Postcolonialism Psychoanalysis And Burton

By engaging closely with the work of Richard Francis Burton (1821-90), the iconic nineteenth-century imperial spy, explorer, anthropologist and translator, Postcolonialism, Psychoanalysis and Burton explores the White Man’s ‘imperial fantasies’, and the ways in which the many metropolitan discourses to which Burton contributed drew upon and reinforced an intimate connection between fantasy and power in the space of Empire. This original study sheds new light on the mechanisms of imperial appropriation and pays particular attention to Burton’s relationship with his alter ego, Abdullah, the name by which he famously travelled to Mecca and Medina disguised as a Muslim pilgrim. In this context, Grant also provides insightful readings of a number of Burton’s contemporaries, such as Müller, du Chaillu, Darwin and Huxley, and engages with postcolonial and psychoanalytic theory in order to highlight the problematic relationship between the individual and imperialism, and to encourage readers to think about what it means to read colonial history and imperial narrative today.

Engaging closely with the work of Richard Francis Burton--the iconic nineteenth century imperial spy, explorer and translator--this book sheds new light on the White Man’s ‘imperial fantasies’ and the ways in which metropolitan discourses drew upon and reinforced an intimate connection between fantasy and power in the space of Empire.

Psychoanalytic theory has been the critical instrument of choice for colonial critics. This book examines why critics who are otherwise suspicious of Western forms of knowledge are drawn to psychoanalytic theories, and whether it is possible to use such theories without reproducing the colonial discourse that also structures psychoanalytic thought.

This book examines the theoretical links between Edward W. Said and Sigmund Freud as well the relationship between psychoanalysis, postcolonialism and decoloniality more broadly. The author begins by offering a comprehensive review of the literature on psychoanalysis and postcolonialism, which is contextualized within the apparatus of racialized capitalism. In the close analysis of the interconnections between the Freud and Said that follows, there is an attempt to decolonize the former and psychoanalyze the latter. He argues that decolonizing Freud does not mean canceling him; rather, he employs Freud’s sharpest insights for our time, by extending his critique of modernity to coloniality. It is also advanced that psychoanalyzing Said does not mean psychologizing the man; instead the book's aim is to demonstrate the influence of psychoanalysis on Said’s work. It is asserted that Said began with Freud, repressed him, and then Freud returned. Reading Freud and Said side by side allows for the theorization of what the author calls contrapuntal psychoanalysis as liberation praxis, which is discussed in-depth in the final chapters. This book, which builds on the author’s previous work, Decolonial Psychoanalysis, will be a valuable text to scholars and students from across the psychology discipline with an interest in Freud, Said and the broader relationship between psychoanalysis and colonialism.

While entailing a subversive re-vision of colonial histories, geographies, and subjectivities, the (post)colonial condition has unleashed a chain of movements, relocations, and re-writings that interrogate the globalized and neoliberal society. Ethnic, “racial”, religious, gendered, and sexual identities have been called into question, and requested to (re)define, name, and re-name themselves, to find new ways to tell their stories/histories. The very term “postcolonial” has triggered well-known controversial debates: its adoption is significant of a cultural politics involving the colonial past, controversial crisis in the present, and an open perspective toward alternative futures. Confronting literature and the arts from a postcolonial perspective is a critical and political task involving theories and cultural productions crossing barriers amongst fields of knowledge. The essays gathered here discuss postcolonialism as a transdisciplinary field of passages that negotiate among diverse yet interrelated cultural fields.

This book studies how the rhetoric of travel introduces different conceptualizations of space and time in scenarios of war during the last decades of the 19th century, in Argentina, Brazil, Paraguay, and Uruguay. By examining accounts of war and travel in the context of the consolidation of state apparatuses in these countries, Uriarte underlines the essential role that war (in connection to empire and capital) has played in the Latin American process of modernization and state formation. In this book, the analysis of British and Latin American travel narratives proves particularly productive in reading the ways in which national spaces are reconfigured, reimagined, and reappropriated by the state apparatus. War turns out to be a central instrument not just for making possible this logic of appropriation, but also for bringing temporal notions such as modernization and progress to spaces that were described — albeit problematically — as being outside of history. The book argues that wars waged against "deserts" (as Patagonia, the sertão, Paraguay, and the Uruguayan countryside were described and imagined) were in fact means of generating empty spaces, real voids that were the condition for new foundations. The study of travel writing is an essential tool for understanding the transformations of space brought by war, and for analyzing in detail the forms and connotations of movement in connection to violence. Uriarte pays particular attention to the effects that witnessing war had on the traveler’s identity and on the relation that is established with the oikos or point of departure of their own voyage. Written at the intersection of literary analysis, critical geography, political science, and history, this book will be of interest to those studying Latin American literature, Travel Writing, and neocolonialism and Empire writing.

This is the first monograph in English to address Orientalism in the writings of Italian travellers in the nineteenth and early twentieth centuries, and to do against a backdrop of comparative reference to works in English and French that preceded or were contemporary to them.

Highlighting neo-Victorian biofiction’s crucial role in reimagining and augmenting the historical archive, this volume explores the complex ethical consequences of a creative movement of historiographic revisionism, combining biography and fiction in a dialectic tension of empathy and voyeuristic spectacle.