Primordial Lilitu Trilogy Book 2

Towering black obelisks have appeared in five different locations around the Mediterranean, standing like gods over the land. The man who has commissioned their construction claims they are nothing more than tributes to their respective countries, but CIA operative Gabrielle “Gabe” Lincoln believes they may be something far more ominous—and if she is right, humanity is about to be plunged into a living nightmare from which there is no escape.

CIA operative Gabrielle "Gabe" Lincoln has been tracking the beast once known as Lilith MacIntyre and her organization ever since she and her unborn child were taken into custody and held at a top secret facility. Gabe soon finds that most in the organization are Lilitu, a race of beings as old as time that may have once dominated the galaxy itself.

This is the first translation with commentary of selections from The Zohar, the major text of the Kabbalah, the Jewish mystical tradition. This work was written in 13th-century Spain by Moses de Leon, a Spanish scholar.

This book grew out of the author's wish to go beyond a formal definition of fantasy to discover a basic urge and interest common to the genre. He finds this urge to be the celebration of identity. Fantasy is ultimately concerned to heighten and praise being, whether that being is God's creation, the world, or the creations of the fantasy writer themselves. This interest can take the form of direct eulogy or of more unconscious fascination. It is seen in fantasy's conservatism and its frequently elegiac mode, and is demonstrated through its formal characteristics such as circular structure and the use of juxtaposition to heighten individuality. It is more overtly present in modern than in pre-1800 fantasy, partly because modern fantasy developed as a Romantic reaction against technology and everything that reduced direct contact between people and the environment. These aspects of fantasy are illustrated from detailed discussion of the tales of Grimm, Walter de la Mare's Told Again, W. M. Thackeray's The Rose and the Ring, Charles Williams's prose fantasies, Ursula le Guin's Earthsea trilogy, E. Nesbit's magic books, George MacDonald's Phantastes and Lilith, T. H. White's The Once and Future King, Mervyn Peake's Gormenghast novels, William Morris's late romances, Lord Dunsany's The King of Elfland's Daughter, E. R. Eddison's The Worm Ouroboros, and Peter Beagle's The Last Unicorn. Together these authors and works provide a cross-section of what is a fundamentally panegyric genre demonstrating its variety, its strengths, and its limitations.

Since the beginning of time, the angelic hosts of the High Heavens and the demonic hordes of the Burning Hells have been locked in a struggle for the fate of all Creation. That struggle has now come to the mortal realm...and neither Man nor Demon nor Angel will be left unscathed.... DIABLO Driven by nightmares to the ruins of a mysterious tomb, Lord Aldric Jitan hopes to awaken a terrible evil that has slept since the fall of Tristram. Drawn by the growing darkness in the land, the enigmatic Necromancer, Zayl, stumbles upon Jitan's plot -- unaware that one of his own brethren has set these dire events in motion. Now, as the celestial Moon of the Spider rises, the nefarious demon, Astrogha, prepares to unleash his minions upon Sanctuary. MOON OF THE SPIDER An original tale of swords, sorcery, and timeless struggle based on the bestselling, award-winning M-rated computer game from Blizzard Entertainment. Intended for mature readers.

"The editors have performed a great service in making widely available a documentary history of the interpretation of the Eve and Adam story." —Publishers Weekly "This fascinating volume examines Genesis 1-3 and the different ways that Jewish, Christian, and Muslim interpreters have used these passages to define and enforce gender roles. . . . a 'must' . . . " —Choice "Wonderful! A marvelous introduction to the ways in which the three major Western religious traditions are both like, and unlike one another." —Ellen Umansky, Fairfield University No other text has affected women in the western world as much as the story of Eve and Adam. This remarkable anthology surveys more than 2,000 years of Jewish, Christian, and Muslim commentary and debate on the biblical story that continues to raise fundamental questions about what it means to be a man or to be a woman. The selections range widely from early postbiblical interpretations in the Apocrypha and Pseudepigrapha to the Qur'an, from Thomas Aquinas to medieval Jewish commentaries, from Christian texts to 19th-century antebellum slavery writings, and on to pieces written especially for this volume.

Lilith is a Goddess and mythological figure who is misunderstood. She is reputed to be Adam’s first wife before Eve, and she represents the first powerful and liberated female in history. Then why was she banished? Through commentary and reflection on the multifaceted aspects of Lilith, Theresa C. Dintino guides the reader on an exciting inner journey to reclaim their own repressed parts. By examining how these Lilith energies may show up in their own lives, readers are encouraged to do the work to bring them back to life. Rituals included in the book offer the opportunity to explore these powerful but often feared aspects. Reclaiming the lost fragments—their power, their anger, their shadow, their sexuality, their creativity and deep inner truth—returns the psyche to a state of wholeness and integration.

"The study of the reciprocal relationship between the Bible and popular culture has blossomed in the past few decades, and the time seems ripe for a broadly-conceived work that assesses the current state of the field, offers examples of work in that field, and suggests directions for further study. This Handbook includes a wide range of topics organized under several broad themes, including biblical characters and themes in popular culture; the Bible in popular cultural genres; "lived" examples; and a concluding section in which we take stock of methodologies like Reception History and the impact of the field on teaching and publishing. These topics are all addressed by focusing on specific examples from film, television, comics, music, literature, video games, science fiction, material culture, museums, and theme parks, to name a few. This book represents a major contribution to the field by some of its leading practitioners, and will be a key resource for the future development of the study of Bible and American popular culture"--