Power And Resistance In Prison

This book explores how prisoners turn themselves into active opponents of the prison regime, and thus reclaim their freedom and manhood. Using extensive ethnographic fieldwork from Norway's largest prison, Ugelvik provides a compelling analysis of the relationship between power, practices of resistance and prisoner subjectivity.

This book explores how power is negotiated in women’s prisons. Drawing on fieldwork conducted in three penal establishments in England, it analyses how women manage the restrictions of imprisonment and the manner in which they attempt to resist institutional control. It is proposed that power is negotiated on a private, individual level, as women often resist the institution simply by trying to maintain an image of control over their own lives. However, their image of themselves as active, reasoning agents is undermined by institutional regimes which encourage traditional, passive, feminine behaviour at the same time as they deny the women their identities and responsibilities as mothers, wives, girlfriends and sisters. Femininity is, therefore, both the form and the goal of women’s imprisonment. Yet paradoxically, femininity also offers the possibility of resistance, because women manage to rebel by appropriating and changing aspects of it.

This book explores how prisoners turn themselves into active opponents of the prison regime, and thus reclaim their freedom and manhood. Using extensive ethnographic fieldwork from Norway's largest prison, Ugelvik provides a compelling analysis of the relationship between power, practices of resistance and prisoner subjectivity.

Winner of the 2017 Diamond Anniversary Book Award and the African American Communication and Culture Division's 2017 Outstanding Book Award, both from the National Communication Association In the black liberation movement, imprisonment emerged as a key rhetorical, theoretical, and media resource. Imprisoned activists developed tactics and ideology to counter white supremacy. Lisa M. Corrigan underscores how imprisonment--a site for both political and personal transformation--shaped movement leaders by influencing their political analysis and organizational strategies. Prison became the critical space for the transformation from civil rights to Black Power, especially as southern civil rights activists faced setbacks. Black Power activists produced autobiographical writings, essays, and letters about and from prison beginning with the early sit-in movement. Examining the iconic prison autobiographies of H. Rap Brown, Mumia Abu-Jamal, and Assata Shakur, Corrigan conducts rhetorical analyses of these extremely popular though understudied accounts of the Black Power movement. She introduces the notion of the "Black Power vernacular" as a term for the prison memoirists' rhetorical innovations, to explain how the movement adapted to an increasingly hostile environment in both the Johnson and Nixon administrations. Through prison writings, these activists deployed narrative features supporting certain tenets of Black Power, pride in blackness, disavowal of nonviolence, identification with the Third World, and identity strategies focused on black masculinity. Corrigan fills gaps between Black Power historiography and prison studies by scrutinizing the rhetorical forms and strategies of the Black Power ideology that arose from prison politics. These discourses demonstrate how Black Power activism shifted its tactics to regenerate, even after the FBI sought to disrupt, discredit, and destroy the movement.

This book provides a detailed sociological explanation of why Strangeways, one of the largest prisons in Europe, erupted in violent protest in April 1990. The book locates the complexities of prison life in central problems in social theory and makes a major contribution to sociologically informed criminology.

With unique and powerful data from within a big city prison, this book clarifies the role that conversational analysis can have within a Critical Discourse Analysis perspective. In a detailed linguistic analysis of the language use of prison officers and prisoners involved in a prison based course, the author charts the shifting power relations of control and resistance and situates the findings in a broader sociological analysis of the prison as an institution. The study will interest sociolinguists, discourse analysts, and researchers in communication studies, criminology and counselling.

This book explores how an audience of men serving sentences in an English prison responded to viewing five contemporary British prison films. It examines how media representations of prison vary in style and content, how film can influence public attitudes, and how this affects people in prison. The book explains the ways in which film acts as a power resource, presenting an ideological vision of criminal justice. The audience used these films to map the social terrain of prison, including issues of power and resistance; race and racism; corruption and the illicit economy; and staff-prisoner relationships, themes which are explored in the films screened. The authors argue that media consumption is one of the ways in which people in prison construct and maintain an ideal of the prisoner culture and what it is to be a ‘prisoner’. The book also reveals the ways in which audience members’ media choices and readings are part of the ongoing process of constructing their self-identity. This book illuminates the complex ways in which media consumption is an integral part of social power, cultural formation and identity construction. Recognising and engaging with audiencehood offers one potential route for supporting more progressive penal practice. This book speaks to those interested in prisons, crime, media and culture, and film studies.

While the use of imprisonment continues to rise in developed nations, we have little sociological knowledge of the prison's inner world. Based on extensive fieldwork in a medium-security prison, The Prisoner Society: Power, Adaptation and Social Life in an English Prison provides an in-depth analysis of the prison's social anatomy. It explains how power is exercised by the institution, individualizing the prisoner community and demanding particular forms of compliance and engagement. Drawing on prisoners' life stories, it supplies a detailed typology of adaptive styles, showing how different prisoners experience and respond to the new range of penal practices and frustrations. It then explains how the prisoner society - its norms, hierarchy and social relationships - is shaped both by these conditions of confinement and by the different backgrounds, values and identities that prisoners bring into the prison environment. Through this analysis, this meticulously researched book aims to revive and update the dormant tradition of prison ethnography. It provides an empirical snapshot of a modern prison, documenting the aims and techniques of contemporary imprisonment and illuminating the social structures and behaviours that they generate. Through a penetrating account of power relations throughout the institution, the author documents the pains of modern imprisonment, the new techniques of survival, and the prison's distinctive forms of trade, friendship and everyday culture.