Prisons

The pervasiveness of surveillance, punishment, and control within and outside of spaces such as jails, prisons, and detention centres suggests that the carceral is becoming an increasingly prevalent presence in our lives, going beyond historical standards. The contemporary use of electronic monitoring extends carceral territory beyond prison walls, into people’s homes and everyday lives. Empirically and empathetically driven, Portable Prisons is a telling exploration of the electronic monitoring of offenders based on an ethnographic case study from Scotland. Electronic monitoring must be understood – in both intent and effect – as a carceral practice, an expression of the carceral state and its overreaching punitive capabilities. James Gacek demonstrates that various people experience punishment by means of restrictions around mobility, space, and time in ways that strongly overlap with the reported experiences of interviewed prisoners. Drawing attention to how the neoliberal state outsources the labour of punishment to private corporations and the punished themselves, he also rejects the idea that “soft” punishment is in any way related to the movement for decarceration. Offering an original contribution to our understanding of the geography of incarceration, Portable Prisons is a sophisticated account of electronic monitoring, underlining the growing significance of this field.

Disruptive Prisoners reconstitutes the history of Canada’s federal prison system in the mid-twentieth century through a process of collective biography – one involving prisoners, administrators, prison reformers, and politicians. This social history relies on extensive archival research and access to government documents, but more importantly, uses the penal press materials created by prisoners themselves and an interview with one of the founding penal press editors to provide a unique and unprecedented analysis. Disruptive Prisoners is grounded in the lived experiences of men who were incarcerated in federal penitentiaries in Canada and argues that they were not merely passive recipients of intervention. Evidence indicates that prisoners were active agents of change who advocated for and resisted the initiatives that were part of Canada’s "New Deal in Corrections." While prisoners are silent in other criminological and historical texts, here they are central figures: the juxtaposition of their voices with the official administrative, parliamentary, and government records challenges the dominant tropes of progress and provides a more nuanced and complicated reframing of the post-Archambault Commission era. The use of an alternative evidential base, the commitment of the authors to integrating subaltern perspectives, and the first-hand accounts by prisoners of their experiences of incarceration makes this book a highly readable and engaging glimpse behind the bars of Canada’s federal prisons.

"Ten years after the publication of Creating Choices, a remarkable report on women's imprisonment in Canada, this book sets out to reflect on attempts to reform prison. In a series of critical essays, the contributors stimulate reflection and discussion. Taking Creating Choices as a starting point, these essays question the role of prisons in our society, the importance of taking account of gender and its intersection with race and class, and the problems of both weak feminist models and the co-optation of feminist ideals and Aboriginal spirituality by correctional systems."--Back cover.

With her characteristic brilliance, grace and radical audacity, Angela Y. Davis has put the case for the latest abolition movement in American life: the abolition of the prison. As she quite correctly notes, American life is replete with abolition movements, and when they were engaged in these struggles, their chances of success seemed almost unthinkable. For generations of Americans, the abolition of slavery was sheerest illusion. Similarly,the entrenched system of racial segregation seemed to last forever, and generations lived in the midst of the practice, with few predicting its passage from custom. The brutal, exploitative (dare one say lucrative?) convict-lease system that succeeded formal slavery reaped millions to southern jurisdictions (and untold miseries for tens of thousands of men, and women). Few predicted its passing from the American penal landscape. Davis expertly argues how social movements transformed these social, political and cultural institutions, and made such practices untenable. In Are Prisons Obsolete?, Professor Davis seeks to illustrate that the time for the prison is approaching an end. She argues forthrightly for "decarceration", and argues for the transformation of the society as a whole.

From the Governor General’s Award winning author of Forms of Devotion, Our Lady of the Lost and Found and By the Book “Never once in my life had I dreamed of being in bed with a convicted killer.” For almost six turbulent years, award-winning writer Diane Schoemperlen was involved with a prison inmate serving a life sentence for second-degree murder. The relationship surprised no one more than her. How do you fall in love with a man with a violent past? How do you date someone who is in prison? This Is Not My Life is the story of the romance between Diane and Shane—how they met and fell in love, how they navigated passes and parole and the obstacles facing a long-term prisoner attempting to return to society, and how, eventually, things fell apart. While no relationship takes place in a vacuum, this is never more true than when that relationship is with a federal inmate. In this candid, often wry, sometimes disturbing memoir, Schoemperlen takes us inside this complex and difficult relationship as she journeys through the prison system with Shane. Not only did this relationship enlarge her capacity for both empathy and compassion, but it also forced her to more deeply examine herself.

Across the world, performing arts programmes are increasing in number, scope and professionalism. They attract increasing academic and media attention. Theoretical and applied research, organizational evaluation reports, documentary films and journalism are detailing prison arts and creating recognition that this body of work is becoming a valued part of the correctional enterprise. There is a growing body of evidence that suggests music, theatre, poetry and dance can contribute to prisoner wellbeing, management, rehabilitation and reintegration. Performing Arts in Prisons: Creative Perspectives explores prison arts in Australia, the United States, the United Kingdom and Chile, and creates a new framework for understanding its practices.

This book brings together a collection of social justice scholars and activists who take Foucault’s concept of discipline and punishment to explain how prisons are constructed in society from nursing homes to zoos. This book expands the concept of prison to include any institution that dominates, oppresses, and controls. Criminologists and others, who have been concerned with reforming or dismantling the criminal justice system, have mostly avoided to look at larger carceral structures in society. In this book, for example, scholars and activists question the way patriarchy has incapacitated women and imagine the deinstitutionalization of people with disabilities. In a time when popular sentiment critiques the dominant role of the elites (the “one percenters”), the state’s role in policing dissenting voices, school children, LGBTQ persons, people of color, and American Indian Nations, needs to be investigated. A prison, as defined in this book, is an institution or system that oppresses and does not allow freedom for a particular group. Within this definition, we include the imprisonment of nonhuman animals and plants, which are too often overlooked.

During the English Civil War a young man joins Cromwell's Parliamentary Army to escape his humorless father only to find betrayal and tragedy in Ireland. Based on a true incident.