Ptolemy S Philosophy

A stimulating intellectual history of Ptolemy's philosophy and his conception of a world in which mathematics reigns supreme The Greco-Roman mathematician Claudius Ptolemy is one of the most significant figures in the history of science. He is remembered today for his astronomy, but his philosophy is almost entirely lost to history. This groundbreaking book is the first to reconstruct Ptolemy’s general philosophical system—including his metaphysics, epistemology, and ethics—and to explore its relationship to astronomy, harmonics, element theory, astrology, cosmology, psychology, and theology. In this stimulating intellectual history, Jacqueline Feke uncovers references to a complex and sophisticated philosophical agenda scattered among Ptolemy’s technical studies in the physical and mathematical sciences. She shows how he developed a philosophy that was radical and even subversive, appropriating ideas and turning them against the very philosophers from whom he drew influence. Feke reveals how Ptolemy’s unique system is at once a critique of prevailing philosophical trends and a conception of the world in which mathematics reigns supreme. A compelling work of scholarship, Ptolemy’s Philosophy demonstrates how Ptolemy situated mathematics at the very foundation of all philosophy—theoretical and practical—and advanced the mathematical way of life as the true path to human perfection.

Claudius Ptolemy, one of the greatest scientists of all time, probably lived in Alexandria in the second century A.D. His writings dominated astronomy and cosmology in medieval times. The replacement of his Earth-centered cosmology by the Sun-centered cosmology of Copernicus is the most celebrated event in the history of science. Yet, although there has been much scholarly discussion of the mathematical aspects of Ptolemy's astronomy, little attention has been paid to the philosophical, and particularly the ethical, ideas which animate the astronomy. Ptolemy's Universe is the first modern examination of Ptolemy's thought as a whole, and its place in Greek intellectual culture.

Ptolemy's Almagest is one of the most influential scientific works in history. A masterpiece of technical exposition, it was the basic textbook of astronomy for more than a thousand years, and still is the main source for our knowledge of ancient astronomy. This translation, based on the standard Greek text of Heiberg, makes the work accessible to English readers in an intelligible and reliable form. It contains numerous corrections derived from medieval Arabic translations and extensive footnotes that take account of the great progress in understanding the work made in this century, due to the discovery of Babylonian records and other researches. It is designed to stand by itself as an interpretation of the original, but it will also be useful as an aid to reading the Greek text.

Claudius Ptolemy (c. 100-170 AD) is one of the most influential scholars of all time. While he is also the author of treatises on geography, optics and harmonics, his fame primarily stems from two works on the science of the stars, dealing with mathematical astronomy (the Almagest) and astrology (the Tetrabiblos). The Almagest and the Tetrabiblos remained the fundamental texts on the science of the stars for some 1500 years. Both were translated several times into Arabic and Latin and were heavily commented upon, glossed, discussed, and also criticised and improved upon, in the Islamic world and in Christian Europe. Yet, the reception of Ptolemy in medieval cultures is still to a large extent a terra incognita of the history of science. The Arabic and Latin versions of the Almagest and the Tetrabiblos are for the most part unavailable in modern editions, their manuscripts remain largely unexplored and, generally speaking, their history has never been systematically investigated. This volume gathers together fifteen contributions dealing with various aspects of the reception of Ptolemy's astronomy and astrology in the Islamic world and in Christian Europe up to the seventeenth century. Contributions are by Jose Bellver, Jean-Patrice Boudet, Josep Casulleras, Bojidar Dimitrov, Dirk Grupe, Paul Hullmeine, Alexander Jones, Richard L. Kremer, Y. Tzvi Langermann, H. Darrel Rutkin, Michael H. Shank, Nathan Sidoli, Carlos Steel, Johannes Thomann and Henry Zepeda.

Ancient Perspectives encompasses a vast arc of space and time—Western Asia to North Africa and Europe from the third millennium BCE to the fifth century CE—to explore mapmaking and worldviews in the ancient civilizations of Mesopotamia, Egypt, Greece, and Rome. In each society, maps served as critical economic, political, and personal tools, but there was little consistency in how and why they were made. Much like today, maps in antiquity meant very different things to different people. Ancient Perspectives presents an ambitious, fresh overview of cartography and its uses. The seven chapters range from broad-based analyses of mapping in Mesopotamia and Egypt to a close focus on Ptolemy’s ideas for drawing a world map based on the theories of his Greek predecessors at Alexandria. The remarkable accuracy of Mesopotamian city-plans is revealed, as is the creation of maps by Romans to support the proud claim that their emperor’s rule was global in its reach. By probing the instruments and techniques of both Greek and Roman surveyors, one chapter seeks to uncover how their extraordinary planning of roads, aqueducts, and tunnels was achieved. Even though none of these civilizations devised the means to measure time or distance with precision, they still conceptualized their surroundings, natural and man-made, near and far, and felt the urge to record them by inventive means that this absorbing volume reinterprets and compares.

This is a print on demand Publication. This is a reprint, this is not an original. Contents: Introduction; Ptolemy: A Biographical Sketch; The "Optics": A Biographical Sketch; An Overview of the "Optics"; The Historical Influence of the "Optics"; English Translation; & Bibliography. The English translation of this text is based upon Albert Lejeune's critical Latin text of 1956, which was reprinted in the 1990s along with a French translation & supplementary annotations. Illus.

Explores the philosophical import and use of musical notions in crucial moments and authors of the Roman Imperial period.