Puppet King

“Bleak, melancholy, and intelligent like the best by Thomas Ligotti and Jon Padgett, these tales unmistakably come from a deep, personal place and will best resonate with searchers after metaphysical horrors.” —Dejan Ognjanović, RUE MORGUE The Puppet King and Other Atonements conjures a horrific universe of puppets, labyrinths, and liminal spaces. Over the span of fourteen Borgesian terrors, Justin A. Burnett inhabits the strange borderlands between intimacy and isolation, fiction and philosophy, reality and nightmare. Sprouting from the blackened landscape of weird writers such as Thomas Ligotti, Jon Padgett, and Brian Evenson, this collection is a bleak, unflinching gaze into the vertiginous depths of the nonhuman. “A collection brimming with sublime torments. Burnett masterfully grasps the transcendent grotesque, weaving tales charged with cosmic danger. A refreshing and powerful new voice in contemporary dread.” —Rebecca Gransden, author of SEA OF GLASS “Burnett takes you through a journey of contrasts. At once delicate and painfully intimate, yet vast, reverberant and strange, The Puppet King and Other Atonements draws the reader deep into the primordial to the very edge of the stars. Highly recommended.” —Emma J. Gibbon, author of DARK BLOOD COMES FROM THE FEET

Treason within, war from without. Torn asunder by the nightmares of a mad king, the elven realm of Silvanesti has nearly been restored to its former grandeur. But the elf Porthios, returning to his homeland, launches a rebellion against young Gilthas, his own nephew. Gilthas's troubles are multiplied by threats from green dragons and from the Knights of Takhisis. Now, with Porthios at his throat, Gilthas must choose between blood and honor. Douglas Nile's Dragonlance novel is filled with treachery and intrigue among the elves during the Chaos War, the backdrop for The New York Times best-selling novel Dragons of Summer Flame.

The puppet creates delight and fear. It may evoke the innocent play of childhood, or become a tool of ritual magic, able to negotiate with ghosts and gods. Puppets can be creepy things, secretive, inanimate while also full of spirit, alive with gesture and voice. In this eloquent book, Kenneth Gross contemplates the fascination of these unsettling objects—objects that are also actors and images of life. The poetry of the puppet is central here, whether in its blunt grotesquery or symbolic simplicity, and always in its talent for metamorphosis. On a meditative journey to seek the idiosyncratic shapes of puppets on stage, Gross looks at the anarchic Punch and Judy show, the sacred shadow theater of Bali, and experimental theaters in Europe and the United States, where puppets enact everything from Baroque opera and Shakespearean tragedy to Beckettian farce. Throughout, he interweaves accounts of the myriad faces of the puppet in literature—Collodi’s cruel, wooden Pinocchio, puppetlike characters in Kafka and Dickens, Rilke’s puppet-angels, the dark puppeteering of Philip Roth’s Micky Sabbath—as well as in the work of artists Joseph Cornell and Paul Klee. The puppet emerges here as a hungry creature, seducer and destroyer, demon and clown. It is a test of our experience of things, of the human and inhuman. A book about reseeing what we know, or what we think we know, Puppet evokes the startling power of puppets as mirrors of the uncanny in life and art.

Puppet Play Therapy is a comprehensive guidebook that describes the basic skills, techniques, and applications for selecting and working with puppets in specific types of settings and populations. Written by preeminent voices in the field, chapters offer invaluable guidance on selecting, using, and assessing puppet-based therapeutic interventions. Both beginning and experienced clinicians will also appreciate the inclusion of practical, step-by-step approaches and reproducible handouts that will aid them in their puppet play therapy sessions.

Please note this is a 'Palgrave to Order' title (PTO). Stock of this book requires shipment from an overseas supplier. It will be delivered to you within 12 weeks. This study analyses the history of puppet, mask, and performing object theatre in the United States over the past 150 years to understand how a peculiarly American mixture of global cultures, commercial theatre, modern-art idealism, and mechanical innovation reinvented the ancient art of puppetry.

As the 100 Years War ground to its dismal end, England groaned under the misrule of Henry VI and his Lancastrian favorites. The House of York rose in rebellion; and Parliament restored York in the line of inheritance to the throne. Edward, Earl of March, triumphed at the Battle of Mortimer's Cross; Parliament asked him to be King and the people proclaimed him Edward IV. His life and legacy are chronicled in Edward IV, England's Forgotten Warrior King. For ten years, Edward struggled against repeated Lancastrian rebellions. He was driven from his kingdom by Richard, Earl of Warwick, but then he won decisive victories at the Battles of Barnet and Tewkesbury in 1471. For another twelve years, he reigned wisely with peace and prosperity, as a beloved King; but then he died at age forty one and his twelve-year-old son was proclaimed Edward V. Richard, Duke of Gloucester, seized the throne and put young Edward and his brother in the Tower of London, from where they never emerged alive. Richard III was a good King and wanted to be respected, but the people believed he had murdered the Princes in the Tower, and would not forgive him. Queen Elizabeth and Margaret Beaufort plotted with Henry Tudor, who invaded England in 1485. Henry Tudor then defeated and killed Richard III at the Battle of Bosworth Field. Henry Tudor (Henry VII) was crowned King and married Edward IV's daughter Elizabeth; the resultant Tudor dynasty would rule England for another 118 years.

DEATH AND RESURRECTION “We are going to look at the doctrine of the resurrection of the dead, and the makeup of man: body, soul and spirit. What happens to the three parts of our being when we die; and what happens when we are raised from the dead.” Author, Teacher and Prophet: Kenneth Allan Clark translates Greek and Hebrew texts into their original meanings, unlocking important understandings lost in the English translation of popular Bibles today. Death and Resurrection is the first part of Kenneth Allan Clark’s original book - Death, Resurrection and The Last 10 1/2 Years Before The Second Coming Of Jesus Christ. The Last 10 1/2 Years, is the second. The two parts have been separated to bring you this stand alone publication; Death and Resurrection. Published by Just Restoration Online ©️ 2021