Presenting Japanese Buddhism To The West

Japanese Buddhism was introduced to a wide Western audience when a delegation of Buddhist priests attended the World's Parliament of Religions, part of the 1893 Columbian Exposition in Chicago. In describing and analyzing this event, Judith Snodgrass challenges the predominant view of Orientalism as a one-way process by which Asian cultures are understood strictly through Western ideas. Restoring agency to the Buddhists themselves, she shows how they helped reformulate Buddhism as a modern world religion with specific appeal to the West while simultaneously reclaiming authority for the tradition within a rapidly changing Japan. Snodgrass explains how the Buddhism presented in Chicago was shaped by the institutional, social, and political imperatives of the Meiji Buddhist revival movement in Japan and was further determined by the Parliament itself, which, despite its rhetoric of fostering universal brotherhood and international goodwill, was thoroughly permeated with confidence in the superiority of American Protestantism. Additionally, in the context of Japan's intensive diplomatic campaign to renegotiate its treaties with Western nations, the nature of Japanese religion was not simply a religious issue, Snodgrass argues, but an integral part of Japan's bid for acceptance by the international community.

Japanese Buddhism was introduced to the West during the World's Parliament of Religions, in the 1893 Columbian Exposition. In describing and analysing this event, this text challenges the view of Orientalism as a one-way process by which Asian cultures are understood through Western ideas.

First study in English on Japanese Buddhism by a distinguished scholar in the field of Religious Studies will be widely welcomed.The main focus is on the tradition of the monk (o-bo-san) as the main agent of Buddhism, together with the historical processes by which monks have developed Japanese Buddhism as it appears in the present day.

Though fascinated with the land of their tradition’s birth, virtually no Japanese Buddhists visited the Indian subcontinent before the nineteenth century. In the richly illustrated Seeking Śākyamuni, Richard M. Jaffe reveals the experiences of the first Japanese Buddhists who traveled to South Asia in search of Buddhist knowledge beginning in 1873. Analyzing the impact of these voyages on Japanese conceptions of Buddhism, he argues that South Asia developed into a pivotal nexus for the development of twentieth-century Japanese Buddhism. Jaffe shows that Japan’s growing economic ties to the subcontinent following World War I fostered even more Japanese pilgrimage and study at Buddhism’s foundational sites. Tracking the Japanese travelers who returned home, as well as South Asians who visited Japan, Jaffe describes how the resulting flows of knowledge, personal connections, linguistic expertise, and material artifacts of South and Southeast Asian Buddhism instantiated the growing popular consciousness of Buddhism as a pan-Asian tradition—in the heart of Japan.

The remarkable group of Japanese Buddhists who traveled to Chicago's Columbian Exposition to participate in the 1893 World's Parliament of Religions combined religious aspirations with nationalist ambitions. Their portrayal of Buddhism mirrored modern reforms in Meiji, Japan, and the historical context of cultural competition on display at the 1893 World's Fair. Japan's primary exhibit, the Hō-ō, or phoenix, Pavilion, provided an impressive display of traditional culture as well as apt symbolism: for Japan's modern rise to prominence, for Buddhist renewal succeeding devastating Meiji persecution, for Mahāyāna revitalization following withering attacks of Western critics, and for Chicago's own resurrection from the ashes of the Great Fire. This book examines the Japanese delegates' portrayal of Mahāyāna Buddhism as authentically ancient, pragmatically modern, scientifically consistent, and universally salvific. The Japanese delegates were active, and relatively successful agents who seized the opportunity of the 1893 forum to further their own objectives of promoting Japan and its Buddhism to the West, repairing negative evaluations of the «great vehicle» of Buddhism, differentiating Japanese Buddhism from the Buddhism of other countries, distinguishing their tradition as the evolutionary culmination of all religions, and shaping modern Buddhism in Asia and the West.

In the early twentieth-century, The Eastern Buddhist journal pioneered the presentation of Buddhism to the west and encouraged the west's engagement in interpretation. This interactive process increased dramatically in the post-war period, when dialogue between Buddhist and Christian thought began to take off in earnest. These debates and dialogues brought in voices with a Zen orientation, influenced in part by the philosophical Buddhism of the Kyōto School. Also to be heard, however, were contributions from the Pure Land and the Shin Buddhist traditions, which have a strong tradition in the city. This book brings together a range of authors who have significantly influenced subsequent Buddhist-Christian dialogue and the interaction between east and west. It is a companion volume to Listening to Shin Buddhism: Starting Points of Modern Dialogue.

Japan was the first Asian nation to face the full impact of modernity. Like the rest of Japanese society, Buddhist institutions, individuals, and thought were drawn into the dynamics of confronting the modern age. Japanese Buddhism had to face multiple challenges, but it also contributed to modern Japanese society in numerous ways. Buddhism and Modernity: Sources from Nineteenth-Century Japan makes accessible the voices of Japanese Buddhists during the early phase of high modernity. The volume offers original translations of key texts—many available for the first time in English—by central actors in Japan’s transition to the modern era, including the works of Inoue Enryō, Gesshō, Hara Tanzan, Shimaji Mokurai, Kiyozawa Manshi, Murakami Senshō, Tanaka Chigaku, and Shaku Sōen. All of these writers are well recognized by Buddhist studies scholars and Japanese historians but have drawn little attention elsewhere; this stands in marked contrast to the reception of Japanese Buddhism since D. T. Suzuki, the towering figure of Japanese Zen in the first half of the twentieth century. The present book fills the chronological gap between the premodern era and the twentieth century by focusing on the crucial transition period of the nineteenth century. Issues central to the interaction of Japanese Buddhism with modernity inform the five major parts of the work: sectarian reform, the nation, science and philosophy, social reform, and Japan and Asia. Throughout the chapters, the globally entangled dimension—both in relation to the West, especially the direct and indirect impact of Christianity, and to Buddhist Asia—is of great importance. The Introduction emphasizes not only how Japanese Buddhism was part of a broader, globally shared reaction of religions to the specific challenges of modernity, but also goes into great detail in laying out the specifics of the Japanese case.

An excellent and very timely update on an area seeing many recent developments.