Psychotic Art

This is Volume XV of nineteen in the Abnormal and Clinical Psychology series. The psychiatrist by dealing with the total personality, tends to become a Jack-of-all trades; he measures his patients’ body-configuration and their mental abilities; he assesses his patients’ electro-encephalographic records and their paintings; he interferes with his patients’ cerebral structure and with their set of values, and so forth. Originally published in 1950, this study is a psychiatric one, it was intended for interested nonpsychiatric research workers as well, and in consequence the description of some phenomena had to be out of proportion to others.

Fresh perspectives on the unique role of art therapy in the treatment of psychosis. Using clinical material and many examples of clients' work, experienced practitioners describe working with patients in a variety of settings.

Art, Psychotherapy and Psychosis reveals the unique role of art therapy in the treatment of psychosis. Illustrating their contributions with clinical material and artwork created by clients, experienced practitioners describe their work in a variety of settings. Writing from different theoretical standpoints they reflect the current creative diversity within the profession and its links with psychotherapy, psychoanalysis, analytical psychology and psychiatry. In part I specific issues involved in working with psychosis are explored. These include discussion of the therapeutic relationship, the process of symbolisation, the nature and meaning of art made by psychotic patients and the interplay between words and pictures. Part II recounts the history of art therapy and psychosis, tracing its origins in art, to its present-day role as a respected treatment in psychiatric, community and therapeutic settings. Art, Psychotherapy and Psychosis extends the existing theory, develops analytical approaches in art psychotherapy and offers innovative perspectives for students and practitioners on the treatment of borderline states as well as psychosis.

No one is more conscious of the faults of this work than the author. Therefore some self -criticism should be woven into this foreward. There are two possible methodologically pure solutions to this book's theme: a de scriptive catalog of the pictures couched in the language of natural science and accom panied by a clinical and psychopathological description of the patients, or a completely metaphysically based investigation of the process of pictorial composition. According to the latter, these unusual works, explained psychologically, and the exceptional circum stances on which they are based would be integrated as a playful variation of human expression into a total picture of the ego under the concept of an inborn creative urge, behind which we would then only have to discover a universal need for expression as an instinctive foundation. In brief, such an investigation would remain in the realm of phenomenologically observed existential forms, completely independent of psychiatry and aesthetics. The compromise between these two pure solutions must necessarily be piecework and must constantly defend itself against the dangers of fragmentation. We are in danger of being satisfied with pure description, the novelistic expansion of details and questions of principle; pitfalls would be very easy to avoid if we had the use of a clearly outlined method. But the problems of a new, or at least never seriously worked, field defy the methodology of every established subject.

A rare glimpse of the array of artwork produced in UK prisons, and an exploration of the ways in which art can help with rehabilitation.

Insanity, Art, and Culture reviews the pictorial products of the mentally ill from a cultural point of view. This book investigates the artistic abilities of the mentally ill. Organized into six chapters, this book begins with an overview of the definition of terms used in the study and the features of the art of the insane within the western hemisphere. This text then explains the hypothesis of cultural conditioning and discusses the schizophrenic characteristics in paintings. Other chapters consider the symptomatic value of psychotic art from the point of views of cultural anthropology. This book examines as well the art products of great artists who in the course of their lives suffered from mental illness. The final chapter deals with the negative interrelation between art and illness, which arise when refined cognitive activities were preserved intact. This book is a valuable resource for artists, psychiatrists, cultural anthropologists, and occupational therapists.

The Wiley Handbook of Art Therapy is a collection of original, internationally diverse essays, that provides unsurpassed breadth and depth of coverage of the subject. The most comprehensive art therapy book in the field, exploring a wide range of themes A unique collection of the current and innovative clinical, theoretical and research approaches in the field Cutting-edge in its content, the handbook includes the very latest trends in the subject, and in-depth accounts of the advances in the art therapy arena Edited by two highly renowned and respected academics in the field, with a stellar list of global contributors, including Judy Rubin, Vija Lusebrink, Selma Ciornai, Maria d' Ella and Jill Westwood Part of the Wiley Handbooks in Clinical Psychology series