Popular Works

This book discusses that the genre of crime fiction is suitable for the presentation of the crises, conflicts, and indeterminacies present in the plot of the selected works. This book exposes the darker side of Scandinavian countries, particularly Sweden, as the writers and works selected for the book are based on Swedish society. Though as a matter of fact, Scandinavian countries are considered to be the most egalitarian and progressive welfare societies all over the world. The present book explores how popular culture may prove to be a significant thematic approach to studying Scandinavian crime fiction (also called Nordic Noir). The Swedish authors use popular culture as a tool through which they try to convey their concerns regarding various serious issues like anti-immigration, racism, xenophobia, violence against women, the violence of human rights, crimes like the drug trade, human trafficking, etc. By assigning the central place to Sjowall and Wahloo’s Roseanna (1965), The Laughing Policeman (1968), The Terrorists (1975), Henning Mankell’s Faceless Killers (1991), Sidetracked (1995), The Fifth Women (1996), Steig Larsson’s The Girl with the Dragon Tattoo (2005), The Girl who Played with Fire (2006), and The Girl who kicked the Hornets’ Nest (2007), this book enunciates the notion of popular culture and crime fiction genre in the propagation of the socio-critical reflections of life in the welfare state. Hence, this work also analyses the plot, characters, and themes in the aforementioned works to locate the elements of popular fiction in Scandinavian crime novels by representing this genre’s ubiquitousness in the twenty-first century.

Pop music surrounds us - in our cars, over supermarket speakers, even when we are laid out at the dentist - but how often do we really hear what's playing? Switched on Pop is the book based on the eponymous podcast that has been hailed by NPR, Rolling Stone, The Guardian, and Entertainment Weekly for its witty and accessible analysis of Top 40 hits. Through close studies of sixteen modern classics, musicologist Nate Sloan and songwriter Charlie Harding shift pop from the background to the foreground, illuminating the essential musical concepts behind two decades of chart-topping songs. In 1939, Aaron Copland published What to Listen for in Music, the bestseller that made classical music approachable for generations of listeners. Eighty years later, Nate and Charlie update Copland's idea for a new audience and repertoire: 21st century pop, from Britney to Beyoncé, Outkast to Kendrick Lamar. Despite the importance of pop music in contemporary culture, most discourse only revolves around lyrics and celebrity. Switched on Pop gives readers the tools they need to interpret our modern soundtrack. Each chapter investigates a different song and artist, revealing musical insights such as how a single melodic motif follows Taylor Swift through every genre that she samples, André 3000 uses metric manipulation to get listeners to "shake it like a Polaroid picture," or Luis Fonsi and Daddy Yankee create harmonic ambiguity in "Despacito" that mirrors the patterns of global migration. Replete with engaging discussions and eye-catching illustrations, Switched on Pop brings to life the musical qualities that catapult songs into the pop pantheon. Readers will find themselves listening to familiar tracks in new waysand not just those from the Top 40. The timeless concepts that Nate and Charlie define can be applied to any musical style. From fanatics to skeptics, teenagers to octogenarians, non-musicians to professional composers, every music lover will discover something ear-opening in Switched on Pop.