Prophets Gods And Kings In S Rat Sayf Ibn Dh Yazan

This book is an exploration of the part played by Islamic prophetic legends, Ancient Egyptian myths and stories, and the Middle Eastern Alexander Romance in an Egyptian popular epic.

Now it is about 12 centuries passed from Imam Mahdi's hidden life, and the bothering time of his hidden life will continue up to his reappearance. According to imam Ridha (as), Imam's reappearance will be extended to the day of Doom, no one knows this but God, it is hard to people and it will happen suddenly. Therefore, any investigation to find the exact time of his reappearance is fruitless and our duty is to wait. The meaning of "waiting for" is to desire his reappearance desperately and looking forward to his reappearance; this waiting results from faith and it is rewarded. In addition, it has spiritual values. Waiting for him, like other religious practices, has practical aspects which is pointed out by our infallibles. Following infallibles' orders in this regard is the duty of people who live in the time of his hidden life. The book deals with the personality of the Hidden Imam, his occultation and everything related to him in an analytical and systematic manner and is penetrating in its subject and exceptional in its domain. Shaikh Saduq has presented strong arguments from the life-story of the Prophets regarding their occultation [ghaibah] to prove the occultation of the Twelfth Imam; and Ahadith have been quoted extensively from the Holy Prophet sawa and the Infallible Imams in support of the writer's contentions.

Long before Muhammed preached the religion of Islam, the inhabitants of his native Arabia had played an important role in world history as both merchants and warriors Arabia and the Arabs provides the only up-to-date, one-volume survey of the region and its peoples, from prehistory to the coming of Islam Using a wide range of sources - inscriptions, poetry, histories, and archaeological evidence - Robert Hoyland explores the main cultural areas of Arabia, from ancient Sheba in the south, to the deserts and oases of the north. He then examines the major themes of *the economy *society *religion *art, architecture and artefacts *language and literature *Arabhood and Arabisation The volume is illustrated with more than 50 photographs, drawings and maps.

An astonishingly rich oral epic that chronicles the early history of a Bedouin tribe, the Sirat Bani Hilal has been performed for almost a thousand years. In this ethnography of a contemporary community of professional poet-singers, Dwight F. Reynolds reveals how the epic tradition continues to provide a context for social interaction and commentary. Reynolds’s account is based on performances in the northern Egyptian village in which he studied as an apprentice to a master epic-singer. Reynolds explains in detail the narrative structure of the Sirat Bani Hilal as well as the tradition of epic singing. He sees both living epic poets and fictional epic heroes as figures engaged in an ongoing dialogue with audiences concerning such vital issues as ethnicity, religious orientation, codes of behavior, gender roles, and social hierarchies.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Winner of the 2003 Ohio Academy of History Outstanding Publication Award This revisionist study reevaluates the origins and foundation myths of the Faqaris and Qasimis, two rival factions that divided Egyptian society during the seventeenth and eighteenth centuries, when Egypt was the largest province in the Ottoman Empire. In answer to the enduring mystery surrounding the factions' origins, Jane Hathaway places their emergence within the generalized crisis that the Ottoman Empire—like much of the rest of the world—suffered during the early modern period, while uncovering a symbiosis between Ottoman Egypt and Yemen that was critical to their formation. In addition, she scrutinizes the factions' foundation myths, deconstructing their tropes and symbols to reveal their connections to much older popular narratives. Drawing on parallels from a wide array of cultures, she demonstrates with striking originality how rituals such as storytelling and public processions, as well as identifying colors and emblems, could serve to reinforce factional identity.

"A charming and agreeable surprise . . . A welcome gift to Western readers." —Kirkus Reviews "Editor Jayyusi offers a major example of the Arabic folk epics or romances called siras . . . The siras are full of heroic adventures, exotic landscapes, love affairs, friendships, supernatural dangers, magical spells, and great Arab heroes. . . . " —Library Journal "This text should find its place alongside the translations of other epic traditions of the world as a text well suited for use in university courses on the Middle East, world literature, epic, and folklore." —Journal of Arabic Literature This colorful panorama recounts the fantastic tales of a sixth-century Arab king and offers unusual perspectives on gender, religion, race, and ethnicity. Composed between the 13th and 16th centuries and presented here in English for the first time.

The present English translation reproduces the original German of Carl Brockelmann’s Geschichte der Arabischen Litteratur (GAL) as accurately as possible. In the interest of user-friendliness the following emendations have been made in the translation: Personal names are written out in full, except b. for ibn; Brockelmann’s transliteration of Arabic has been adapted to comply with modern standards for English-language publications; modern English equivalents are given for place names, e.g. Damascus, Cairo, Jerusalem, etc.; several erroneous dates have been corrected, and the page references to the two German editions have been retained in the margin, except in the Supplement volumes, where new references to the first two English volumes have been inserted.