Politics And Politicians In Contemporary Us Television

Bringing together well-established scholars of media, political science, sociology, and film to investigate the representation of Washington politics on U.S. television from the mid-2000s to the present, this volume offers stimulating perspectives on the status of representations of contemporary US politics, the role of government and the machinations and intrigue often associated with politicians and governmental institutions. The authors help to locate these representations both in the context of the history of earlier television shows that portrayed the political culture of Washington as well as within the current political culture transpiring both inside and outside of "The Beltway." With close attention to issues of gender, race and class and offering studies from contemporary quality television, including popular programmes such as The West Wing, Veep, House of Cards, The Americans, The Good Wife and Scandal, the authors examine the ways in which televisual representations reveal changing attitudes towards Washington culture, shedding light on the role of the media in framing the public’s changing perception of politics and politicians. Exploring the new era in which television finds itself, with new production practices and the possible emergence of a new ’political genre’ emerging, Politics and Politicians in Contemporary U.S. Television also considers the ’humanizing’ of political characters on television, asking what that representation of politicians as human beings says about the national political culture. A fascinating study that sits at the intersection of politics and television, this book will appeal to scholars of popular culture, sociology, cultural and media studies.

Bringing together well-established scholars of media, political science, sociology, and film to investigate the representation of Washington politics on U.S. television from the mid-2000s to the present, this volume offers stimulating perspectives on the status of representations of contemporary US politics, the role of government and the machinations and intrigue often associated with politicians and governmental institutions. The authors help to locate these representations both in the context of the history of earlier television shows that portrayed the political culture of Washington as well as within the current political culture transpiring both inside and outside of "The Beltway." With close attention to issues of gender, race and class and offering studies from contemporary quality television, including popular programmes such as The West Wing, Veep, House of Cards, The Americans, The Good Wife and Scandal, the authors examine the ways in which televisual representations reveal changing attitudes towards Washington culture, shedding light on the role of the media in framing the public’s changing perception of politics and politicians. Exploring the new era in which television finds itself, with new production practices and the possible emergence of a new ’political genre’ emerging, Politics and Politicians in Contemporary U.S. Television also considers the ’humanizing’ of political characters on television, asking what that representation of politicians as human beings says about the national political culture. A fascinating study that sits at the intersection of politics and television, this book will appeal to scholars of popular culture, sociology, cultural and media studies.

Hart reveals in this fascinating new book, while television may make us feel informed and clever about contemporary politics, it is actually distracting us from the realities of political power in American life.

We live in a golden age of fictional television, while our politics has never been so controversial. This book explores that relationship, asking what it is that some of America's most popular TV shows have to say about its politics. This book explores the relationship between fictional television and American world politics in the period from 9/11 through to the presidency of Donald J. Trump Perhaps you have gasped at Game of Thrones and balked at Breaking Bad. This book illustrates how, far from being outside of politics, shows such as these are deeply political, helping to fill our world with meaning. To this end, the book analyses Game of Thrones, House of Cards, The West Wing, Homeland, 24, Veep, The Wire, The Walking Dead and Breaking Bad. These are all politically consequential shows that shape how we feel and think about world politics.

The author offers a systematic, critically informed political and institutional study of American television. Focusing on the relationship between television, the state and corporate America, he traces the history of television broadcasting, emphasizing its socio-economic impact.

In the thousand-channel universe, politicians must find innovative ways to reach citizens via television. Viewership for news and current affairs television programs has dropped dramatically. Meanwhile, the rise of programming that blends information with entertainment – infotainment – on French Canadian television has provided new opportunities for today’s politicians. Breaking News? traces the development of infotainment and exposes the impact of these kinds of programs on modern political communication. Though not without its controversies, infotainment ultimately makes a positive contribution to democratic life by piquing the audience’s interest in public affairs and motivating it to pay more attention to political news in general.

This work examines the unique and ever-changing relationship between politics and comedy through an analysis of several popular American television programs. Focusing on close readings of the work of Ernie Kovacs, Soupy Sales, and Andy Kaufman, as well as Green Acres and The Gong Show, the author provides a unique glimpse at the often subversive nature of avant-garde television comedy. The crisis in American television during the political unrest of the late 1960s is also studied, as represented by individual analyses of The Monkees, The Smothers Brothers Comedy Hour, Rowan and Martin's Laugh-In, and All in the Family. The author also focuses on more contemporary American television, drawing a comparative analysis between the referential postmodernism of The Simpsons and the confrontational absurdity of South Park.