Postcommunism Postmodernism And The Global Imagination

Contributors follow the impact of post-Cold War globalization on Central-East European literatures, cultures, and theoretical-ideological debates, particularly literary and cultural-artistic trends such as experimentalism, the neo-avant-garde, and postmodernism. Essays investigate the new configurations of theme, form, and ideology that emerged in these former communist countries after 1989 and the ways artists, critics, and intellectuals have imagined themselves, their countries, and their world as it globalizes. Contributors combine literary-aesthetic and cultural-historical approaches while remaining sensitive to transnational developments.

A study of the emerging cultural model of "cosmodernism"

In Mapping Postcommunist Cultures Chernetsky argues that Russia and Ukraine exemplify the principal paradigms of post-Soviet cultural development. In Russia this has manifested itself in the subversive dismantling of the totalitarian linguistic regime and the foregrounding of previously marginalized subject positions. In Ukraine, work in these areas shows how the traumas of centuries of colonial oppression are being overcome through the carnivalesque decrowning of ideological dogmas and an affirmation of a new type of community, most recently demonstrated in the peaceful Orange Revolution of 2004. Mapping Postcommunist Cultures also critiques the neglect of the former communist world in current models of cultural globalization.

This collection investigates the ways in which postcommunist alternative theatre negotiated and embodied change not only locally but globally as well.

Approaching Romanian literature as world literature, this book is a critical-theoretical manifesto that places its object at the crossroads of empires, regions, and influences and draws conclusions whose relevance extends beyond the Romanian, Romance, and East European cultural systems. This “intersectional” revisiting of Romanian literature is organized into three parts. Opening with a fresh look at the literary ideology of Romania's “national poet,” Mihai Eminescu, part I dwells primarily on literary-cultural history as process and discipline. Here, the focus is on cross-cultural mimesis, the role of strategic imitation in the production of a distinct literature in modern Romania, and the shortcomings marking traditional literary historiography's handling of these issues. Part II examines the ethno-linguistic and territorial complexity of Romanian literatures or “Romanian literature in the plural.” Part III takes up the trans-systemic rise of Romanian, Jewish Romanian, and Romanian-European avant-garde and modernism, Socialist Realism, exile and émigré literature, and translation.

The Cambridge History of Postmodern Literature offers a comprehensive survey of the field, from its emergence in the mid-twentieth century to the present day. It offers an unparalleled examination of all facets of postmodern writing that helps readers to understand how fiction and poetry, literary criticism, feminist theory, mass media, and the visual and fine arts have characterized the historical development of postmodernism. Covering subjects from the Cold War and countercultures to the Latin American Boom and magic realism, this History traces the genealogy of a literary tradition while remaining grounded in current scholarship. It also presents new critical approaches to postmodern literature that will serve the needs of students and specialists alike. Written by a host of leading scholars, this History will not only engage readers in contemporary debates but also serve as a definitive reference for years to come.

Over many decades, "contagion" has been a metaphor of choice for everything from global terrorism, suicide bombings, poverty, immigration, global financial crises, human rights, fast food, obesity, divorce, and homosexuality. Essays examine the language of epidemiology used in the war on terror, the repressive effects of global disease surveillance, and films and novels that enact the perplexities of contagion in a global context. Fear of microbial disaster becomes a framework for larger questions about the nature and location of sovereignty and the related questions of contact and hygienic isolation, fear and invisibility, the hazards of sociability, the security of surveillance, and what a healthy security might mean. Utilizing the cross-disciplinary approach of global studies, contagion emerges as a vexed trope for globalization itself.

This book examines phenomena from Finnish and Finnish-Swedish literature written in the years between the 1980s and the first decade of the new millennium. Its objective is to study this interesting era of literary history in Finland and to sketch some possible directions for future development by identifying literary turning points which have already occurred.