Puerto Rican Jam

Challenges the framing of Puerto Rican cultural politics as a dichotomy between nationalism and colonialism. Discussions of Puerto Rican cultural politics usually fall into one of two categories, nationalist or colonialist. Puerto Rican Jam moves beyond this narrow dichotomy, elaborating alternatives to dominant postcolonial theories, and includes essays written from the perspectives of groups that are not usually represented, such as gays and lesbians, youth, blacks, and women. Among the topics discussed are the limitations of nationalism as a transformative and democratizing political discourse, the contradictory impact of American colonialism, language politics, and the 1928 U.S. congressional hearings on women's suffrage in Puerto Rico.

Colonial Subjects is the first book to use a combination of world-system and postcolonial approaches to compare Puerto Rican migration with Caribbean migration to both the United States and Western Europe. Ramón Grosfoguel provides an alternative reading of the world-system approach to Puerto Rico's history, political economy, and urbanization processes. He offers a comprehensive and well-reasoned framework for understanding the position of Puerto Rico in the Caribbean, the position of Puerto Ricans in the United States, and the position of colonial migrants compared to noncolonial migrants in the world system.

Presents both scholarly articles & personal reflections that tell the story of Puerto Rican students in US schools. Includes sections on historial & political context; identity (culture/race /language/gender); social activism, comm. involvement, & policy

In 1991, the Puerto Rican government abolished bilingualism, claiming that “Spanish only” was necessary to protect the culture from North American influences. A few years later bilingualism was restored and English was promoted in public schools. This revised edition of The Politics of Language in Puerto Rico is updated with an emphasis on the dual arenas where the language controversy played out—Puerto Rico and the United States Congress—and includes new data on the connections between language and conflicting notions of American identity. This book shows that officials in both San Juan and Washington, along with English-first groups, used these language laws as weapons in the battle over U.S.-Puerto Rican relations and the volatile debate over statehood.

This book analyzes the effect of the colonial experience on the protagonists in the novels of Pedro Juan Soto, a renowned author of the Puerto Rican «Generation of 1950». Arguing - in keeping with Soto's generational and personal pessimism - that the protagonists are anti-heroes who struggle with their environment and succumb to it in different ways, it acknowledges that the themes of the Puerto Rican novel are firmly rooted in the island's reality, and offers a cogent review of the literary and socio-political context against which Soto's work must be understood. It also inserts Soto into the canon of post-colonial writers while foregrounding his realist approach to characterization, which is the author's means of articulating his social concerns.

The first book solely devoted to Puerto Rican visability and cultural impact. The author looks as such pop icons as JLo and Ricky Martin as well as West Side Story.

Drawing on the long and varied history of discourses of cultural hybridity across the caribbean, this book explores the rich and fraught cultural crossings that are often theorized homogeneously in postcolonial studies as 'hybridity'. What is the relationship of cultural hybridity to social equality? Why have some forms of hybridity been enshrined in the caribbean imagination and others disavowed? What is the appeal of cultural hybridity to nationalist and post-nationalist projects alike? What can we learn from the hybridization of Afro-caribbean and Indo-caribbean cultures set in motion by slavery and indentureship? In answering these questions, this book intervenes in several important debates in postcolonial studies about cultural resistance and popular agency, feminism and cultural nationalism, the relations between postmodernism and postcolonialism, and the status of nationalism in an age of globalization.

The sixteen essays in Writing Off the Hyphen approach the literature of the Puerto Rican diaspora from current theoretical positions, with provocative and insightful results. The authors analyze how the diasporic experience of Puerto Ricans is played out in the context of class, race, gender, and sexuality and how other themes emerging from postcolonialism and postmodernism come into play. Their critical work also demonstrates an understanding of how the process of migration and the relations between Puerto Rico and the United States complicate notions of cultural and national identity as writers confront their bilingual, bicultural, and transnational realities. The collection has considerable breadth and depth. It covers earlier, undertheorized writers such as Luisa Capetillo, Pedro Juan Labarthe, Bernardo Vega, Pura Belpré, Arturo Schomburg, and Graciany Miranda Archilla. Prominent writers such as Rosario Ferré and Judith Ortiz Cofer are discussed alongside often-neglected writers such as Honolulu-based Rodney Morales and gay writer Manuel Ramos Otero. The essays cover all the genres and demonstrate that current theoretical ideas and approaches create exciting opportunities and possibilities for the study of Puerto Rican diasporic literature.