Prisoner Of Russia

The Russian oil mogul and activist offers reflections on his decades-long incarceration under Putin in this “illuminating and brave” prison memoir (The Washington Post). Mikhail Khodorkovsky was Russia’s most successful businessman—and an outspoken critic of the Kremlin. As his oil company Yukos revived the Russian oil industry, Khodorkovsky began sponsoring programs to encourage civil society and fight corruption. Then he was arrested at gunpoint. Sentenced to ten years in a Siberian penal colony on fraud and tax evasion charges in 2003, Khodorkovsky was put on trial again in 2010 and sentenced to fourteen years on new charges that contradicted the previous ones. While imprisoned, Khodorkovsky fought for the rights of his fellow prisoners, going on hunger strike four times. After he was pardoned in 2013, he vowed to continue fighting for prisoners’ rights, and this book is dedicated to that work. A moving portrait of the prisoners Khodorkovsky met, My Fellow Prisoners is an eye-opening account of Russia’s brutal prison system. “Vivid, humane and poignant” —Financial Times

Autobiographical memoir by Menachem Begin, the sixth Prime Minister of Israel, describing his imprisonment in the Soviet gulag labour camps during 1940-1942. Along with a description of the author's own harrowing experiences in the camps, the book contains various observations on the real-life operation of the Soviet system and the psychology of some of its minions.

In outlining the online expressions of penal life, this book disrupts the conventional human encounters that underpin empirical criminological scholarship on prisons because, figuratively speaking, prisons in Russia are de-nesting from their institutional moorings and borders. Using the online world of Runet as the research site and presenting research from selectively drawn evidence gathered from secondary data from prison-related websites, it explores the ‘moving walls’ of the prison from socio-political and cultural perspectives. The book discusses how prisoners and their families articulate and give meaning to their experiences when they are online, and while doing so develop their rights awareness. This book is a pioneering methodological, criminological and theoretical study, the first of its kind in global criminology and humanities, and because it is forging a new path for penal scholarship, cannot be all-encompassing but rather acts as a ‘map’ for other researchers in different fields to use. It will be useful for scholars working in comparative fields and jurisdictions on the subject of prisons, rights and how the internet is being utilised by prisoners, their families and communities organised around prison activism.

As the central figure in Russian literature, Alexander Pushkin (17991837) has been claimed by nearly every political faction, right and left, in Russian cultural politics over the past two centuries, culminating in his official canonization under the Soviet regime. In Prisoner of Russia, Yuri Druzhnikov analyzes the distortions and misrepresentations of Pushkin's cultural appropriation by focusing on Pushkin's attempts at emigration and his attitudes toward Russia and Western Europe. Druzhnikov's semi-biographical narrative concentrates on Pushkin's attempts to leave Russia after his graduation from the Lyceum, through his period of exile, until his early death in a duel in 1837. The matter of emigration from Russia was a politically charged issue well before 1917; witness the hostile reception of all of Turgenev's novels from Fathers and Sons on. The emigr artist's cultural context is often used to assess his authenticity and stature as seen in the Western examples of Henry James, T.S. Eliot, or James Joyce. Druzhnikov sharply criticizes the omnipresent and reductive tendency in Russia (and the West) to define Russian cultural figures in terms of absolute essences and ideologies and to ignore the ambivalences that in fact help to define a writer's singularity. In the larger view, he argues, it is these that explain the variety and complexity of Russian culture. Druzhnikov's multidisciplinary approach combines literary and political history, with critical commentary arranged in chronological sequence. His interpretive apparatus ranges widely through nineteenth- and twentieth-century history, and provides the necessary intellectual context for nonspecialist readers. He also avoids the massive accumulation of trivial detail characteristic of so much Pushkinology. This accessible, valuable exercise in cultural history will be of interest to Slavic scholars and students, cultural historians, and general readers interested in Russian literature and culture. Yuri Druzhnikov is professor of Russian literature at the University of California, Davis. As a Moscow dissident, he was blacklisted in Russia for fifteen years. He continues to serve as vice president of the International PEN club, for writers in exile.

A Prison Without Walls? presents a snapshot of daily life for exiles and their dependents in eastern Siberia during the very last years of the Tsarist regime, from the 1905 revolution to the collapse of the Tsarist regime in 1917. This was an extraordinary period in Siberia's history as a place of punishment. There was an unprecedented rise of Siberia's penal use in this fifteen-year window, and a dramatic increase in the number of exiles punished for political offences. This work focuses on the region of Eastern Siberia, taking the regions of Irkutsk and Yakutsk in north-eastern Siberia as its focal points. Siberian exile was the antithesis of Foucault's modern prison. The State did not observe, monitor, and control its exiles closely; often not even knowing where the exiles were. Exiles were free to govern their daily lives; free of fences and free from close observation and supervision, but despite these freedoms, Siberian exile represented one of Russia's most feared punishments. In this volume, Sarah Badcock seeks to humanise the individuals who made up the mass of exiles, and the men, women, and children who followed them voluntarily into exile. A Prison Without Walls? is structured in a broad narrative arc that moves from travel to exile, life and communities in exile, work and escape, and finally illness in exile. The book gives a personal, human, empathetic insight into what exilic experience entailed, and allows us to comprehend why eastern Siberia was regarded as a terrible punishment, despite its apparent freedoms.