Portraits Of Battle

Portraits of Battle brings together biography, battle accounts, and historiographical analysis to examine the lives of a cross-section of Canadians who served in the First World War. All Canadians are taught about Vimy Ridge, but that celebrated victory was just one battle among many to shape the country’s experience of the war. These portraits of the formerly faceless men and women honoured on war memorials provide a fresh and nuanced perspective on the complex legacy of the Great War in Canadian history.

Portraits of Battle brings together biography, battle accounts, and historiographical analysis to examine the lives of a cross-section of Canadians who served in the First World War. All Canadians are taught about Vimy Ridge, but that celebrated victory was just one battle among many to shape the country’s experience of the war. These portraits of the formerly faceless men and women honoured on war memorials provide a fresh and nuanced perspective on the complex legacy of the Great War in Canadian history.

Heroism in battle has been celebrated throughout history, yet it is one of the least understood virtues. What makes some men and women perform extraordinary deeds on the battlefield? What makes them risk their lives in the pursuit of victory?Max Hastings, one of our foremost military historians, has seen combat up close and written about it for decades. In Warriors, he brings us the experiences of fourteen soldiers who fought in the wars of the nineteenth and twentieth centuries. From an exuberant cavalry officer in Napoleon’s army to an abused orphan who in World War II became America’s youngest general since Custer, to an Israeli officer who recovered from a devastating injury to save his country, each portrait depicts a unique and remarkable story. A tribute to soldierly valor and a deeply insightful study of combat, this is an essential book for anyone who wishes to understand what it means to be at war.

Heroism in battle has been celebrated throughout history, yet it is one of the least understood virtues. What makes some men and women perform extraordinary deeds on the battlefield? What makes them risk their lives in the pursuit of victory?Max Hastings, one of our foremost military historians, has seen combat up close and written about it for decades. In Warriors, he brings us the experiences of fourteen soldiers who fought in the wars of the nineteenth and twentieth centuries. From an exuberant cavalry officer in Napoleon’s army to an abused orphan who in World War II became America’s youngest general since Custer, to an Israeli officer who recovered from a devastating injury to save his country, each portrait depicts a unique and remarkable story. A tribute to soldierly valor and a deeply insightful study of combat, this is an essential book for anyone who wishes to understand what it means to be at war.

The colorful charts, graphs, and maps presented at the 1900 Paris Exposition by famed sociologist and black rights activist W. E. B. Du Bois offered a view into the lives of black Americans, conveying a literal and figurative representation of "the color line." From advances in education to the lingering effects of slavery, these prophetic infographics —beautiful in design and powerful in content—make visible a wide spectrum of black experience. W. E. B. Du Bois's Data Portraits collects the complete set of graphics in full color for the first time, making their insights and innovations available to a contemporary imagination. As Maria Popova wrote, these data portraits shaped how "Du Bois himself thought about sociology, informing the ideas with which he set the world ablaze three years later in The Souls of Black Folk."

"The sketches in this book and in my previous one, "The Cross at the Front," are attempts to show the soul of the soldier serving in France as I have seen it during the year and a half that I have been with him. It is a padre's privilege and duty to be the voice with which, in public worship, the soldiers speak to God; and through which their last thoughts are borne to their friends at home. He is their voice both when they are sick or wounded, and when they lie silent in the grave. He speaks of their hopes and fears, hardships and heroisms, laughter and tears. As best he may he tries to tell, to those who have a right and a longing to know, how they thought, and how they bore themselves in the great day of trial when all risked their lives and many laid them down." -Preface

Anti-Portraits: Poetics of the Face in Modern English, Polish and Russian Literature (1835-1965) examines prose portraits which challenge the belief that the face reflects character. Their authors consider physiognomy as a form of aesthetic dictatorship conducive to stereotyping and racism.