Post Feminism In India

Centred around the bold voices of millennials and Gen Zs, Smashing the Patriarchy explores how young Indian women from diverse backgrounds ingeniously overcome the patriarchy in their everyday lives. From beauty, body politics, and sexuality, to caste, power, and the paradox of choice, the book explores a wide range of women's issues and draws important connections between these. In the chapter 'On Beauty' the author examines why women pursue or reject mainstream beauty standards and the real-life repercussions of their choices. 'Ishq in the Times of Tinder' considers the conundrum that is love and what women want (and don't want) from partnerships. The chapter 'Women at Work' focuses on how young hyper-informed (and tech-savvy) women have shifted work culture across industries. 'Demystifying the Feminine' examines how women across the socio-cultural spectrum define and express femininity. 'Society, Sanskar, and Choice' dives into society's conception of honour and the backlash dissenting women face when they go against the norm. Taking its inspiration from multi-disciplinary theories, grounded and deepened by interviews with a variety of experts and numerous women, Smashing the Patriarchy is an astonishingly insightful exploration of the collective psyche of modern Indian women.

This collection is an invaluable overview of the rich history of Indian feminism. It brings together the writing of prominent Indian academics and activists as they debate feminism in the context of Indian culture, society and politics, and explore its theoretical foundations in India. The inevitable association with western feminism, the status of women in colonial and independent India, and the challenges to Indian feminism posed by globalization and the Hindu Right are discussed at length. It deepens our understanding of why, despite the existence of legal and constitutional rights, women are subject to oppressive practices like dowry.

This collection of original essays looks at the way in which experiences and representations of femininity are changing, and explores the possibilities for producing 'new' femininities in the twenty-first century. The volume includes a Preface by leading feminist scholar Angela McRobbie.

Revolutionary Desires examines the lives and subjectivities of militant-nationalist and communist women in India from the late 1920s, shortly after the communist movement took root, to the 1960s, when it fractured. This close study demonstrates how India's revolutionary women shaped a new female – and in some cases feminist – political subject in the twentieth century, in collaboration and contestation with Indian nationalist, liberal-feminist, and European left-wing models of womenhood. Through a wide range of writings by, and about, revolutionary and communist women, including memoirs, autobiographies, novels, party documents, and interviews, Ania Loomba traces the experiences of these women, showing how they were constrained by, but also how they questioned, the gendered norms of Indian political culture. A collection of carefully restored photographs is dispersed throughout the book, helping to evoke the texture of these women’s political experiences, both public and private. Revolutionary Desires is an original and important intervention into a neglected area of leftist and feminist politics in India by a major voice in feminist studies.

Women in Lagos, Nigeria, practice a spectacularly feminine form of black beauty. From cascading hair extensions to immaculate makeup to high heels, their style permeates both day-to-day life and media representations of women not only in a swatch of Africa but across an increasingly globalized world. Simidele Dosekun's interviews and critical analysis consider the female subjectivities these women are performing and desiring. She finds that the women embody the postfeminist idea that their unapologetically immaculate beauty signals—but also constitutes—feminine power. As empowered global consumers and media citizens, the women deny any need to critique their culture or to take part in feminism's collective political struggle. Throughout, Dosekun unearths evocative details around the practical challenges to attaining their style, examines the gap between how others view these women and how they view themselves, and engages with ideas about postfeminist self-fashioning and subjectivity across cultures and class. Intellectually provocative and rich with theory, Fashioning Postfeminism reveals why women choose to live, embody, and even suffer for a fascinating performative culture.

Against Purity confronts the difficulties that white Western feminism has in balancing issues of gender with other forms of difference, such as race, ethnicity and nation. This pioneering study places recent feminist theory from India in critical conversation with the work of key Western thinkers such as Butler, haraway and Irigaray and argues that, through such postcolonial encounters, contemporary feminist thought can begin to work 'against purity' in order to develop more complex models of power, identity and the self, ultimately to redefine 'women' as the subject of feminism. Theoretically grounded yet written in an accessible style, this is a unique contribution to ongoing feminist debates about identity, power and difference.