Prosodic Studies

Prosody is one of the core components of language and speech, indicating information about syntax, turn-taking in conversation, types of utterances, such as questions or statements, as well as speakers' attitudes and feelings. This edited volume takes studies in prosody on Asian languages as well as examples from other languages. It brings together the most recent research in the field and also charts the influence on such diverse fields as multimedia communication and SLA. Intended for a wide audience of linguists that includes neighbouring disciplines such as computational sciences, psycholinguists, and specialists in language acquisition, Prosodic Studies is also ideal for scholars and researchers working in intonation who want a complement of information on specifics.

These essays study the role of prosody in everyday English, German, and Italian conversation.

This volume focuses on research on prosodic variation, comprising intonation, prosodic phrasing, and segmental phenomena that are prosodically motivated or constrained, in several languages and language varieties. Besides Portuguese (European, Brazilian, and African varieties), the book covers another three unrelated languages and their varieties: Romanian, Arabic, and Assamese (spoken in India and Bangladesh). Language coverage is thus diverse, including understudied languages/varieties. The approaches followed are both experimental and theoretical. All the chapters share a common goal: to add to the knowledge of prosodic variation in each of the languages and varieties studied, and to contribute to the understanding of prosodic grammar, in general.

This book contains a collection of cutting-edge papers on methodological aspects of prosody research. Current approaches to the gathering, treatment, and interpretation of prosodic data are discussed by experts in the field, illustrated by their own empirical research. Contributions focus on the choice and measurement of prosodic parameters, the establishment of prosodic categories, annotation structures for spoken-language data, and experimental methods for production and perception studies (including the construction of materials, modes of presentation, online vs. offline tasks, judgement scales, data processing, and statistical evaluation). The volume will serve as a handbook linking data collection and interpretation, allowing researchers in linguistics and related fields to make more informed decisions concerning their empirical work in prosody.

Prosodic Phonology by Marina Nespor and Irene Vogel is now available again. "Nespor & Vogel 1986" is a citation classic - even after twenty years, it is still recognized as the standard resource on Prosodic Phonology. This groundbreaking work introduces all of the prosodic constituents (syllable, foot, word, clitic group, phonological phrase, intonational phrase and utterance) and provides evidence for each one from numerous languages. Prosodic Phonology also includes a chapter in which experimental psycholinguistic data support the proposed hierarchy. A perceptual study provides evidence that prosodic constituent structure - not syntactic constituent structure - predicts whether listeners are able to disambiguate different types of ambiguous sentences. A chapter on the phonology of poetic meter examines portions of Dante's Divine Comedy. It is demonstrated that the constituents proposed for spoken language also make interesting predictions about literary metrical patterns. Prosodic Phonology is an important reference not only for phonologists, but for all linguists interested in the issue of interfaces among the components of grammar. It is also a basic resource for psycholinguists and cognitive scientists working on linguistic perception and language acquisition.

It is not entirely clear if modern Chinese is a monosyllabic or disyllabic language. Although a disyllabic prosodic unit of some sort has long been considered by many to be at play in Chinese grammar, the intuition is not always rigidly fleshed out theoretically in the area of Chinese morphology. In this book, Shengli Feng applies the theoretical model of prosodic morphology to Chinese morphology to provide the theoretical clarity regarding how and why Mandarin Chinese words are structured in a particular way. All of the facts generated by the system of prosodic morphology in Chinese provide new perspectives for linguistic theory, as well as insights for teaching Chinese and studying of Chinese poetic prosody.

In spoken language comprehension, the hearer is faced with a more or less continuous stream of auditory information. Prosodic cues, such as pitch movement, pre-boundary lengthening, and pauses, incrementally help to organize the incoming stream of information into prosodic phrases, which often coincide with syntactic units. Prosody is hence central to spoken language comprehension and some models assume that the speaker produces prosody in a consistent and hierarchical fashion. While there is manifold empirical evidence that prosodic boundary cues are reliably and robustly produced and effectively guide spoken sentence comprehension across different populations and languages, the underlying mechanisms and the nature of the prosody-syntax interface still have not been identified sufficiently. This is also reflected in the fact that most models on sentence processing completely lack prosodic information. This edited book volume is grounded in a workshop that was held in 2021 at the annual conference of the Deutsche Gesellschaft für Sprachwissenschaft (DGfS). The five chapters cover selected topics on the production and comprehension of prosodic cues in various populations and languages, all focusing in particular on processing of prosody at structurally relevant prosodic boundaries. Specifically, the book comprises cross-linguistic evidence as well as evidence from non-native listeners, infants, adults, and elderly speakers, highlighting the important role of prosody in both language production and comprehension.