Provinces Of Night

It’s 1952, and E.F. Bloodworth is finally coming home to Ackerman’s Field, Tennessee. Itinerant banjo picker and volatile vagrant, he’s been gone ever since he gunned down a deputy thirty years before. Two of his sons won’t be home to greet him: Warren lives a life of alcoholic philandering down in Alabama, and Boyd has gone to Detroit in vengeful pursuit of his wife and the peddler she ran off with. His third son, Brady, is still home, but he’s an addled soothsayer given to voodoo and bent on doing whatever it takes to keep E.F. from seeing the wife he abandoned. Only Fleming, E.F.’s grandson, is pleased with the old man’s homecoming, but Fleming’s life is soon to careen down an unpredictable path hewn by the beautiful Raven Lee Halfacre. In the great Southern tradition of Faulkner, Styron, and Cormac McCarthy, William Gay wields a prose as evocative and lush as the haunted and humid world it depicts. Provinces of Night is a tale redolent of violence and redemption–a whiskey-scented, knife-scarred novel whose indelible finale is not an ending nearly so much as it is an apotheosis.

In a literary voice that is both original and powerfully unsettling, William Gay tells the story of Nathan Winer, a young and headstrong Tennessee carpenter who lost his father years ago to a human evil that is greater and closer at hand than any the boy can imagine - until he learns of it first-hand. Gay's remarkable debut novel, 'The Long Home', is also the story of Amber Rose, a beautiful young woman forced to live beneath that evil who recognizes even as a child that Nathan is her first and last chance at escape. And it is the story of William Tell Oliver, a solitary old man who watches the growing evil from the dark woods and adds to his own weathered guilt by failing to do anything about it. Set in rural Tennessee in the 1940s, 'The Long Home' will bring to mind once again the greatest Southern novelists and will haunt the reader with its sense of solitude , longing, and the deliverance that is always just out of reach.

Reviewers loved Gay's two novels and hailed him as "the big new name to include in the storied annals of Southern Literature" ("Esquire.") The 13 new stories are driven by the grizzled, everyday folks that Gay is famous for bringing to life.

When teenagers Kenneth and Corrie Tyler venture to their father's graveside they make a horrific discovery: their father is not buried in the casket they bought for him. The undertaker, Fenton Breece, has been grotesquely manipulating the dead. Armed with incriminating photographs, Tyler faces a desperate pursuit through eerie backwoods filled with tangled roads, rusted machinery, lost families and witches, and the most compelling Southern Gothic novel of the year.

"A wonder of Southern Gothic storytelling." --Southern Living (Best Southern Books of 2018) Southern Independent Booksellers Pick, July 2018 Billy Edgewater is a harbinger of doom. Estranged from his family, discharged from the Navy, and touched by a rising desperation, he sets out hitchhiking home to East Tennessee, where his father is slowly dying. On the road, separately, are Sudy and Bradshaw, brother and sister, and a one-armed con man named Roosterfish. All, in one way or another, have their pasts and futures embroiled with D.L. Harkness, a predator in all the ways there are. Hounded at every turn by scams, vigilantes, grievous loss, and unspeakable violence, Edgewater navigates the long road home, searching for a place that may be nothing but memory. Hailed as "a seemingly effortless storyteller" by the New York Times Book Review and "a writer of striking talent" by the Chicago Tribune, William Gay, with this long-awaited novel, secures his place alongside Faulkner, O'Connor, and McCarthy as one of the greatest novelists in the Southern Gothic tradition.

Little Sister Death is the stunning 'lost' horror novel of the late William Gay. Inspired by the famous 19th Century Bell Witch haunting of Tennessee, it follows the unravelling life of David Binder, a writer who moves his young family to a haunted farmstead to try and find inspiration for his faltering work... Beautifully written and structured, Little Sister Death is a loving and faithful addition to the field of classic horror writing, eschewing any notions of irony or post-modern tricks as it aims, instead, straight for your soul.

A hardboiled detective novel told only as William Gay could do it. A murder mystery set in Tennessee with a clueless Vietnam vet and a beautiful blonde on the run with a briefcase full of stolen drug money being chased across the south by a Southern sheriff and a jaded detective.

Marilyn Stasio in The New York Times raved: "Peter May is a writer I'd follow to the ends of the earth." Now Peter May takes us to a small island off the coast of Québec with an emotionally charged new mystery. When a murder rocks the isolated community of Entry Island, insomniac homicide detective Sime Mackenzie boards a light aircraft at St. Hubert airfield bound for the small, scattered chain of Madeline Islands, in the Gulf of St. Lawrence, as part of an eight-officer investigation team from Montréal. Only two kilometers wide and three long, Entry Island is home to a population of just more than 100 inhabitants, the wealthiest of whom has just been discovered murdered in his home. Covered in her husband's blood, the dead man's melancholy wife spins a tale for the police about a masked intruder armed with a knife. The investigation appears to be little more than a formality--the evidence points to a crime of passion, implicating the wife. But Sime is electrified by the widow during his interview, convinced that he has met her before, even though this is clearly impossible. Haunted by this strange certainty, Sime's insomnia is punctuated by vivid, hallucinatory dreams of a distant past on a Scottish island 3,000 miles away, dreams in which he and the widow play leading roles. Sime's conviction soon becomes an obsession. And despite mounting evidence of the woman's guilt, he finds himself convinced of her innocence, leading to a conflict between the professional duty he must fulfill and the personal destiny he is increasingly sure awaits him.