Prehistoric Rock Art In Britain

In this latest book the prolific Stan Beckensall returns to his principal specialism, Britains prehistoric rock art.

Enigmatic, esoteric and fascinating, the rock-art of the British Isles has for a long time been a well-kept secret. This volume brings together a carefully selected collection of papers reporting on recent discoveries and regional surveys covering British prehistoric rock-art from over 10,000 years ago.

This comprehensive work takes a broad view of what rock art entails, covering the history of rock art research and the discovery of many new sites. The author illustrates the different symbols and motifs that are found throughout the British Isles, and shows where they occur in landscapes and monuments. It is a book that captures the excitement of discovery and examines the various theories about the origin, use and meaning of rock art. Stan Beckensall also explains the problems of accurate conservation, recording, and display.

Along the Atlantic seaboard, from Scotland to Spain, are numerous rock carvings made four to five thousand years ago, whose interpretation poses a major challenge to the archaeologist. In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.

Northumberland is the most prolific, varied and important area of rock-art in Britain. This book, which includes every known site, relates the art to its landscape and monumental setting. This work follows naturally from the author's general work on rock art, British Prehistoric Rock Art and his recent widely acclaimed book Northumberland: Power of Place.

This lavishly illustrated volume presents a state of the art survey of the ancient rock art of Britain and Ireland. Bringing together new discoveries and new interpretations, it enhances our understanding and further establishes ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study.

Many exciting discoveries of prehistoric rock art have been made recently in Cumbria. They are included in this complete account of the earliest human communication, some 4-5000 years ago on outcrop rock, earthfast boulders, burials and other ritual structures. They are in some of Britain's most beautiful places. Professor Richard Bradley writes: "This book captures beautifully Stan's feeling for the countryside and flair for this kind of research. It is the work of a born teacher, who wishes to share his knowledge and enjoyment with other people. What he says is important, and how he says it is important too. Like the carvings he has done so much to publicise, this book is accessible to everyone." It follows his complete survey of Northumberland rock art, which Christopher Chippindale, of Cambridge University Museum of Archaeology and Anthropology described as "a first-rate book . . . written from Stan Beckensall's great knowledge with an inviting charm, splendidly illustrated with his photographs and drawings, well produced in a manageable size."