Politics And Social Change

Drawing on a wealth of original sources, including interviews with politicians and activists this book explores the changing contours of the politics of race in the present social and political environment. The volume seeks to go beyond abstract generalisations in order to develop an account which takes seriously the everyday processes that have shaped social understandings of race and politics in British society. At the same time it links up to the broader debates about the impact of multiculturalism on contemporary politics, the role of minorities in political life and the limits of democratic government. Its account of the role of black politicians within the context of party politics will be of particular appeal to those interested in the interplay between mobilisation and the development of racial justice and equality. Race, Politics and Social Change will appeal to students of British Politics and Society and to all those with interests in the politics of race.

In both politics and art in recent decades, there has been a dramatic shift in emphasis on representation of identity. Liberal ideals of universality and individuality have given way to a concern with the visibility and recognition of underrepresented groups. Modernist and postmodernist celebrations of disruption and subversion have been challenged by the view that representation is integral to social change. Despite this convergence, neither political nor aesthetic theory has given much attention to the increasingly central role of art in debates and struggles over cultural identity in the public sphere. Connecting Hegelian aesthetics with contemporary cultural politics, Jason Miller argues that both the aesthetic and political value of art are found in the reflexive self-awareness that artistic representation enables. The significance of art in modern life is that it shows us both the particular element in humanity as well as the human element in particularity. Just as Hegel asks us to acknowledge how different historical and cultural contexts produce radically different experiences of art, identity-based art calls on its audiences to situate themselves in relation to perspectives and experiences potentially quite remote—or even inaccessible—from their own. Miller offers a timely response to questions such as: How does contemporary art’s politics of perception contest liberal notions of deliberative politics? How does the cultural identity of the artist relate to the representations of cultural identity in their work? How do we understand and evaluate identity-based art aesthetically? Discussing a wide range of works of art and popular culture—from Antigone to Do the Right Thing and The Wire—this book develops a new conceptual framework for understanding the representation of cultural identity that affirms art’s capacity to effect social change.

#MeToo has sparked a global re-emergence of sexual violence activism and politics. This edited collection uses the #MeToo movement as a starting point for interrogating contemporary debates in anti-sexual violence activism and justice-seeking. It draws together 19 accessible chapters from academics, practitioners, and sexual violence activists across the globe to provide diverse, critical, and nuanced perspectives on the broader implications of the movement. It taps into wider conversations about the nature, history, and complexities of anti-rape and anti-sexual harassment politics, including the limitations of the movement including in the global South. It features both internationally recognised and emerging academics from across the fields of criminology, media and communications, film studies, gender and queer studies, and law and will appeal broadly to the academic community, activists, and beyond.

Analyzes the reciprocal impact of cultural beliefs, sociopolitical structures, and individual behaviors on protests throughout the world, examining such questions as why people participate in protest activities, what compels them to participate in non- violent movements, and what leads them to engage in revolutionary protest. Annotation copyright by Book News, Inc., Portland, OR

The author, analyzing major social groups in this area, treats particularly the "new middle class," a group socially isolated from the traditional life of Islam and committed to a wide-ranging modernizing impulse. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Charles Tilly is among the most influential American sociologists of the last century. For the first time, his pathbreaking work on a wide array of topics is available in one comprehensive reader. This manageable and readable volume brings together many highlights of Tilly’s large and important oeuvre, covering his contribution to the following areas: revolutions and social change; war, state making, and organized crime; democratization; durable inequality; political violence; migration, race, and ethnicity; narratives and explanations. The book connects Tilly’s work on large-scale social processes such as nation-building and war to his work on micro processes such as racial and gender discrimination. It includes selections from some of Tilly’s earliest, influential, and out of print writings, including The Vendée; Coercion, Capital and European States; the classic "War Making and State Making as Organized Crime;" and his more recent and lesser-known work, including that on durable inequality, democracy, poverty, economic development, and migration. Together, the collection reveals Tilly’s complex, compelling, and distinctive vision and helps place the contentious politics approach Tilly pioneered with Sidney Tarrow and Doug McAdam into broader context. The editors abridge key texts and, in their introductory essay, situate them within Tilly’s larger opus and contemporary intellectual debates. The chapters serve as guideposts for those who wish to study his work in greater depth or use his methodology to examine the pressing issues of our time. Read together, they provide a road map of Tilly’s work and his contribution to the fields of sociology, political science, history, and international studies. This book belongs in the classroom and in the library of social scientists, political analysts, cultural critics, and activists.