Politics Without Stories

Politics without Vision takes up the thought of seven influential thinkers, each of whom attempted to construct a political solution to this problem: Nietzsche, Weber, Freud, Lenin, Schmitt, Heidegger, and Arendt. None of these theorists were liberals nor, excepting possibly Arendt, were they democrats—and some might even be said to have served as handmaidens to totalitarianism. And all to a greater or lesser extent shared the common conviction that the institutions and practices of liberalism are inadequate to the demands and stresses of the present times. In examining their thought, Strong acknowledges the political evil that some of their ideas served to foster but argues that these were not necessarily the only paths their explorations could have taken. By uncovering the turning points in their thought—and the paths not taken—Strong strives to develop a political theory that can avoid, and perhaps help explain, the mistakes of the past while furthering the democratic impulse.

Conservatives use great stories to prescribe government policy. Liberals engage the world via science and pragmatism, rendering liberalism less inspiring. This book examines this difference.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

In Western democracies today, politics and politicians are held in contempt by the majority of citizens. Steven Bilakovics argues that this disdain of politics follows neither from the discontents of our liberal political system nor from the preoccupations of a consumer society. Rather, extending Tocqueville’s analysis of the modern democratic way of life, he traces the sources of political cynicism to democracy itself. Democratic society’s defining openness—its promise of transcendent freedom and unlimited power—renders the everyday politics of argument and persuasion absurd by comparison. Persuasion is devalued relative to the norms of free-market competition and patriotic community, assertions of self-interest and self-expression take the place of arguing together, and political life is diminished by the absence of mediating talk. Bilakovics identifies this trend across the political landscape—in the clashing authenticities of the "culture war," the perennial pursuit of the political outsider to set things right again, the call for a postpartisan politics, rising demands on government alongside falling expectations of what government can do, and in a political rhetoric that is at once petty and hyperbolic. To reform democratic politics and ameliorate its pathologies, Bilakovics calls on us to overcome our anti-political prejudice and rethink robust democracy as the citizen's practice of persuading and being persuaded in turn.

A world government capable of controlling nation-states has never evolved, but governance does underlie order among states and gives direction to problems arising from global interdependence. This book examines the ideological bases and behavioural patterns of this governance without government.

"Liberal candidates, scholars, and activists mainly promote pragmatism rather than large and powerful narratives - which may be called 'alpha stories' for their commanding presence over time. Alternatively, conservative counterparts to such liberals tend to promote their policy preferences in alpha stories praising effective markets, excellent traditions, and limited government. In this face-off, liberals represent a post-Enlightenment world where many modern people, following Max Weber, are 'disenchanted', while many conservatives, echoing Edmund Burke, cherish stories borrowed from the past. Politics without Stories describes this storytelling gap as an electoral disadvantage for liberals because their campaigning lacks, and will continue to lack, the inspiration and shared commitments that great, long-term stories can provide. Therefore, Ricci argues that, for tactical purposes, liberals should concede their post-Enlightenment skepticism and rally around short-term stories designed to frame, in political campaigns, immediate situations which they regard as intolerable. These may help liberals win elections and influence the course of modern life"--

In this critical rethinking of the categories of politics within a new sociopolitical and historical context, the distinguished political philosopher Giorgio Agamben builds on his previous work to address the status and nature of politics itself. Bringing politics face-to-face with its own failures of consciousness and consequence, Agamben frames his analysis in terms of clear contemporary relevance. He proposes, in his characteristically allusive and intriguing way, a politics of gesture--a politics of means without end.

Master of the Senate, Book Three of The Years of Lyndon Johnson, carries Johnson’s story through one of its most remarkable periods: his twelve years, from 1949 to 1960, in the United States Senate. At the heart of the book is its unprecedented revelation of how legislative power works in America, how the Senate works, and how Johnson, in his ascent to the presidency, mastered the Senate as no political leader before him had ever done. It was during these years that all Johnson’s experience—from his Texas Hill Country boyhood to his passionate representation in Congress of his hardscrabble constituents to his tireless construction of a political machine—came to fruition. Caro introduces the story with a dramatic account of the Senate itself: how Daniel Webster, Henry Clay, and John C. Calhoun had made it the center of governmental energy, the forum in which the great issues of the country were thrashed out. And how, by the time Johnson arrived, it had dwindled into a body that merely responded to executive initiatives, all but impervious to the forces of change. Caro anatomizes the genius for political strategy and tactics by which, in an institution that had made the seniority system all-powerful for a century and more, Johnson became Majority Leader after only a single term-the youngest and greatest Senate Leader in our history; how he manipulated the Senate’s hallowed rules and customs and the weaknesses and strengths of his colleagues to change the “unchangeable” Senate from a loose confederation of sovereign senators to a whirring legislative machine under his own iron-fisted control. Caro demonstrates how Johnson’s political genius enabled him to reconcile the unreconcilable: to retain the support of the southerners who controlled the Senate while earning the trust—or at least the cooperation—of the liberals, led by Paul Douglas and Hubert Humphrey, without whom he could not achieve his goal of winning the presidency. He shows the dark side of Johnson’s ambition: how he proved his loyalty to the great oil barons who had financed his rise to power by ruthlessly destroying the career of the New Dealer who was in charge of regulating them, Federal Power Commission Chairman Leland Olds. And we watch him achieve the impossible: convincing southerners that although he was firmly in their camp as the anointed successor to their leader, Richard Russell, it was essential that they allow him to make some progress toward civil rights. In a breathtaking tour de force, Caro details Johnson’s amazing triumph in maneuvering to passage the first civil rights legislation since 1875. Master of the Senate, told with an abundance of rich detail that could only have come from Caro’s peerless research, is both a galvanizing portrait of the man himself—the titan of Capital Hill, volcanic, mesmerizing—and a definitive and revelatory study of the workings and personal and legislative power.