimer demonstrates how the formal properties of art can serve strategically to control anxious fantasies about female sexual power. Drawing on methods derived from cultural studies, psychoanalysis, social history, feminist theory, and narrative analysis, this interdisciplinary classic (available now for the first time in paperback) was awarded Honorable Mention in 1990 for the James Russell Lowell prize awarded by the Modern Language Association for the best book of criticism.