Postcards In The Library

Postcards in the Library gives compelling reasons why libraries should take a far more active and serious interest in establishing and maintaining postcard collections and in encouraging the use of these collections. It explains the nature and accessibility of existing postcard collections; techniques for acquiring, arranging, preserving, and handling collections; and ways to make researchers and patrons aware of these collections.

Postcards, individually and collectively, contain a great deal of information that can be of real value to students and researchers. Postcards in the Library gives compelling reasons why libraries should take a far more active and serious interest in establishing and maintaining postcard collections and in encouraging the use of these collections. It explains the nature and accessibility of existing postcard collections; techniques for acquiring, arranging, preserving, and handling collections; and ways to make researchers and patrons aware of these collections. Postcards in the Library asserts that, in most cases, existing postcard collections are a vastly underutilized scholarly resource. Editor Norman D. Stevens urges librarians to help change this since postcards, as items for mass consumption and often with no apparent conscious literary or social purpose, are a true reflection of the society in which they were produced. Stevens claims that messages written on postcards may also reveal a great deal about individual and/or societal attitudes and ideas. Chapters in Postcards in the Library are written by librarians who manage postcard collections, postcard collectors, and researchers. Some of the authors have undertaken major research projects that demonstrate the ways in which postcards can be used in research, and that have begun to establish a standard methodology for the analysis of postcards. They write about: major postcard collections, including the Institute of Deltiology and the Curt Teich Postcard Archives the use of postcards for scholarly research postcard conservation and preservation, arrangement and organization, and importance and value Postcards in the Library describes the postcard collections in a variety of libraries of different kinds and sizes and indicates very real ways in which the effective use of postcard collections can result in and contribute to substantive, scholarly publications. It also offers advice and suggestions on the myriad issues that libraries face in handling these ephemeral fragments of popular culture. Special collections librarians, postcard collectors, postcard dealers, and historical societies will find the information in Postcards in the Library refreshing and practical. Libraries with established postcard collections or those thinking about developing postcard collections will use it as a valuable planning tool and start-to-finish guide.

The Bodleian Library is home to some of the finest examples of illuminated letters. Now, with An Illuminated Alphabet, readers young and old can enjoy a wide selection of these extraordinary letters in twenty-six pull-out postcards--one for each letter of the alphabet. Each postcard features one illuminated letter from a book or manuscript in the Bodleian Library's collection. From large gold-leaf initials in medieval and Renaissance manuscripts to hand-painted examples from early printed books, An Illuminated Alphabet offers an intriguing new way to enjoy the many treasures in the collection of the Bodleian Library. Whether you're an art lover, bibliophile, or one of the Library's more than one million visitors each year, this most beautiful of alphabet books is sure to become a favorite.

Winner of a City of Vancouver Heritage Award, 2005. Before the First World War, photographs of major news events were rarely seen in the daily newspapers; the technology was still too new to make their use viable. Filling the gap and providing the missing images were the postcard photographers, who could make their breaking-news photos available on the street the day after an event occurred. George Alfred Barrowclough was one of those photographers. Barrowclough had the eye of an artist and the nose of a newsman. His images of Vancouver and the surrounding areas stand out over those of other postcard photographers of his day in that they are more people-centred and action-oriented, capturing the lives and appearances of the people living in and around Vancouver in the decade before the Great War. Drawing from postcards that Barrowclough produced between 1908 and 1912, award-winning authors Fred Thirkell and Bob Scullion have selected images for Breaking News that showcase the photographer's focus on people and events. In Vancouver in those years, you looked to newspapers for words; you looked to Barrowclough for news. This is Fred Thirkell and Bob Scullion's sixth book in the postcard genre. Several of their earlier books have also won City of Vancouver Heritage awards.

A century ago, hereditary rulers governed the great world powers. The royal houses of Europe, Africa, and Asia once ruled continents and the dominions beyond the seas. Today, just ten monarchs still reign in Europe, their powers significantly curbed. Where have all the royals gone? This book presents postcard images of lost emperors, kings and queens, czars and czarinas, princes, grand dukes, dukes, and duchesses. From the Balkans to the Iberian peninsula, these regal portraits hint at the values of another era and capture something of the essence of the long-vanished world of international royalty.

Postcards sent by men on the front, and to them by their families, are among the most numerous, and most telling, surviving artefacts of the Great War. They tell us much about attitudes towards the war, and provide a great insight into men's lives, and into the thoughts and emotions of those left behind. Very different in their illustration, and in their writing, between the beginning of the war and the end, postcards provide a social history of the war in microcosm. Illustrated with a wide range of postcards, this is a fascinating look into the response of the British people to the horrors of the war.

In California, Agnes, a giant Pacific octopus, pens a series of postcards to strangers from both above and below the pier.

A collection of 100 postcards, each featuring a different and iconic Penguin book jacket. From classics to crime, here are over seventy years of quintessentially British design in one box. In 1935 Allen Lane stood on a platform at Exeter railway station, looking for a good book for the journey to London. His disappointment at the poor range of paperbacks on offer led him to found Penguin Books. The quality paperback had arrived. Declaring that 'good design is no more expensive than bad', Lane was adamant that his Penguin paperbacks should cost no more than a packet of cigarettes, but that they should always look distinctive. Ever since then, from their original - now world-famous - look featuring three bold horizontal stripes, through many different stylish, inventive and iconic cover designs, Penguin's paperback jackets have been a constantly evolving part of Britain's culture. And whether they're for classics, crime, reference or prize-winning novels, they still follow Allen Lane's original design mantra. Sometimes, you definitely should judge a book by its cover.