Prophecies Of Language

The scenes of Babel and Pentecost, the original confusion of tongues and their redemption through translation, haunt German Romanticism and Idealism. This text retraces the ways in which the task of translation, so crucial to Romantic writing, is repeatedly tied to prophecy, not in the sense of telling future events but in the sense of speaking in the place of another.

The scenes of Babel and Pentecost, the original confusion of tongues and their redemption through translation, haunt German Romanticism and Idealism. This book begins by retracing the ways in which the task of translation, so crucial to Romantic writing, is repeatedly tied to prophecy, not in the sense of telling future events, but in the sense of speaking in the place of another—most often unbeknownst to the speaker herself. In prophetic speech, the confusion of tongues repeats, each time anew, as language takes place unpredictably in more than one voice and more than one tongue at once. Mendicino argues that the relation between translation and prophecy drawn by German Romantic writers fundamentally changes the way we must approach this so-called “Age of Translation.” Whereas major studies of the period have taken as their point of departure the opposition of the familiar and the foreign, Mendicino suggests that Romantic writing provokes the questions: how could one read a language that is not one? And what would such a polyvocal, polyglot language, have to say about philology—both for the Romantics, whose translation projects are most intimately related to their philological preoccupations, and for us? In Prophecies of Language, these questions are pursued through readings of major texts by G.W.F. Hegel, Wilhelm von Humboldt, Friedrich Schlegel, and Friedrich Hölderlin. These readings show how, when one questions the presupposition of works composed by individual authors in one tongue, these texts disclose more than a monoglot reading yields, namely the “plus” of their linguistic plurality. From such a surplus, each chapter goes on to advocate for a philology that, in and through an inclination toward language, takes neither its unity nor its structure for granted but allows itself to be most profoundly affected, addressed—and afflicted—by it.

Lehman offers an explosive new exploration of the biblical and extra-biblical prophecies regarding the End Times. Prophecies in Ezekiel, Daniel, the Psalms, and Revelation, as well as the Ethiopian Enoch, the Great Pyramid, the Great Sphinx, the Mayan Calendar, and the memoirs of George Washington are explored to disclose the End-Time roles of many nations.

The first major literary presentation of Nostradamus's Prophecies, newly translated and edited by prizewinning scholars The mysterious quatrains of the sixteenth-century French astrologer Nostradamus have long proved captivating for their predictions. Nostradamus has been credited with anticipating the Great Fire of London, the rise of Adolf Hitler, and the September 11 terrorist attacks. Today, as the world grapples with financial meltdowns, global terrorism, and environmental disasters—as well as the Mayan prediction of the apocalypse on December 21, 2012—his prophecies of doom have assumed heightened relevance. How has The Prophecies outlasted most books from the Renaissance? This edition considers its legacy in terms of the poetics of the quatrains, published here in a brilliant new translation and with introductory material and notes mapping the cultural, political, and historical forces that resonate throughout Nostradamus's epic, giving it its visionary power.

This book revives questions of religious and political authority in poetic prophecy. It argues that modern prophecy operates within a dynamic of continuity and estrangement that combines immanent and transcendent modes of representation, creating a poetry that revises the very tradition that authorizes it.

What are we to make of Isaiah's image of Mount Zion as the highest of the mountains, or Zechariah's picture of the Mount of Olives split in two, or Daniel's "beast rising out of the sea" or Revelation's "great red dragon, with seven heads and ten horns"? How can Peter claim that on the day of Pentecost the prophecy of Joel was being fulfilled, with signs in heaven and wonders on earth, the sun turned to darkness and the moon to blood? The language and imagery of biblical prophecy has been the source of puzzlement for many Christians and a point of dispute for some. How ironic that is! For the prophets and seers were the wordsmiths of their time. They took pains to speak God's word clearly and effectively to their contemporaries. How should we, as citizens of the twenty-first century, understand the imagery of this ancient biblical literature? Are there any clues in the texts themselves, any principles we can apply as we read these important but puzzling biblical texts? D. Brent Sandy carefully considers the language and imagery of prophecy and apocalyptic, how it is used, how it is fulfilled within Scripture, and how we should read it against the horizon of our future. Clearly and engagingly written, Plowshares and Pruning Hooks is the kind of book that gives its readers a new vantage point from which to view the landscape of prophetic and apocalyptic language and imagery.