Pre Raphaelite Sisters Notecards

Overlooked stories of the female painters and subjects of Pre-Raphaelite art When the Pre-Raphaelite Brotherhood exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the "Young Painters of England," this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colors and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colors. Who were these women? What is known of their lives and their roles in a movement that spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, while others were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socializing with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewelry-making--the fine crafts that formed a supportive tier for the "higher" arts of painting and sculpture. Although their backgrounds and life experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art. Containing over 100 beautifully reproduced images, Pre-Raphaelite Sisters illustrates the obscure stories of some of the movement's most familiar faces. "

This striking book explores contemporary portraiture from the past decade. The selection features cutting-edge new work from the international art community and reflects an increasing interest in identity worldwide. Organised thematically, the book examines seven key strands of portraiture: The Body; The Self-Portrait; The Invented Portrait; The Anonymous Portrait; Social Identity; The Celebrity Portrait. With an essay by Sandy Nairne, Director of the National Portrait Gallery, London, that locates contemporary portraiture within a historic tradition, 21st Century Portraits examines current trends, showcasing the wide range of media today's artists are using. This book includes an extensive bibliography and is an essential reference work in the field of twenty-first-century portraiture. It will present many images to academic, curatorial and general audiences, including museum and gallery visitors and general art book buyers in the trade for the first time.

Pays homage to Pre-Raphaelite painters with feline versions of famous paintings by Dante Gabriel Rossetti, Ford Madox Brown, William Holman Hunt, and several other artists

A new, fully restored edition of the essential Canadian classic. An unflinchingly honest memoir of her experience as a Métis woman in Canada, Maria Campbell's Halfbreed depicts the realities that she endured and, above all, overcame. Maria was born in Northern Saskatchewan, her father the grandson of a Scottish businessman and Métis woman--a niece of Gabriel Dumont whose family fought alongside Riel and Dumont in the 1885 Rebellion; her mother the daughter of a Cree woman and French-American man. This extraordinary account, originally published in 1973, bravely explores the poverty, oppression, alcoholism, addiction, and tragedy Maria endured throughout her childhood and into her early adult life, underscored by living in the margins of a country pervaded by hatred, discrimination, and mistrust. Laced with spare moments of love and joy, this is a memoir of family ties and finding an identity in a heritage that is neither wholly Indigenous or Anglo; of strength and resilience; of indominatable spirit. This edition of Halfbreed includes a new introduction written by Indigenous (Métis) scholar Dr. Kim Anderson detailing the extraordinary work that Maria has been doing since its original publication 46 years ago, and an afterword by the author looking at what has changed, and also what has not, for Indigenous people in Canada today. Restored are the recently discovered missing pages from the original text of this groundbreaking and significant work.

Literary Nonfiction. Poetry. SIXTY MORNING TALKS: SERIAL INTERVIEWS WITH CONTEMPORARY AUTHORS provides sixty transcribed interviews with poets who released books in 2012. Rather than advance an overarching argument concerning the state of poetry, this book engages a broad range of authors often subdivided into ideological, aesthetic, generational, national and identity-based camps, and taps the accessibility of vernacular speech to offer new means of comparative study, cross-reference and discursive collaboration.