Primitivism And Twentieth Century Art
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Primitivism and Twentieth century Art
Author | : Jack D. Flam,Miriam Deutch |
Publsiher | : Univ of California Press |
Total Pages | : 514 |
Release | : 2003 |
Genre | : Art |
ISBN | : 0520212789 |
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"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa
Primitivism in 20th century art
Author | : William Rubin,Henry N Abrams Incorporated |
Publsiher | : ABRAMS |
Total Pages | : 706 |
Release | : 1990-08-01 |
Genre | : Electronic Book |
ISBN | : 0810960672 |
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Primitivism Cubism Abstraction
Author | : Charles Harrison,Francis Frascina,Professor Francis Frascina,Gillian Perry |
Publsiher | : Yale University Press |
Total Pages | : 280 |
Release | : 1993-01-01 |
Genre | : Art |
ISBN | : 0300055161 |
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On art in the early 20th century
Primitivism and Twentieth Century Art
Author | : Jack Flam,Miriam Deutch |
Publsiher | : Univ of California Press |
Total Pages | : 510 |
Release | : 2003-03-27 |
Genre | : Art |
ISBN | : 9780520215030 |
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"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."—Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."—Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."—Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."—Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa
Primitivism in Twentieth Century Art
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 346 |
Release | : 1984 |
Genre | : Electronic Book |
ISBN | : OCLC:263537346 |
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Modern and Primitive Art
Author | : Charles Wentinck |
Publsiher | : Unknown |
Total Pages | : 120 |
Release | : 1978 |
Genre | : Art |
ISBN | : UCSD:31822024625915 |
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Return to the elemental - Search for the primitive - Abstraction and empathy - Picasso and Negro Art - Matisse or Vlaminck - Problems of form - Exchange of techniques - Exotic attraction of distant lands - Primitive art and German Expressionism - Surrealism and the art of the South Sea Islands.
Primitivism in 20th Century Art
Author | : Museum of Modern Art (New York, N.Y.),Detroit Institute of Arts,Dallas Museum of Art |
Publsiher | : Unknown |
Total Pages | : 368 |
Release | : 1984 |
Genre | : Art |
ISBN | : UOM:39015027306599 |
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This lavishly illustrated two-volume set has been heralded as "a landmark publication", and "one of the most important latter-day additions to any serious library of modern art". 350 color and 690 black-and-white illustrations.
Primitivism in Modern Art
Author | : Robert Goldwater |
Publsiher | : Harvard University Press |
Total Pages | : 374 |
Release | : 1986 |
Genre | : Art |
ISBN | : 0674704908 |
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This now classic study maps the profound effect of primitive art on modern, as well as the primitivizing strain in modern art itself. Robert Goldwater describes how and why works by primitive artists attracted modern painters and sculptors, and he delineates the differences between what is truly primitive or archaic and what intentionally embodies such elements. His analysis distinguishes the romanticism of Gauguin; an emotional primitivism exemplified by the Brücke and Blaue Reiter groups in Germany; the intellectual primitivism of Picasso and Modigliani; and a “primitivism of the subconscious” in Miró, Klee, and Dali. Two of Goldwater's related essays—“Judgments of Primitive Art, 1905–1965” and “Art History and Anthropology”—have been added for this new paperback edition.