Puppets Masks

This volume, which originally appeared as a special issue of TDR/The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives. Puppets and masks are central to some of the oldest worldwide forms of art making and performance, as well as some of the newest. In the twentieth century, French symbolists, Russian futurists and constructivists, Prague School semioticians, and avant-garde artists around the world have all explored the experimental, social, and political value of performing objects. In recent years, puppets, masks, and objects have been the focus of Broadway musicals, postmodernist theory, political spectacle, performance art, and new academic programs, for example, at the California Institute of the Arts.This volume, which originally appeared as a special issue of TDR/The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives. The topics include Stephen Kaplin's new theory of puppet theater based on distance and ratio, a historical overview of mechanical and electrical performing objects, a Yiddish puppet theater of the 1920s and 1930s, an account of the Bread and Puppet Theater's Domestic Resurrection Circus and a manifesto by its founder, Peter Schumann, and interviews with director Julie Taymor and Peruvian mask-maker Gustavo Boada. The book also includes the first English translation of Pyotr Bogatyrev's influential 1923 essay on Czech and Russian puppet and folk theaters. Contributors John Bell, Pyotr Bogatyrev, Stephen Kaplin, Edward Portnoy, Richard Schechner, Peter Schumann, Salil Singh, Theodora Skipitares, Mark Sussman, Steve Tilllis

Art and Crafts with Children provides over 50 creative activities from 8 different fields, including printing, drawing, puppets and masks and design and technology.

Describes storytelling arts projects - activities include puppets of all sizes, masks and other larger-than-life characters. Instructions for producing sound effects and scenery, and scripts of folk tales in which the puppets and masks can be used, round out the theme.

Puppetry has become a significant force in contemporary theatre and thousands of puppets from various cultures and time periods have been collected by scholars, enthusiasts, and curators, who wisely realized that these material images can teach us much about the societies for which they were created. This book consists of essays by the curators of the most significant puppet collections in the United States and by leading scholars in the field. In addition to the descriptive and analytical essays on the collections, the book includes an overview of American puppetry today, a history of puppetry in the United States, and essays on the theater of Julie Taymor, the Jim Henson Company, Howdy Doody's custody case, puppet conservation, and the development of virtual performance space. The fourteen collections discussed include those of the Smithsonian Institution, the Harvard University Theatre Collection, the Brander Matthews Collection at Columbia University, the American Museum of Natural History, and the Center for Puppetry Arts in Atlanta. Appendices provide a listing of additional puppetry collections and a filmography of puppetry at the New York Public Library Donnell Media Center. The work concludes with a bibliography and index and is illustrated with many beautiful photographs of puppeteers and puppets on display and in performance.

The elaborately fashioned and gilded masks worn by dancers performing in the popular Ramayana dance drama are one of the enduring symbols of Thai culture. Since their introduction at the beginning of the Rattanakosin period in the late 18th century, many hundreds of thousands of masks have been produced by skilled craftsmen. Less well-known as an art form, the history of Thai puppetry dates back to as early as the 11th century, with mention being made in inscriptions from north and central Thailand regarding their role as an offering to the gods. During the reign of King Narai of Ayutthaya in the 17th century, large, metre-high puppets known as Hun Luang were used to relate popular folk tales for the enjoyment of the court and the general public. However, the greatest evidence for the popularity of Thai puppets comes from the Bangkok period (1782 to the present), when a puppet performance would form part of many ceremonies from funerals to Buddhist holy days. Today, practitioners of these art forms are becoming scarce and the finely crafted puppets in particular are hard to find. This book unites for the first time puppets and masks from some of the finest collections, and will help to make a unique facet of Thai culture more widely known. 250 colour illustrations