Probing The Limits Of Representation

German memory, judicial interrogation, and historical reconstruction : writing perpetrator history from postwar testimony / Christopher R. Browning -- Historical emplotment and the problem of truth / Hayden White -- On emplotment : two kinds of ruin / Perry Anderson -- History, counterhistory, and narrative / Amos Funkenstein -- Just one witness / Carlo Ginzburg -- Of plots, witnesses, and judgments / Martin Jay -- Representing the Holocaust : reflections on the historians' debate / Dominick LaCapra -- Historical understanding and counterrationality : the Judenrat as epistemological vantage / Dan Diner -- History beyond the pleasure principle : some thoughts on the representation of trauma / Eric L. Santner -- Habermas, enlightenment, and antisemitism / Vincent P. Pecora -- Between image and phrase : progressive history and the "final solution" as dispossession / Sande Cohen.; Science, modernity, and the "final solution" / Mario Biagioli -- Holocaust and the end of history : postmodern historiography in cinema / Anton Kaes -- Whose story is it, anyway? : ideology and psychology in the representation of the Shoah in Israeli literature / Yael S. Feldman -- Translating Paul Celan's "Todesfuge" : rhythm and repetition as metaphor / John Felstiner -- "The grave in the air" : unbound metaphors in post-Holocaust poetry / Sidra DeKoven Ezrahi -- The dialectics of unspeakability : language, silence, and the narratives of desubjectification / Peter Haidu -- The representation of limits / Berel Lang -- The book of the destruction / Geoffrey H. Hartman.

As the world of Jewish studies continues to expand, Studia Rosenthaliana enters a new phase with this 36th volume, the first in a series of yearbooks. In this edition, an international panel of authors takes an innovative look at the theme of Jewish multilingualism from various, multidisciplined perspectives. Several research projects on various aspects of Dutch Jewish history and culture are currently under way at academic institutions in Amsterdam and elsewhere, while Dutch academics are regularly involved in extensive international research projects. The research that resulted in the articles presented in this volume of Studia Rosenthaliana was carried out by the Menasseh ben Israel Institute and the University of Amsterdam in collaboration with the Solomon Ludwig Steinheim Institute in Duisburg and forms part of a larger programme on Yiddish in the Netherlands currently being conducted together with the Abteilung fur Jiddische Sprache, Kultur und Literatur at Heinrich Heine Universitat, Dusseldorf.

Historians have long struggled with the questions of historical relativism, objectivity, and standards of proof and evidence. Intellectual historian Alan Spitzer focuses on the contradiction between theory and practice by presenting case studies of four politically charged debates about the past: the response to the report of the commission chaired by John Dewey that evaluated the accusations made against Leon Trotsky in the Moscow Purge Trials of 1937, the Dreyfus Affair in turn-of-the-century France, the allegations about the extent and meaning of literary critic Paul de Man's complicity with the German occupation forces in wartime Belgium, and Ronald Reagan's justification for his 1987 visit to a German cemetery where Nazi SS officers are buried. Spitzer's argument centers on the ways in which the authority of 'objective' criteria for historical judgment are introduced in politicized disputes about the past, regardless of the theoretical qualification or repudiation of such standards. The higher the political stakes, the more likely the antagonists are to appeal to generally warranted standards of relevant evidence and rational inference. Spitzer's commentary speaks to issues that transcend the specific content of the four cases he discusses.

At the end of the century, much criticism has become devoted to `last things': the end of history, the end of the subject, the end of the novel, the end, even, of the end. Literature and the Contemporary, in contrast, aims to provide through twelve essays evidence of the way in which the literature of the 1990s is constantly engaging in questions of memory and history and the representation of time in the present day. The essays in the book survey theories of temporality from various cultural and philosophical standpoints, and represent critics writing from feminist, postcolonial and `queer' perspectives discussing literature in `our time'. The collection addresses such central issues as the politics of memory, colonial legacies, women's time, racial and sexual identities in the 1990s, and covers a wide range of contemporary authors, works and issues, some of which are treated for the first time. Among the contemporary works discussed are the prize-winning books Graham Swift's Last Orders, Anne Michaels' Fugitive Pieces, and Jane Smiley's A Thousand Acres. While discussing some of the most significant novels of the 1990s, this collection also offers a diverse yet cohesive critique of the millennial leanings of much `postmodernist' criticism, which it argues should be replaced by more variously nuanced engagements with literature and the contemporary.

The Postmodern History Reader introduces students to the new points of controversy in the study of history and provides a framework by which to understand postmodernism and a guide to explore it further.

The receptions of Schindler's List and the public conversations it has triggered, touch upon issues including: the representation of history by cinema and popular culture; the role of national identity in the shaping and selective reception of popular memory; and others. This book debates the representation and reception of Schindler's List.

How to Write About the Holocaust is a contribution to ongoing debates in historiography and Holocaust studies. More specifically, it combines the theoretical framework that has developed in historiography in the last half a century with the demands of Holocaust representation. The first part of the book analyzes the newest trends in theory of history, focusing especially on postmodernism, starting from the works of the American historian and theorist Hayden White and tracing the genealogy of the postmodern influence in history both from an epistemological and from a political perspective. The second part continues by incorporating these theoretical developments into specific written examples on the Holocaust. By analyzing major works about it, including Saul Friedländer’s and Dan Stone’s histories of the Holocaust, the book attempts to answer questions like: what is the most appropriate way to write about the Holocaust and what can theory teach us about the practice of history? To conclude, the volume explores the connection between history and literature and asks if the distinction between fact and fiction has become outdated.

"Fighting Words and Images is the first comprehensive interdisciplinary and theoretical analysis of war representations across time periods from Classical Antiquity to the present day and across languages, cultures, and media including print, painting, sculpture, architecture, and photography. Featuring contributions from across the humanities and social sciences, Fighting Words and Images is organized into four thematically consistent, analytically rigourous sections that discuss ways to overcome the conceptual challenges associated with theorizing war representation. This collection creatively and insightfully explains the nature, origins, dynamics, structure, and impact of a wide variety of war representations."--Publisher's website.