Presenting Stefano Della Bella Seventeenth Century Printmaker

In Visual Cultures of Death in Central Europe, Aleksandra Koutny-Jones examines the remarkable cultural preoccupation with death in the Polish-Lithuanian Commonwealth (1569-1795), through a range of Baroque artworks such as coffin portraits, funerary decorations, tomb chapels and religious landscapes.

The essays in this volume complement the recent exhibition of Printmakers of the Baroque: 17th-Century Explorations of Space and Light at La Salle University Art Museum during winter 2013-2014. Co-curated by La Salle Associate Professor of Art History Dr. Susan Dixon, the exhibition also provided a foundation for a Baroque art history course taught in spring 2014. This catalogue includes essays and labels written by undergraduate students enrolled in the course, along with reproductions of all 40 artworks included in the exhibition.

Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.

Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.

First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.

The appearance of Galileo's Dialogue in a forgotten painting launches John Heilbron's exploration of science and culture in Stuart England, and its deep connections with continental Europe. Ranging across art history, politics, and religion, he unravels the painting's mysteries, setting its sitters and painter against their rich cultural backdrop.