Politics Poetry And Sufism In Medieval Iran

In Politics, Poetry, and Sufism in Medieval Iran Chad Lingwood offers new insights into the political significance of poetry and Sufism at the court of Sulṭān Ya‘qūb (d. 896/1490), leader of the Āq Qoyūnlū. The basis of the study is Salāmān va Absāl, a Persian allegorical romance ‘Abd al-Raḥmān Jāmī (d. 898/1492), the great Timurid belletrist and Naqshbandi Sufi, dedicated to Ya‘qūb. Lingwood demonstrates that Salāmān va Absāl, which modern critics have dismissed as ‘crude’ and ‘grotesque,’ is a sophisticated work of political and mystical advice for a Muslim ruler. In the process, he challenges received wisdom concerning Jāmī, the Āq Qoyūnlū, and Perso-Islamic advice literature. Significantly, the study illustrates the extent to which Jāmī’s compositions integrated the Timurid and Āq Qoyūnlū realms.

This book is the first extensive research on the role of poetry during the Iranian Revolution (1979) and the Iran-Iraq War (1980-1988). How can poetry, especially peaceful medieval Sufi poems, be applied to exalt violence, to present death as martyrdom, and to process war traumas? Examining poetry by both Islamic revolutionary and established dissident poets, it demonstrates how poetry spurs people to action, even leading them to sacrifice their lives. The book's originality lies in fresh analyses of how themes such as martyrdom and violence, and mystical themes such as love and wine, are integrated in a vehemently political context, while showing how Shiite ritual such as the pilgrimage to Mecca clash with Saudi Wahhabi appreciations. A distinguishing quality of the book is its examination of how martyrdom was instilled in the minds of Iranians through poetry, employing Sufi themes, motifs and doctrines to justify death. Such inculcation proved effective in mobilising people to the front, ready to sacrifice their lives. As such, the book is a must for readers interested in Iranian culture and history, in Sufi poetry, in martyrdom and war poetry. Those involved with Middle Eastern Studies, Iranian Studies, Literary Studies, Political Philosophy and Religious Studies will benefit from this book. "From his own memories and expert research, the author gives us a ravishing account of 'a poetry stained with blood, violence and death'. His brilliantly layered analysis of modern Persian poetry shows how it integrates political and religious ideology and motivational propaganda with age-old mystical themes for the most traumatic of times for Iran." (Alan Williams, Research Professor of Iranian Studies, University of Manchester) "When Asghar Seyed Gohrab, a highly prolific academician, publishes a new book, you can be certain he has paid attention to an exciting and largely unexplored subject. Martyrdom, Mysticism and Dissent: The Poetry of the 1979 Iranian Revolution and the Iran-Iraq War (1980-1988) is no exception in the sense that he combines a few different cultural, religious, mystic, and political aspects of Iranian life to present a vivid picture and thorough analysis of the development and effect of what became known as the revolutionary poetry of the late 1970s and early 1980s. This time, he has even enriched his narrative by inserting his voice into his analysis. It is a thoughtful book and a fantastic read." (Professor Kamran Talattof, University of Arizona)

Transforming our understanding of Persian art, this impressive interdisciplinary book decodes some of the world's most exquisite medieval paintings. It reveals the hidden meaning behind enigmatic figures and scenes that have puzzled modern scholars, focusing on five 'miniature' paintings. Chad Kia shows how the cryptic elements in these works of art from Timurid Persia conveyed the mystical teachings of Sufi poets like Rumi, Attar and Jami, and heralded one of the most significant events in the history of Islam: the takeover by the Safavids in 1501 and the conversion of Iran to Shiism.

Cities of Medieval Iran brings together studies in urban geography, archaeology, and history of medieval Iranian cities, covering the millennium from 500 to 1500 AD, with a focus on urban actors themselves.

Jāmī in Regional Contexts: The Reception of ʿAbd Al-Raḥmān Jāmī’s Works in the Islamicate World is the first attempt to present in a comprehensive manner how ʿAbd al-Raḥmān Jāmī (d. 898/1492), a most influential figure in the Persian-speaking world, reshaped the canons of Islamic mysticism, literature and poetry and how, in turn, this new canon prompted the formation of regional traditions. As a result, a renewed geography of intellectual practices emerges as well as questions surrounding authorship and authority in the making of vernacular cultures. Specialists of Persian, Arabic, Chinese, Georgian, Malay, Pashto, Sanskrit, Urdu, Turkish, and Bengali thus provide a unique connected account of the conception and reception of Jāmī’s works throughout the Eurasian continent and maritime Southeast Asia.

In an effort to attain a ‘global’ character, the contemporary academic discipline of International Relations (IR) increasingly seeks to surpass its Eurocentric limits, thereby opening up pathways to incorporate non-Eurocentric worldviews. Lately, many of the non-Eurocentric worldviews have emerged which either engender a ‘derivative’ discourse of the same Eurocentric IR theories, or construct an ‘exceptionalist’ discourse which is particularly applicable to the narrow experiential realities of a native time-space zone: as such, they fall short of the ambition to produce a genuinely ‘non-derivative’ and ‘non-exceptionalist’ Global IR theory. Against this backdrop, Sufism: A Theoretical Intervention in Global International Relations performs a multidisciplinary research to explore how ‘Sufism’ – as an established non-Western philosophy with a remarkable temporal-spatial spread across the globe – facilitates a creative intervention in the theoretical understanding of Global IR.

The authoritative account of the sectarian division that for centuries has shaped events in the Middle East and the Islamic world. In 632, soon after the prophet Muhammad died, a struggle broke out among his followers as to who would succeed him. The majority argued that the new leader of Islam should be elected by the community's elite. Others believed only members of Muhammad's family could lead. This dispute over whoshould guide Muslims, the appointed Caliph or the bloodline Imam, marks the origin of the Sunni-Shii split in Islam. Toby Matthiesen explores this hugely significant division from its origins to thepresent day. Moving chronologically, his book sheds light on the many ways that it has shaped the Islamic world, outlining how over the centuries Sunnism and Shiism became Islams two main branches, particularly after the Muslim Empires embraced sectarian identity. It reveals how colonial rule institutionalised divisions between Sunnism and Shiism both on the Indian subcontinent and in the greater Middle East, giving rise to pan-Islamic resistance and Sunni and Shii revivalism. It then focuseson the fall-out from the 1979 revolution in Iran and the US-led military intervention in Iraq. As Matthiesen shows, however, though Sunnism and Shiism have had a long and antagonistic history, mostMuslims have led lives characterised by confessional ambiguity and peaceful co-existence. Tensions arise when sectarian identity becomes linked to politics. Based on a synthesis of decades of scholarship in numerous languages, The Caliph and the Imam will become the standard text for readers looking for a deeper understanding of contemporary sectarian conflict and its historical roots.

The way painters encoded their messages in the Late Herat School of Painting and the different layers of meaning in those paintings form the core of Esoteric Images by Tawfiq Daʿadli.