Prefigurative Politics

Many of us wonder what we could possibly do to end oppression, exploitation, and injustice. People have studied revolutions and protest movements for centuries, but few have focused on prefigurative politics, the idea of 'building the new society within the shell of the old'. Fed up with capitalism? Get organised and build the institutions of the future in radical unions and local communities. Tired of politicians stalling on climate change? Set up an alternative energy collective. Ready to smash racism and the patriarchy? Root them out in all areas of our lives, not just in 'high politics'. This is the first book dedicated to prefigurative politics, explaining its history and examining the various debates surrounding it. How can collective decision-making be inclusive? In what ways are movements intersectional? Can prefigurative organisations scale up? It is a must-read for students of radical politics, anarchism, and social movements, as well as activists and concerned citizens everywhere.

This edited collection analyses the unique characteristics of urban gardens, worker-owned coops, ecological communities, occupied factories and other social movements to demonstrate what we can learn from them in order to rethink our economies and societies.

This cutting-edge text offers an introduction to the emerging field of media archaeology and analyses the innovative theoretical and artistic methodology used to excavate current media through its past. Written with a steampunk attitude, What is Media Archaeology? examines the theoretical challenges of studying digital culture and memory and opens up the sedimented layers of contemporary media culture. The author contextualizes media archaeology in relation to other key media studies debates including software studies, German media theory, imaginary media research, new materialism and digital humanities. What is Media Archaeology? advances an innovative theoretical position while also presenting an engaging and accessible overview for students of media, film and cultural studies. It will be essential reading for anyone interested in the interdisciplinary ties between art, technology and media.

This edited collection analyses the unique characteristics of urban gardens, worker-owned coops, ecological communities, occupied factories and other social movements in order to rethink our economies and societies.

From her perspective as both participant and observer, Barbara Epstein examines the nonviolent direct action movement which, inspired by the civil rights movement, flourished in the United States from the mid-seventies to the mid-eighties. Disenchanted with the politics of both the mainstream and the organized left, and deeply committed to forging communities based on shared values, activists in this movement developed a fresh, philosophy and style of politics that shaped the thinking of a new generation of activists. Driven by a vision of an ecologically balanced, nonviolent, egalitarian society, they engaged in political action through affinity groups, made decisions by consensus, and practiced mass civil disobedience. The nonviolent direct action movement galvanized originally in opposition to nuclear power, with the Clamshell Alliance in New England and then the Abalone Alliance in California leading the way. Its influence soon spread to other activist movements—for peace, non-intervention, ecological preservation, feminism, and gay and lesbian rights. Epstein joined the San Francisco Bay Area's Livermore Action Group to protest the arms race and found herself in jail along with a thousand other activists for blocking the road in front of the Lawrence Livermore Laboratory. She argues that to gain a real understanding of the direct action movement it is necessary to view it from the inside. For with its aim to base society as a whole on principles of egalitarianism and nonviolence, the movement sought to turn political protest into cultural revolution.

The Open Invitation explores the relationship between prefigurative politics and activist video. Schiwy analyzes activist videos from the 2006 uprising in Oaxaca, the Zapatista’s Other Campaign, as well as collaborative and community video from the Yucatán. Schiwy argues that transnational activist videos and community videos in indigenous languages reveal collaborations and that their political impact cannot be grasped through the concept of the public sphere. Instead, she places these videos in dialogue with recent efforts to understand the political with communality, a mode of governance articulated in indigenous struggles for autonomy, and with cinematic politics of affect.

The gloomy prospect of climate change and ecosystems' collapse calls for an urgent rethinking of all aspects of our life: how we work, produce, eat, spend, take care of each other, relate to nature, and organize our societies. Prefigurative initiatives are attracting a growing amount of attention from scholars and activists precisely because they are envisioning alternative futures by embodying radically different ways of living in the present. Thanks to the contribution of leading researchers, 'The Future is Now' represents the go-to book for anyone seeking a comprehensive, state-of-the-art, and thought-provoking introduction to the thriving field of prefigurative politics.

Many of us wonder what we could possibly do to end oppression, exploitation, and injustice. People have studied revolutions and protest movements for centuries, but few have focused on prefigurative politics, the idea of 'building the new society within the shell of the old'. Fed up with capitalism? Get organised and build the institutions of the future in radical unions and local communities. Tired of politicians stalling on climate change? Set up an alternative energy collective. Ready to smash racism and the patriarchy? Root them out in all areas of our lives, not just in 'high politics'. This is the first book dedicated to prefigurative politics, explaining its history and examining the various debates surrounding it. How can collective decision-making be inclusive? In what ways are movements intersectional? Can prefigurative organisations scale up? It is a must-read for students of radical politics, anarchism, and social movements, as well as activists and concerned citizens everywhere.